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Lumière d'août (1932)

par William Faulkner

Autres auteurs: Voir la section autres auteur(e)s.

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9,283104863 (3.99)1 / 516
Joe Christmas does not know whether he is black or white. Faulkner makes of Joe's tragedy a powerful indictment of racism; at the same time Joe's life is a study of the divided self and becomes a symbol of 20th century man. Light in August is the story of Lena Grove's search for the father of her unborn child, and features one of Faulkner's most memorable characters: Joe Christmas, a desperate drifter consumed by his mixed ancestry.… (plus d'informations)
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This synopsis (which I find kind of hilarious and not quite accurate) is hand-written inside the back cover of my copy:

Joe Christmas, who, because of his heritage, finds it impossible to assimilate into either the black or white cultures. He is doomed to remain until his death, in the isolation of self brought on by social norms and mores.
( )
  audient_void | Jan 6, 2024 |
446 / 28 - ιδιαίτερο μυθιστόρημα γεμάτο θλίψη και απαισιοδοξία . Ιστορίες ανθρώπων που έχουν περάσει πολλά έχουν "διαλυθεί" ως άνθρωποι και οι δρόμοι τους συναντιούνται. Μοναδικό φως η εγκυμονούσα Λένα που πιστεύει πως θα αλλάξει το κόσμο. ( )
  Bella_Baxter | Oct 14, 2023 |
Published in 1932, this classic American southern gothic novel, set during Prohibition, follows the intersecting lives of five people not following a traditional path in life. They are viewed as outsiders because they do not adhere to social norms. Joe Christmas is an orphan who is abused as a child and believes he is of mixed racial ancestry but has no proof. He is searching for his place in the world. Lena Grove is in an unwed pregnant young woman looking for the father of her unborn child. Gail Hightower is a disgraced reverend who is plagued by his family’s past and his wife’s scandalous death. Joanna Burden, now living alone on a large property, is part of an abolitionist family that has been ostracized for years by their rural southern community. Byron Bunch is a nondescript, poor, hardworking, quiet man whom no one notices. The plot centers around a criminal act of murder and arson. Themes include the search for identity and how individuals are oppressed by racism, patriarchy, and religious zealotry.

The book is written in third person omniscient. It focuses on one character, then shifts to another. It is not chronological. The storyline goes forward and backward in time fluidly, catching the reader up on what has been missed after focusing closely on what happens to one specific character. It sounds convoluted but it really works well in keeping the reader’s interest. Faulkner uses unusual pairings of words, running them together to create vivid images.

This novel is mostly dark, violent, tragic, and sad, with only a faint flicker of hope. It requires a certain maturity to assimilate the metaphors, religious allegory, and complexities inherent in this story. I tried reading Faulkner when I was young, but most of it flew over my head. I think it requires a breadth of life experience to appreciate his work. I have not read his entire canon, but this book would be a better starting point than The Sound and the Fury or Absalom, Absalom! ( )
1 voter Castlelass | Oct 30, 2022 |
Monday mornings at the planing mill:
P.41:
"some of the other workers were family men and some were bachelors and they were of different ages and they led a catholic variety of lives, yet on Monday morning they all came to work with a kind of gravity, almost decorum. some of them were young, and they drank and gambled on Saturday night, and even went to Memphis now and then. yet on Monday morning they came quietly and soberly to work, in clean overalls and clean shirts, waiting quietly until the whistle blew and then going quietly to work, as though there were still something of Sabbath in the over lingering air which established a tenet that, no matter what a man had done with his sabbath, to come quiet and clean to work on Monday morning was no more than seemly and right to do."

