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Catch 22 (1961)

par Joseph Heller

Autres auteurs: Richard M. Scotto (Directeur de publication)

Autres auteurs: Voir la section autres auteur(e)s.

Séries: Catch-22 (1)

MembresCritiquesPopularitéÉvaluation moyenneMentions
40,40753350 (4.1)986
20th century culture - war fiction
  1. 525
    Abattoir 5 par Kurt Vonnegut (kiwiflowa, WisePolyphemos)
  2. 176
    La conjuration des imbéciles par John Kennedy Toole (InvisiblerMan)
  3. 124
    Expiation par Ian McEwan (rosylibrarian)
  4. 80
    Closing Time par Joseph Heller (Utilisateur anonyme)
    Utilisateur anonyme: Joseph Heller's sequel to "Catch-22" set in the early 1990s.
  5. 136
    À l'ouest, rien de nouveau par Erich Maria Remarque (kittycatpurr)
  6. 71
    Vol au-dessus d'un nid de coucou par Ken Kesey (gbill)
  7. 40
    Dans l'armée de pharaon par Tobias Wolff (paulkid)
    paulkid: Me, I think that true stories are the most absurd. For me, "In Pharaoh's Army" may not be as funny as "Catch-22", but it's close and definitely has made me consider my own serious outlook on life a little less, well, seriously. See if you agree.
  8. 30
    King Rat par James Clavell (John_Vaughan)
  9. 52
    Le Brave Soldat Chveïk par Jaroslav Hašek (roby72)
  10. 41
    Just One Catch: A Biography of Joseph Heller par Tracy Daugherty (Imprinted)
    Imprinted: This biography includes a lengthy section on the writing and publishing of Catch-22, the tragicomic 1961 novel that originated in Heller’s experience as a World War II bombardier
  11. 53
    Le Guide du routard galactique par Douglas Adams (wvlibrarydude)
    wvlibrarydude: Satire and humor that will split your gut. Read if you want to laugh at humanity.
  12. 20
    The Bamboo Bed par William Eastlake (tootstorm)
    tootstorm: A genuine equal to Catch-22 written for the Vietnam age. Not just a cheap attempt to imitate Heller's talent-slash-luck, Eastlake may well have surpassed his masterpiece with this long-last classic. Read alongside Dispatches to maximize pleasure; then continue your newfound, inevitable addiction to all things Eastlake, because he really is that good--and he really is that inexplicably, undeservably unknown.… (plus d'informations)
  13. 42
    Nouvelles par J. D. Salinger (girlunderglass)
    girlunderglass: Both stories about war, plus Heller owes much to Salinger in terms of authorial voice (wit, vernacular language, goddamits, sense of humor)
  14. 21
    La guerre des fesses de don Emmanuel par Louis de Bernières (Pedrolina)
    Pedrolina: Both books take on the slightly surreal side to war, but with serious consequences nonetheless.
  15. 11
    Veronika décide de mourir par Paulo Coelho (chrissybob)
    chrissybob: Similar views on mental health
  16. 00
    And No Birds Sang par Farley Mowat (ShaneTierney)
  17. 00
    La folle semence 131 par Anthony Burgess (Utilisateur anonyme)
    Utilisateur anonyme: Satire that includes an anti-war message
  18. 00
    Les annees de chien par Günter Grass (aprille)
  19. 00
    Survival Lottery par Vrin del Royal (Utilisateur anonyme)
  20. 01
    War Story par Derek Robinson (Polaris-)

(voir toutes les recommandations de 25)

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» Voir aussi les 986 mentions

Anglais (505)  Suédois (5)  Néerlandais (3)  Espagnol (3)  Allemand (2)  Norvégien (2)  Danois (2)  Portugais (Brésil) (1)  Slovaque (1)  Portugais (Portugal) (1)  Russe (1)  Hébreu (1)  Catalan (1)  Italien (1)  Toutes les langues (529)
Affichage de 1-5 de 529 (suivant | tout afficher)
Joseph Heller is hilarious. Catch 22 is terribly thin on plot and if you're like me it will take you a year to get through this book, but every second of it will be packed full of laughs. Heller put it best in response to a critic of his later work who stated that the author hadn't since written anything to come close to Catch-22, Heller's response of, "who has?," sums it up quite well. Catch-22 may not be the integral piece of literature many people claim it to be, but it sure is funny. ( )
  capincus | Jul 13, 2024 |
At first I hated this book. It read like a series of cacophonic vignettes that were loosely connected, kept repeating, and made no sense. All the characters seemed to thrive off trolling each other, lying, and generally being corrupt. It was like a really bad version of M*A*S*H. It also felt like Gretchen Wieners trying to make "fetch" a thing, but in this case it was Joseph Heller making "Catch-22" a thing... and actually succeeding.

Then about halfway through the book it started to make sense. The repetitive vignettes started having more details. The characters became more relatable. The story was actually moving forward. I no longer hated it, but I did not enjoy it.

