

Chargement... Winesburg-en-Ohio (1919)par Sherwood Anderson
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I know many of my friends did not enjoy this collection as much as I did. They called the interconnected stories "depressing." I chose to focus on the glimpses of small town life and the beautiful way the author painted the picture with adjectives and other words. George Willard appears in most of the stories, and we gain lots of insights into his character through the course of the book. I found a lot of truth in the small town life depiction even a century later. While I know many will disagree with my high rating, this one resonated with me. A collection of short stories about the citizens of the small town. What most of the stories have in common is that each character has something that makes them feel isolated and often desperately unhappy, whether this is a bad marriage or an unsuccessful career or unrequited love. While some readers have found this a depressing book, and it certainly isn't a happy one, there are little unexpected touches of humor, and a lot more sex than you'd expect in a book published in 1919. Winesburg, Ohio by Sherwood Anderson was originally published in 1919 and consists of 22 short stories loosely connected by setting and characters. One character, George Willard, appears in all but 6 of the stories, and we read about his growing up years and his observations in the small fictional town of Winesburg, Ohio. From the moment of reading the first story, “The Book of the Grotesque” the author sets the stage for his series of less than flattering stories about the loneliness and isolation that can exist in a small town. Anderson is reputed to have strongly influenced authors such as Faulkner, Hemingway, Steinbeck and Wolfe by his modern style of writing. Nothing here is over-written or padded with flowery descriptions. The themes that Anderson explores are mostly connected with the inability to communicate and feeling that one doesn’t fit in. While on the surface life moves gently along in this small town, underneath there is darkness, jealousy, and unfulfilled yearnings. While I can certainly see the uniqueness of Winesburg, Ohio, I can’t say that I enjoyed the book as I found the various stories rather depressing. Personally I would have preferred some of the stories to express a little lightness or humor but these loosely connected stories about the troubled characters of Winesburg, Ohio is well worth the read. Series of interconnected stories set in the early part of the 20th century (preindustrial) small town, Ohio. Themes of loneliness and isolation even though these characters are living in a small town.The work is structured around the life of protagonist George Willard, from the time he was a child to his growing independence and ultimate abandonment of Winesburg as a young man.Because of its emphasis on the psychological insights of characters over plot, and plain spoken prose, Winesburg, Ohio is known as one of the earliest works of Modernist literature. It is also a forerunner of the novel made up of a bunch of interconnected short stories. The cycle consists of twenty-two short stories, one of which consists of four parts:[note 1] The Book of the Grotesque Hands—concerning Wing Biddlebaum Paper Pills—concerning Doctor Reefy Mother—concerning Elizabeth Willard The Philosopher—concerning Doctor Parcival Nobody Knows—concerning Louise Trunnion Godliness Parts I and II—concerning Jesse Bentley Surrender (Part III)—concerning Louise Bentley Terror (Part IV)—concerning David Hardy A Man of Ideas—concerning Joe Welling Adventure—concerning Alice Hindman Respectability—concerning Wash Williams The Thinker—concerning Seth Richmond Tandy—concerning Tandy Hard The Strength of God—concerning The Reverend Curtis Hartman The Teacher—concerning Kate Swift Loneliness—concerning Enoch Robinson An Awakening—concerning Belle Carpenter "Queer"—concerning Elmer Cowley The Untold Lie—concerning Ray Pearson Drink—concerning Tom Foster Death—concerning Doctor Reefy and Elizabeth Willard Sophistication—concerning Helen White Departure—concerning George Willard Written third person omniscient narrative.
In the autumn of 1915, while living in a bohemian boardinghouse on Chicago’s Near North Side, Sherwood Anderson began work on a collection of tales describing the tortured lives of the inhabitants of Winesburg, a fictional Ohio town, in the 1890s. Drawing on his own experience growing up in the agricultural hamlet of Clyde, Ohio, he breathed life into a band of neurotic castaways adrift on the flatlands of the Midwest, each of them in their own way struggling — and failing — to locate meaning, personal connection and love amid the town’s elm-shaded streets. Barely a day has passed in more than 20 years during which my thoughts haven’t turned, however fleetingly, to Anderson, “the minor author of a minor masterpiece,” as he once described himself. Winesburg has become my life’s great literary obsession, though for reasons that remain obscure even to me. Het boek kent enkele zich nogal herhalende thema’s en lijdt wat onder de afwezigheid van de psychologische inzichten die de er opvolgende decennia gemeengoed zouden worden. Toch heeft deze terechte heruitgave meer dan louter literair historische waarde. Het toont een Amerika op de historische grens van een agrarische naar een industriële samenleving, en het toont de onmacht, de hopeloos lijkende ontsnappingsstrategieën, de dieptrieste psychologische problematiek van het voetvolk dat nooit erkenning zou krijgen in het Amerikaanse succesverhaal. Sherwood Anderson zal dit nooit als oogmerk hebben gehad, omdat hij het lot van zijn personages als universeel zag en dat met veel mededogen noteerde. Est contenu dansA inspiréContient un guide de lecture pour étudiant
In a deeply moving collection of interrelated stories, this 1919 American classic illuminates the loneliness and frustrations -- spiritual, emotional and artistic -- of life in a small town. Aucune description trouvée dans une bibliothèque |
Couvertures populaires
![]() GenresClassification décimale de Melvil (CDD)813.52 — Literature English (North America) American fiction 20th Century 1900-1944Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:![]()
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Anderson seems to capture the beginning of the Midwest’s shift from agricultural economy to manufacturing economy and the waning of its small towns. Everyone with Midwestern roots ought to read this book. (