There's a fire in Jackson, the day Lena arrives, looking for the father of her baby:
P.53:
" 'we could see it from the wagon before we got to town," she says. 'it's a right big fire.'
'it's a right big old house. It's been there a long time. don't nobody live in it but one lady, by herself. I reckon there are folks in this town will call it a judgment on her, even now. she is a Yankee. her folks come down here in the reconstruction, to stir up the n******. Two of them got killed doing it. They say she is still mixed up with the n******. visits them when they are sick, like they was white. won't have a cook because it would have to be a n***** cook. folks say she claims that n****** are the same as white folks. That's why folks don't never go out there. Except one.' "

Christmas grows up sheltered, knowing nothing about women:
P.184-5:
"but he and the other boys talked about girls. Perhaps some of them – the one who arranged with the negro girl that afternoon, for instance – knew. 'they all want to,' he told the others. 'but sometimes they can't.' the others did not know that. they did not know that all girls wanted to, let alone that there were times when they could not. They thought differently. but to admit that they did not know the latter would be to admit that they had not discovered the former. So they listened while the boy told them. 'it's something that happens to them once a month.' he described his idea of the physical ceremony. perhaps he knew. Anyway he was graphic enough, convincing enough. if he had tried to describe it as a mental state, something which he only believed, they would not have listened. but he drew a picture, physical, actual, to be discerned by the sense of smell and even of sight. It moved them: the temporary and abject helplessness of that which tantalized and frustrated desire; the smooth and Superior shape in which volition dwelled doomed to be at stated and inescapable intervals victims of periodical filth. that was how the boy told it, with the other five listening quietly, looking at one another, questioning and secret."

The first woman Christmas has sex with:
P.198:
"Usually they met outside, went somewhere else or just loitered on the way to where she lived. perhaps he believed up to the last that he had suggested it. then one night she did not meet him where he waited. he waited until the clock in the courthouse struck 12. Then he went on to where she lived. He had never done that before, so even then he could not have said that she had ever forbidden him to come there unless she was with him. but he went there that night, expecting to find the house dark and asleep. The house was dark, but it was not asleep. He knew that, that beyond the Dark Shades of her room people were not asleep and that she was not there alone. How he knew it he could not have said. neither would he admit what he knew. 'it's just max,' he thought. 'it's just max.' But he knew better. He knew that there was a man in the room with her."

Christmas runs away from home and kills his stepfather's horse ( )
  burritapal | Oct 23, 2022 |
2 livros o outro é da editora Abril /Controljornal
  Jmonc | Oct 4, 2022 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Faulkner, Williamauteur principaltoutes les éditionsconfirmé
Brooks, CleanthIntroductionauteur secondairequelques éditionsconfirmé
Coindreau, Maurice-EdgarTraductionauteur secondairequelques éditionsconfirmé
Fein, FranzÜbersetzerauteur secondairequelques éditionsconfirmé
Frielinghaus, HelmutÜbersetzerauteur secondairequelques éditionsconfirmé
Höbel, SusanneÜbersetzerauteur secondairequelques éditionsconfirmé
Hoel, SigurdTraducteurauteur secondairequelques éditionsconfirmé
Kaila, KaiTraducteurauteur secondairequelques éditionsconfirmé
Kristensen, Sven MøllerTraducteurauteur secondairequelques éditionsconfirmé
Patton, WillNarrateurauteur secondairequelques éditionsconfirmé

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Sitting beside the road, watching the wagon mount the hill toward her, Lena thinks, 'I have come from Alabama: a fur piece.'
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Joe Christmas does not know whether he is black or white. Faulkner makes of Joe's tragedy a powerful indictment of racism; at the same time Joe's life is a study of the divided self and becomes a symbol of 20th century man. Light in August is the story of Lena Grove's search for the father of her unborn child, and features one of Faulkner's most memorable characters: Joe Christmas, a desperate drifter consumed by his mixed ancestry.

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Bibliothèque patrimoniale: William Faulkner

William Faulkner a une bibliothèque historique. Les bibliothèques historiques sont les bibliothèques personnelles de lecteurs connus, qu'ont entrées des utilisateurs de LibraryThing inscrits au groupe Bibliothèques historiques [en anglais].

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