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In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking classmate with a gift for acting. The passion that furtively develops between them--along with Callie's failure to develop--leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all. The explanation for this shocking state of affairs takes us out of suburbia--back before the Detroit race riots of 1967, before the rise of the Motor City and Prohibition, to 1922, when the Turks sacked Smyrna and Callie's grandparents fled for their lives. Back to a tiny village in Asia Minor where two lovers, and one rare genetic mutation, set in motion the metamorphosis that will turn Callie into a being both mythical and perfectly real: a hermaphrodite.
_debbie_: Both are (at least partially) historical novels with strong themes of identity, coming of age, and going against the mainstream to stay true to what you feel is right. Although one is set in Victorian England and the other isn't, they both have that same feel of rich language and descriptive place.… (plus d'informations)
librorumamans: The connection of this book to Middlesex is Eugenides' character, Dr Luce, who appears to be modelled on Dr John Money of Johns Hopkins University. As Nature Made Him is a non-fiction account of Money's experimental (and unsuccessful) sex reassignment of David Reimer, whose botched infant circumcision left him genitally mutilated.
Both books compellingly look at the complexity of gender identity.… (plus d'informations)
ainsleytewce: Both are very American stories, about families in the 20th century, fighting wars, starting businesses, raising families, and both feature a teenage protagonist.
jacr: A scholarly discussion of the decline of Detroit and its race riots. People who liked Eugenides's fictional account of Detroit might be interested in this historical version.
Histoire d'une jeune américaine a travers la vie de ses grands parents grecs émigres en 1922, de ses parents ( notamment son père self-made Man a l'américaine) jusqu'à la découverte de sa particularité : élevée comme une fille, elle est génétiquement un garçon. Ainsi calliope devient Cal et partage avec nous son évolution jusqu'à l'acceptation de sa différence. Roman au sujet très original. Des passages très drôles. Le personnage de la grand mère et la description de le relation avec la première petite amie sont excellents. Incontournable. ( )
''Middlesex'' is a novel about roots and rootlessness. (The middle-sex, middle-ethnic, middle-American DNA twists are what move Cal to Berlin; the author now lives there too.) But the writing itself is also about mixing things up, grafting flights of descriptive fancy with hunks of conversational dialogue, pausing briefly to sketch passing characters or explain a bit of a bygone world.
''The Virgin Suicides'' is all of a piece, contained within the boundaries of one neighborhood; ''Middlesex'' -- a strange Scheherazade of a book -- is all in pieces, as all big family stories are, bursting the boundaries of logic.
Pour Yama, qui est issue d'un groupe génétique entièrement différent.
Premiers mots
Livre premier
La cuillère en argent
J'ai eu deux naissances. D'abord comme petite fille, à Detroit, par une journée exceptionnellement claire du mois de janvier 1960, puis comme adolescent, au service des urgences d'un hôpital proche de Petoskey, Michigan, en août 1974. [...]
Citations
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
"Don't you think it would have been easier just to stay the way you were?" I lifted my face and looked into my mother's eyes. And I told her: "This is the way I was."
The textbook publishers would make sure to cover my face. The black box: a fig leaf in reverse, concealing identity while leaving shame exposed.
Historical fact: people stopped being human in 1913. That was the year Henry Ford put his cars on rollers and made his workers adopt the speed of the assembly line. At first, the workers rebelled. They quit in droves, unable to accustom their bodies to the new pace of the age. Since then, adaptation has been passed down: we've all inherited it to some degree, so that we plug right into joysticks and remotes, to repetitive motions of a hundred kinds.
But in 1922 it was still a new thing to be a machine.
He looked up at me with no expression, blinking. That was Chapter Eleven's way. Everything went on in him internally. Inside his braincase sensations were being reviewed, evaluated, before any reaction was given. I was used to this, of course...He was quiet, blinking. There was the usual lag time while he thought.
Derniers mots
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
I lost track after a while, happy to be home, weeping for my father, and thinking about what was next.
Problem CK : Original publication date : - 2002-09-04 (1e édition originale américaine, Farrar, Straus and Giroux) - 2003-08-08 (1e traduction et édition française, Editions de l'Olivier)
In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking classmate with a gift for acting. The passion that furtively develops between them--along with Callie's failure to develop--leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all. The explanation for this shocking state of affairs takes us out of suburbia--back before the Detroit race riots of 1967, before the rise of the Motor City and Prohibition, to 1922, when the Turks sacked Smyrna and Callie's grandparents fled for their lives. Back to a tiny village in Asia Minor where two lovers, and one rare genetic mutation, set in motion the metamorphosis that will turn Callie into a being both mythical and perfectly real: a hermaphrodite.
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