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Strong of will and slender of ankle, twenty-year-old orphan Flora Poste is blessed with every virtue save that of being able to earn her own living. Casting around for suitable relatives with whom she can make her home, Flora alights on the mysterious Starkadders and, ignoring the horrified shrieks of her friends, heads down to darkest Sussex.
There she is confronted by an exceptionally odd cast of characters: grief-stricken Judith, fervently religious Amos, the lusty. smouldering Seth, wild and mysterious Elfine and, of course, the invisible tyrant Great Aunt Ada Doom who saw something nasty in the woodshed. Many would be overcome by the simmering passions of the Starkadder family, but not Flora. All they need is a little organising.
Stella Gibbons' deliciously witty parody has been delighting readers since 1932 and retains its original sunny charm in this BBC Radio 4 full-cast dramatisation.
Bjace: While it's not in the same genre, the books are similiar. Both Sophy and Flora Post are Miss Fix-its, whose practical, problem-solving approach to life is a contrast to the silliness of their relatives. Also, both are delightful reads in different ways.
thorold: The Rainbow is a great novel that's well worth reading for its own sake, but it's also the supreme example of the over-portentous way of writing about the countryside that makes the parody in Cold Comfort Farm so hilarious.
À la mort de ses parents, Flora décide de quitter Londres pour s'installer chez une cousine du Sussex, afin d'éviter de chercher du travail. Publié en 1932, ce roman d'anticipation qui se passe dans les années 40, après la guerre anglo-nicaraguayenne, à une époque où le téléphone passe par la télévision et où la poste est aérienne, parodie avec bonheur les textes classiques de Jane Austen ou Jerome K. Jerome, flirte avec le politiquement (in)correct, y ajoute un brin de fantastique et de romance et une héroïne aux airs de Mary Poppins. Si les contrastes ville-campagne semblent caricaturaux à un lecteur contemporain, l'humour "very British", l'excentricité des personnages et la vitalité de l'ensemble emportent l'adhésion. ( )
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
Let other pens dwell on guilt and misery Mansfield Park.
NOTE
The action of the story takes place in the near future.
Dédicace
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
To Allan and Ina
Premiers mots
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
To Anthony Pookworthy, Esq., A.B.S., L.L.R.
My dear Tony, It is with something more than the natural deference of a tyro at the loveliest, most arduous and perverse of the arts in the presence of a master-craftsman that I lay this book before you. (Foreword)
The education bestowed upon Flora Poste by her parents had been expensive, athletic and prolonged; and when they died within a few weeks of one another during the annual epidemic of influenza or Spanish Plague which occured in her twentieth year, she was discovered to possess every art and grace save that of earning her own living.
Citations
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
"I saw something nasty in the woodshed!"
She loved them all dearly, but this evening she just did not want to see them any more.
There have always been Starkadders at Cold Comfort.
"Straw or chaff, leaf or fruit, we mun all come to 't."
"Curses, like rookses, comes home to rest in bosomes and barnses."
It was curious that persons who lived what the novelists call a rich emotional life always seemed to be a bit slow on the uptake.
The trout-sperm in the muddy hollow under Nettle Flitch Weir were agitated, and well they might be. The long screams of the hunting owls tore across the night, scarlet lines on black. In the pauses, every ten minutes, they mated. It seemed chaotic, but it was more methodically arranged that you might think.
Judith's breath came in long shudders. She thrust her arms deeper into her shawl. The porridge gave an ominous, leering heave; it might almost have been endowed with life, so uncannily did its movements keep pace with the human passions that throbbed above it.
A thin wind snivelled among the rotting stacks of Cold Comfort, spreading itself in a sheet of flowing sound across the mossed tiles. Darkness whine with the soundless urge of growth in the hedges, but that did not help any.
"Nature is all very well in her place, but she must not be allowed to make things untidy."
Derniers mots
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
Even to a tyro as unpractised as myself, who has spent the best creative years of her life in the vulgar and meaningless bustle of newspaper offices, there is some consolation, some sudden exaltation into a serener and more ardent air, in subscribing herself, Ever, my dear Tony, Your grateful debtor, Stella Gibbons
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Strong of will and slender of ankle, twenty-year-old orphan Flora Poste is blessed with every virtue save that of being able to earn her own living. Casting around for suitable relatives with whom she can make her home, Flora alights on the mysterious Starkadders and, ignoring the horrified shrieks of her friends, heads down to darkest Sussex.
There she is confronted by an exceptionally odd cast of characters: grief-stricken Judith, fervently religious Amos, the lusty. smouldering Seth, wild and mysterious Elfine and, of course, the invisible tyrant Great Aunt Ada Doom who saw something nasty in the woodshed. Many would be overcome by the simmering passions of the Starkadder family, but not Flora. All they need is a little organising.
Stella Gibbons' deliciously witty parody has been delighting readers since 1932 and retains its original sunny charm in this BBC Radio 4 full-cast dramatisation.
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