Joseph Heller (1) (1923–1999)
Auteur de Catch 22
Pour les autres auteurs qui s'appellent Joseph Heller, voyez la page de désambigüisation.
A propos de l'auteur
American novelist and dramatist Joseph Heller was born in Brooklyn, N.Y. on May 1, 1923. Heller started off his writing career by publishing a series of short stories, but he is most famous for his satirical novel Catch-22. Set in the closing months of World War II, Catch-22 tells the story of a afficher plus bombardier named Yossarian who discovers the horrors of war and its aftereffects. This novel brought the phrase "catch-22," defined in Webster's Dictionary as "a situation presenting two equally undesirable alternatives," into everyday use. Heller wrote Closing Time, the sequel to Catch-22, in 1994. Other novels include As Good As Gold and God Knows. He also wrote No Laughing Matter, an account of his struggles with Guillain-Barr Syndrome, a neurological disorder, in 1986. Thirty-five years after writing his first book, Heller wrote his autobiography, entitled Now and Then: From Coney Island to Here. In his memoirs, Heller reminisces about what it was like growing up in Coney Island in the 1930s and 1940s. On December 13, 1999, Heller died of a heart attack in his home on Long Island. His last novel, Portrait of the Artist as an Old Man, was published shortly after his death. (Bowker Author Biography) afficher moins
Crédit image: Photograph by Jerry Bauer
Séries
Œuvres de Joseph Heller
Oeuvres associées
Very seventies : a cultural history of the 1970s, from the pages of Crawdaddy (1995) — Contributeur — 24 exemplaires
Étiqueté
Partage des connaissances
- Nom légal
- Heller, Joseph
- Date de naissance
- 1923-05-01
- Date de décès
- 1999-12-12
- Sexe
- male
- Nationalité
- USA
- Lieu de naissance
- Brooklyn, New York, New York, USA
- Lieu du décès
- East Hampton, New York, USA
- Cause du décès
- heart attack
- Lieux de résidence
- New York, New York, USA
East Hampton, New York, USA - Études
- University of Southern California
New York University (BA ∙ 1948)
Columbia University (MA ∙ 1949 ∙ English)
Oxford University (St. Catherine's College)
Abraham Lincoln High School - Professions
- university teacher
advertising industry
novelist
bombardier - Relations
- Heller, Ted (son)
Heller, Erica (daughter) - Organisations
- American Academy of Arts and Letters (Literature ∙ 1977)
Pennsylvania State University
US Army Air Force (WWII) - Prix et distinctions
- Fulbright Fellowship (1949-50)
American Academy of Arts and Letters Academy Award (1963) - Agent
- Candida Donadio
- Courte biographie
- Joseph Heller (May 1, 1923 – December 12, 1999) was an American author of novels, short stories, plays, and screenplays. His best-known work is the novel Catch-22, a satire on war and bureaucracy, whose title has become a synonym for an absurd or contradictory choice.
Joseph Heller was born in Brooklyn in 1923. In 1961, he published Catch-22, which became a bestseller and, in 1970, a film. He went on to write such novels as Good as Gold, God Knows, Picture This, Closing Time (the sequel to Catch-22), and Portrait of an Artist, as an Old Man. Heller died in December 1999.
Membres
Discussions
63. Something Happened by Joseph Heller à Backlisted Book Club (Mars 2022)
Critiques
Something Happened par Joseph Heller
It's no Catch-22. Similar wit, but at an even more boring pace.
Joseph Heller is hilarious. Catch 22 is terribly thin on plot and if you're like me it will take you a year to get through this book, but every second of it will be packed full of laughs. Heller put it best in response to a critic of his later work who stated that the author hadn't since written anything to come close to Catch-22, Heller's response of, "who has?," sums it up quite well. Catch-22 may not be the integral piece of literature many people claim it to be, but it sure is funny.
At first I hated this book. It read like a series of cacophonic vignettes that were loosely connected, kept repeating, and made no sense. All the characters seemed to thrive off trolling each other, lying, and generally being corrupt. It was like a really bad version of M*A*S*H. It also felt like Gretchen Wieners trying to make "fetch" a thing, but in this case it was Joseph Heller making "Catch-22" a thing... and actually succeeding.
Then about halfway through the book it started to make sense. The repetitive vignettes started having more details. The characters became more relatable. The story was actually moving forward. I no longer hated it, but I did not enjoy it.
In the last quarter of the book, I was invested. The vignettes became core memories that, once recalled in completion explained so much of why the main characters were the way they were. I understood why the characters were so unlikable, and that made me appreciate them and like them... most of them.
I still can't say I enjoyed the book, but I can say that I appreciated it. Reading it ended up being like peeling back the layers of an onion made of memories. As you peel back the layers, you slowly understand why those layers existed - why those memories were hidden from plain view. Imaging someone trying to survive a war with those memories, it makes sense that layers would be built up as a survival mechanism.
The open ending made me feel similarly to the end of Handmaid's Tale: grim with only the slightest hint of hope. I like endings like that, leaving the reader to speculate and analyze. It's the kind of story with the kind of ending that makes you just want to sit with it for a spell after you've finished.
… (plus d'informations)
Then about halfway through the book it started to make sense. The repetitive vignettes started having more details. The characters became more relatable. The story was actually moving forward. I no longer hated it, but I did not enjoy it.
In the last quarter of the book, I was invested. The vignettes became core memories that, once recalled in completion explained so much of why the main characters were the way they were. I understood why the characters were so unlikable, and that made me appreciate them and like them... most of them.
I still can't say I enjoyed the book, but I can say that I appreciated it. Reading it ended up being like peeling back the layers of an onion made of memories. As you peel back the layers, you slowly understand why those layers existed - why those memories were hidden from plain view. Imaging someone trying to survive a war with those memories, it makes sense that layers would be built up as a survival mechanism.
The open ending made me feel similarly to the end of Handmaid's Tale: grim with only the slightest hint of hope. I like endings like that, leaving the reader to speculate and analyze. It's the kind of story with the kind of ending that makes you just want to sit with it for a spell after you've finished.
… (plus d'informations)
Listes
Overdue Podcast (1)
THE WAR ROOM (1)
2017 Goal (1)
BBC Big Read (1)
Classics (1)
Banned Books (1)
Page Turners (1)
Five star books (1)
Best War Stories (1)
Folio Society (1)
Best First Lines (1)
Best Young Adult (1)
Reiny (1)
First Novels (1)
Favourite Books (1)
Five Star Novels (1)
Read This Next (1)
Unread books (1)
Florida (1)
Bureaucracies (1)
Best Satire (1)
AP Lit (1)
1960s (1)
A Novel Cure (1)
BBC Big Read (1)
War Literature (1)
Read (2)
BitLife (1)
Read (1)
Backlisted (1)
100 (1)
Modernism (1)
Funny Books (1)
Antiheroes (1)
Fiction For Men (1)
Jim's Bookshelf (1)
Prix et récompenses
Vous aimerez peut-être aussi
Auteurs associés
Statistiques
- Œuvres
- 17
- Aussi par
- 10
- Membres
- 49,890
- Popularité
- #303
- Évaluation
- 4.0
- Critiques
- 632
- ISBN
- 504
- Langues
- 26
- Favoris
- 121
