AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

Le Moulin sur la Floss (1860)

par George Eliot

Autres auteurs: Voir la section autres auteur(e)s.

MembresCritiquesPopularitéÉvaluation moyenneDiscussions / Mentions
8,430118943 (3.79)1 / 494
Classic Literature. Fiction. Literature. Historical Fiction. HTML:

Set in nineteenth-century England, this great novel of domestic realism sympathetically portrays a young woman's vain efforts to adapt to her provincial world.

Maggie Tulliver, whose father owns a mill perched on the banks of the River Floss, is intelligent and imaginative beyond the understanding of her community, her relatives, and particularly her brother, Tom. Despite their opposite temperaments, Maggie and Tom are united by a strong bond. But this bond suffers when Tom's sense of family honor leads him to forbid her to associate with the one friend who appreciates her intelligence and imagination. Later, when Maggie falls in love with the handsome and passionate fiancé of her cousin and is caught in a compromising situation, she fears her relationship with Tom may never recover.… (plus d'informations)

  1. 130
    Jane Eyre par Charlotte Brontë (ncgraham)
    ncgraham: Two Victorian heroines approach the question of how to reconcile passion and morality in very different ways.
  2. 100
    Middlemarch par George Eliot (Booksloth)
  3. 41
    Jude l'obscur par Thomas Hardy (Booksloth)
  4. 64
    Les hauts de Hurle-Vent par Emily Brontë (roby72)
  5. 00
    David Copperfield par Charles Dickens (kara.shamy)
1860s (5)
AP Lit (64)
My TBR (22)
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

» Voir aussi les 494 mentions

Anglais (115)  Espagnol (2)  Italien (1)  Toutes les langues (118)
Affichage de 1-5 de 118 (suivant | tout afficher)
Tom was a heartless, self-righteous ass. Maggie was an insipid sop of a fool, self-righteous in her own way. The one was a mindless roar, the other a detestable whimper. Such wonderful writing, but I ceased caring about any of these hateful characters at least halfway through the book. I had to force myself to finish it. By the end, I was earnestly hoping that Maggie would fling herself into the Floss and make a pleasing end of things for everyone. It isn't hard to imagine how happy I was about the ending, at least, though no auto de fé could suffice to redeem these two obnoxious characters.

Why did you do this to me, George Eliot? I won't soon forgive this offense. ( )
  judeprufrock | Jul 4, 2023 |
While I immediately disliked the way everyone except her father treated Maggie, I was mildly enjoying this classic about the struggles of a middle class family in Victorian England until the final 2 books (about the final 20%). I found Maggie's behavior in these final sections so intensely irritating that it ruined the book for me.

This is the 3rd George Eliot book I have read & overall I haven't been a fan. Guess I will skip Daniel Deronda and Adam Bede (both on the Guardian's list) at least for the near future!

Nadia May was excellent even though I didn't care for the book & I would recommend her narration. ( )
  leslie.98 | Jun 27, 2023 |
This novel was Eliot’s follow-up to her successful Adam Bede. While I didn’t feel it was consistently as strong as that book, and my attention wavered at times, I enjoyed it overall. In particular, the crisis that destroys Maggie Tulliver’s reputation while at the same time strengthening her moral conviction, as well as the denouement that followed, swept me along like the raging waters of the Humber (sorry, Floss).
As for what bothered me: I felt the relationship between Maggie and her beloved, implacable brother Tom was too closely modeled on that of Eliot and her brother Isaac, who never reconciled with her after she set up house with George Henry Lewes. And the depiction of Maggie’s four aunts was, to me, overdone; I felt the same effect could have been achieved with fewer pen strokes. In addition, the juxtaposition of satire and pathos pulled the narrative in opposite directions. And the repeated foreshadowing of Maggie’s eventual fate was, to my taste, heavy-handed.
Balanced against that is the lovingly detailed realism of rural life evident in every one of her works I’ve read so far. In addition, there is her characteristic analysis of the dynamics of small-town society. For me, the contrast of the demands of competing modes of “morality” — Christian and societal — in the wake of Maggie’s ordeal is a strong point of the book. The ground had been prepared for it at the midpoint, the opening chapter of Book 4, “A Variation of Protestantism Unknown to Bossuet.” I continue to be struck by Eliot’s “post-anti-evangelicalism,” her sympathetic depiction of a faith she no longer shares. In this book, this is not only embodied by Maggie but also by the local vicar, Dr. Kenn (well-named; he is the one who truly knows).
As a child, Maggie is so impetuous and clumsy that it’s hard to imagine, given her precocious intelligence, that she can’t foresee the consequences of her actions.
This trait of the childhood Maggie returns at the book’s climax, when she awakens to the reality of having allowed herself to be swept away with the tide (literally) in the company of her cousin’s intended, Stephen Guest. At this book’s heart, as in most of Eliot’s work, is the theme of the restricted life chances for women in early nineteenth-century England. Her behavior throughout this episode must be read in the context of the options of a young woman in her time. When so read, it’s clear that alongside her acquiescence to her fate is the fierce struggle to support herself and achieve self-determination. At heart is a profound ethical resolve. ( )
1 voter HenrySt123 | Jun 13, 2023 |
Inspirada en gran parte en los recuerdos de la infancia de George Eliot, que transcurrió en las propiedades paternas de Warwickshire junto a su hermano Isaac, El molino del Floss (1860) gira en torno al desigual destino de Tom y Maggie Tulliver. A pesar de la inteligencia natural de Maggie, es Tom, por ser varón, quien recibe educación y en quien el padre -y por supuesto la sociedad provinciana de mediados del siglo XIX- confía para el futuro del molino. Cuando los niños se acercan a la juventud, la desgracia económica cae sobre la familia, y los hermanos se ven obligados a enfrentarse a las dificultades.
  Natt90 | Mar 29, 2023 |
This wasn't a book I knew much about beyond its title before I picked it up. Following brother and sister Tom and Maggie Tolliver through a happy childhood and family disaster where their father loses a lawsuit and with the costs, the mill he's run after his father and all his lands. Maggie adores Tom, but they are very different from each other, and he always ends up seeing the worst in her when they grow up. He successfully becomes a respected man, she's more independent-minded and struggles against the conventions of their community. Maggie kept me engaged all the way through this book, which felt a bit slow going at times. ( )
  mari_reads | Feb 4, 2023 |
Affichage de 1-5 de 118 (suivant | tout afficher)