In the last quarter of the book, I was invested. The vignettes became core memories that, once recalled in completion explained so much of why the main characters were the way they were. I understood why the characters were so unlikable, and that made me appreciate them and like them... most of them.

I still can't say I enjoyed the book, but I can say that I appreciated it. Reading it ended up being like peeling back the layers of an onion made of memories. As you peel back the layers, you slowly understand why those layers existed - why those memories were hidden from plain view. Imaging someone trying to survive a war with those memories, it makes sense that layers would be built up as a survival mechanism.

The open ending made me feel similarly to the end of Handmaid's Tale: grim with only the slightest hint of hope. I like endings like that, leaving the reader to speculate and analyze. It's the kind of story with the kind of ending that makes you just want to sit with it for a spell after you've finished.

( )
  H4ppyN3rd | Jun 28, 2024 |
Love. ( )
  theveggies | May 27, 2024 |
This book is a treasure trove of flagrant incompetence. The 1961 book: Catch 22 could be said to be an extended illustration of [b:The Peter Principle|890728|The Peter Principle|Laurence J. Peter|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1347586680l/890728._SY75_.jpg|875969], which was published in 1969. It seems like everyone in the unit is incompetent. They each have misguided goals that seldom align with the organization goals. The book describes interactions between them, not the German enemy.

The first few chapters are people talking nonsense past each other, frequently there long conversations that are deliberate misunderstandings of simple communication. It seems as if everyone hates and fears everyone else in their unit.

After reading it for a while, I found myself falling into the same miscommunication patterns that they were using. That almost caused me to stop reading, but it is so highly rated by other people that I kept on in hopes that it would get better. It only got marginally better.

I struggled to give it a rating of 3 stars, but after reading more decided to give it 2 stars, which feels more appropriate for a book where nonsense, misunderstanding, belittlement, mayhem, and rage are the standard fare. Lies, including blatant lies are the order of the day. Consequences are rare, random, and often applied to the innocent with truth being totally irrelevant. Meanness to each other and misdeeds are followed by more misdeeds. This book only serves as an example of doing things wrong.

With military like this, it’s amazing that we won the war. But then, this purports to be a work of fiction. Doesn’t it? A review of [b:The True Story of Catch 22: The Reality that Inspired one of the Great Classics in American Literature|45486006|The True Story of Catch 22 The Reality that Inspired one of the Great Classics in American Literature|Patricia Chapman Meder|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1557174422l/45486006._SY75_.jpg|70264505] caused me to read Catch-22.

The front material and the after material caught my interest more than the book.

I am delighted that I did not purchase a copy of this book. ( )
  bread2u | May 15, 2024 |
"Did not like it" is awfully generous. Zero stars "I hated it" is more accurate.
This is a sexist, misogynistic waste of paper! ( )
  mamalovesfour | Apr 26, 2024 |
Affichage de 1-5 de 529 (suivant | tout afficher)

» Ajouter d'autres auteur(e)s (39 possibles)

Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Heller, Josephauteur principaltoutes les éditionsconfirmé
Scotto, Richard M.Directeur de publicationauteur secondairetoutes les éditionsconfirmé
Bradbury, MalcolmIntroductionauteur secondairequelques éditionsconfirmé
Buckley, ChristopherIntroductionauteur secondairequelques éditionsconfirmé
Ceserani, RemoTraducteurauteur secondairequelques éditionsconfirmé
Danehl, GüntherTraducteurauteur secondairequelques éditionsconfirmé
Danehl,IreneTraducteurauteur secondairequelques éditionsconfirmé
Jęczmyk, LechTraducteurauteur secondairequelques éditionsconfirmé
Kliphuis, J.F.Traducteurauteur secondairequelques éditionsconfirmé
Lahtela, MarkkuTraducteurauteur secondairequelques éditionsconfirmé
Packer, NeilIllustrateurauteur secondairequelques éditionsconfirmé
Sanders, Jay O.Narrateurauteur secondairequelques éditionsconfirmé
Szilágyi TiborTraducteurauteur secondairequelques éditionsconfirmé

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There was only one catch... and that was Catch-22.

This island of Pianosa lies in the Mediterranean Sea eight miles south of Elba. It is very small and obviously could not accommodate all of the actions described. Like the setting of this novel, the characters, too, are fictitious.
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To Candida Donadio, literary agent, and Robert Gottlieb, editor. Colleagues.
To my mother
and to Shirley
and my children, Erica and Ted
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They had not brains enough to be introverted and repressed.
There was only one catch, and that was Catch-22.
The enemy is anybody who’s going to get you killed, no matter which side he’s on.
"Sure, that's what I mean," Doc Daneeka said. "A little grease is what makes this world go round. One hand washes the other. Know what I mean? You scratch my back, I'll scratch yours."

Yossarian knew what he meant.

"That's not what I meant," Doc Daneeka said, as Yossarian began scratching his back.
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20th century culture - war fiction

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