» Ajouter d'autres auteur(e)s (68 possibles)

Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Eliot, Georgeauteur principaltoutes les éditionsconfirmé
Allen, Walter ErnestIntroductionauteur secondairequelques éditionsconfirmé
Ashton, RosemaryIntroductionauteur secondairequelques éditionsconfirmé
Atkins, EileenReaderauteur secondairequelques éditionsconfirmé
Behler, Albertauteur secondairequelques éditionsconfirmé
Birch, DinahIntroductionauteur secondairequelques éditionsconfirmé
Byatt, A. S.Introductionauteur secondairequelques éditionsconfirmé
Constable, JohnArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Daiches, DavidIntroductionauteur secondairequelques éditionsconfirmé
Davis, J BernardIllustrateurauteur secondairequelques éditionsconfirmé
Haight, Gordon ShermanDirecteur de publicationauteur secondairequelques éditionsconfirmé
Livesey, MargotIntroductionauteur secondairequelques éditionsconfirmé
MacNeill, AlysonIllustrateurauteur secondairequelques éditionsconfirmé
Manning, WrayIllustrateurauteur secondairequelques éditionsconfirmé
Mooney, BelIntroductionauteur secondairequelques éditionsconfirmé
Salomon, LouisIntroductionauteur secondairequelques éditionsconfirmé
Smiley, JanePostfaceauteur secondairequelques éditionsconfirmé
Stephens, IanIllustrateurauteur secondairequelques éditionsconfirmé
Venning, ChristopherDirecteur de publicationauteur secondairequelques éditionsconfirmé
Watson, EmilyReaderauteur secondairequelques éditionsconfirmé

Est contenu dans

Contient

Fait l'objet d'une adaptation dans

Est en version abrégée dans

Contient une étude de

Contient un commentaire de texte de

Contient un guide de lecture pour étudiant

Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Lieux importants
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Évènements importants
Films connexes
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Prix et distinctions
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Épigraphe
Dédicace
Premiers mots
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
A wide plain, where the broadening Floss hurries on between its green banks to the sea, and the loving tide, rushing to meet it, checks its passage with an impetuous embrace. On this mighty tide the black ships -laden with the fresh-scented fir-planks, with rounded sacks of oil-bearing seed, or with the dark glitter of coal—are borne along to the town of St. Ogg's, which shows its aged, fluted red roofs and the broad gables of its wharves between the low wooded hill and the river-brink, tingeing the water with a soft purple hue under the transient glance of this February sun. Far away on each hand stretch the rich pastures, and the patches of dark earth made ready for the seed of broad-leaved green crops, or touched already with the tint of the tender-bladed autumn-sown corn. There is a remnant still of last year's golden clusters of beehive-ricks rising at intervals beyond the hedgerows; and everywhere the hedgerows are studded with trees; the distant ships seem to be lifting their masts and stretching their red-brown sails close among the branches of the spreading ash. Just by the red-roofed town the tributary Ripple flows with a lively current into the Floss. How lovely the little river is, with its dark changing wavelets! It seems to me like a living companion while I wander along the bank, and listen to its low, placid voice, as to the voice of one who is deaf and loving. I remember those large dipping willows. I remember the stone bridge.
Citations
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Such things as these are the mother-tongue of our imagination, the language that is laden with all the subtle, inextricable associations the fleeting hours of our childhood left behind them. Our delight in the sunshine on the deep-bladed grass to-day might be no more than the faint perception of wearied souls, if it were not for the sunshine and the grass in the far-off years which still live in us, and transform our perception into love.
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
Derniers mots
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
(Cliquez pour voir. Attention : peut vendre la mèche.)
Notice de désambigüisation
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
This work is the book. Please do not combine with any of the movies in any format.
Directeur de publication
Courtes éloges de critiques
Langue d'origine
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais

Aucun

Classic Literature. Fiction. Literature. Historical Fiction. HTML:

Set in nineteenth-century England, this great novel of domestic realism sympathetically portrays a young woman's vain efforts to adapt to her provincial world.

Maggie Tulliver, whose father owns a mill perched on the banks of the River Floss, is intelligent and imaginative beyond the understanding of her community, her relatives, and particularly her brother, Tom. Despite their opposite temperaments, Maggie and Tom are united by a strong bond. But this bond suffers when Tom's sense of family honor leads him to forbid her to associate with the one friend who appreciates her intelligence and imagination. Later, when Maggie falls in love with the handsome and passionate fiancé of her cousin and is caught in a compromising situation, she fears her relationship with Tom may never recover.

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: (3.79)
0.5 1
1 25
1.5 2
2 79
2.5 7
3 261
3.5 73
4 431
4.5 60
5 268

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

Penguin Australia

2 éditions de ce livre ont été publiées par Penguin Australia.

Éditions: 0141439629, 0141198915

Tantor Media

Une édition de ce livre a été publiée par Tantor Media.

» Page d'information de la maison d''édition

Urban Romantics

Une édition de ce livre a été publiée par Urban Romantics.

» Page d'information de la maison d''édition

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 195,061,113 livres! | Barre supérieure: Toujours visible