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Chargement... Le Jardin Secret (1911)par Frances Hodgson Burnett
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» 76 plus Elevenses (5) Female Author (14) Garden-fiction (1) BBC Big Read (22) 501 Must-Read Books (35) Comfort Reads (4) Books Read in 2016 (36) Folio Society (40) Ambleside Books (1) Sense of place (1) Books Read in 2017 (96) A Novel Cure (28) Carole's List (7) 1910s (21) Books Read in 2013 (94) Overdue Podcast (24) Top Five Books of 2014 (868) Books Read in 2015 (391) Top Five Books of 2018 (643) BBC Big Read (57) 4th Grade Books (7) Spring Books (1) Books Read in 2020 (3,315) READ IN 2021 (13) Out of Copyright (125) KID BOOKS (11) Victorian Period (19) Youth Purchase (2) 6th Grade (5) Enfants sans (8) Garden (6) Children's Fantasy (73) Biggest Disappointments (517) Unread books (916) Actuellement, il n'y a pas de discussions au sujet de ce livre. "Adattamento a misura di bambino" I was on holiday recently and put the word out to see if there were any fellow Aussie reviewers who'd like to do a buddy read for The Secret Garden by Frances Hodgson Burnett. It's always fun to read a classic with a buddy so you can chat about it, but it turned out many of us have had this book sitting on our shelves for far too long! Joining me in the buddy read was: Veronica Joy - The Burgeoning Bookshelf, Ashleigh Meikle - The Book Muse (with her Grandmother's copy), Claire - Claire's Reads and Reviews and Suzie Eisfelder - Suz's Space. We were also joined by Andrea and Liz over on GoodReads. Thanks to you all for joining me, it was loads of fun! When reading The Secret Garden, a few words caught me by surprise, including the frequent use of the words 'fat' and 'ugly'. As I write this, the media is full of articles about the censorship of Roald Dahl's books. While it's a shock to see words you wouldn't ordinarily read in children's dialogue published today, it's a timely reminder that this book was published more than 100 years ago in 1911. I don't think publishers should be attempting to apply today's sensitivity standards retrospectively to a book published so long ago and I do hope The Secret Garden is safe from censorship in the future. That said, onto the book! Precocious young Mary is orphaned in India and sent to live with her Uncle in his English mansion on the moor. Spoiled and sickly, Mary is a sour faced young brat who slowly starts to turn her lonely little life around. One of the first people Mary meets is the gardener Ben Weatherstaff, and the scenes between him and Mary in the beginning were sublime: 'Tha' an' me are a good bit alike,' he said. 'We was wove out of th' same cloth. We're neither of us goodlookin' an' we're both of us as sour as we look. We've got the same nasty tempers, both of us, I'll warrant.' Page 45 Published in 1911, Mary's story has gone on to become a children's classic, so I'm going to be reviewing this story in full, with spoilers. If you are sensitive to spoilers and have yet to read the book, and honestly believe you'll do so one day, and that you'll remember the spoilers in this review, and readily recall I was the one who did that to you, then please close this tab. Misselthwaite Manor has more than a hundred rooms, all of which are out of bounds until Mary covertly discovers a young boy also living in the house. The big family secret is that Colin is ill and bed bound and vulnerable to the most terrible tantrums. The children are cousins and both have had a privileged and indulgent upbringing as only children while also experiencing loss. Colin's mother is dead and Mary has recently lost both of her parents. The coming together of Mary and Colin was my favourite part of the book. Both characters realise they're lonely and decide to become friends, despite a few false starts. The children begin enjoying each other's company which is a surprise to them both. "And they both began to laugh over nothing as children will when they are happy together. And they laughed so that in the end they were making as much noise as if they had been two ordinary, healthy, natural, two-year-old creatures - instead of a hard, little, unloving girl and a sickly boy who believed that he was going to die." Page 168 Colin is ill and believes he'll die, making everyone's life a misery until he befriends Mary and meets her friend Dickon. Mary tells Colin there's nothing wrong with him and convinces him to get out of bed and outside in a wheelchair to live life and experience nature. Mary has discovered a secret garden and together with Dickon, the trio seek to bring it back to life. The Secret Garden of the title is the walled garden where Colin's mother died, after which it was locked and abandoned for 10 years until a robin shows Mary the door and the key. As the children overcome their vast differences in class to help bring the garden back to life, Mary blossoms into a thoughtful and caring young girl, and Colin grows to believe he will live and is determined to show everyone he can walk again! The entire time this is going on, Colin's father (Mary's uncle) is away on business, and I was worried he would return any minute and go ballistic about the garden, which was off limits. This created a sense of dread as eventually household members discover the children's secret and join the plan for Colin's big reveal moment. Dickon's mother is the Mrs Weasley of the book and Mary and Colin gravitate toward her generosity of spirit and maternal love in the same way a sunflower follows the sun. It's clear to the reader that the driving force behind Colin's recovery is the relationships between each of the characters - which boils down to love - as well as the garden, but Colin refers to it all as 'magic'. The author seems to have combined the laws of attraction, the power of positivity, and worship of nature to produce the essence of the 'magic'. To ask for your heart's desire, you just need to chant in a prayer like fashion and all the characters pull together to aid in Colin's restoration. The 'magic' becomes a symbol or marker for nature, love and faith that is immediately obvious to mature readers, but innocuous for young children in the same way The Chronicles of Narnia by C.S. Lewis does. The young characters in the novel reminded me of Pollyanna by Eleanor H. Porter and if you loved that, then you'll definitely enjoy this. I love a good makeover, and in The Secret Garden we have three! Mary's transformation is the first to begin, then the garden is discovered before change is afoot to restore it to its earlier magnificence. Colin's recovery is the most radiant of makeovers, as he goes from being a spoiled, hysterical hypochondriac who thinks he's dying to a confident and enthusiastic young man, respectful of his elders and kind to all staff with the desire to carry out scientific experiments and live life to the fullest! If you're a fan of up-lit (uplifting literature), feel good stories about nature as medicine and the power of friendship then The Secret Garden by Frances Hodgson Burnett will enchant you. As many books as I checked out from the library in grammar school, I do not know how I missed this one. I'm glad I found it now; I enjoyed reading it so much! I'm giving away some stuff here as I ramble, so don't read this if you haven't read the story already. It's different from the movie and TV versions I've seen: it's simpler---Colin doesn't wear braces, his father's mood improves on its own. The author spends a lot of time pointing out how and why Mary and Colin become better people: nature and the friendship of another child. Dickon represents something really important---he's a perfect person: I like that the highest and lowliest would both be comfortable with him (as, of course, he would be with them). His mother explains that Colin's "magic" is like other religions and spirituality---all come from and lead to the "Joymaker," with a capital J. In other words, there are many equally valid paths to God. Mary is something like an Elijah figure---Colin would not have improved without her, but she is also improved by being with him. Both Colin and Mary are rich enough to not have to do anything for themselves (Mary can't dress herself) and unloved enough to have never been disciplined. In the beginning of the story, they are spoiled rotten and unkind and, hence, unhappy. Finally, the children live in a world without real disease (except for everyone in Mary's household dying in India) or war or abject poverty. (Dickon's family is poor, but not starving, and his mother is respected by everyone. In fact, the housekeeper of the big estate thinks that his mother would be considered quite intelligent if only she could get rid of her Yorkshire accent.) The story borders on fantasy: does Dickon really communicate with animals; does the robin tell Mary where the key is? I enjoyed the book, I'd recommend it to someone having a hard time with grief or just interested in appreciating the wonder of the world through nature. My son and I listened to this via an audio download from the library. It was a delight, and he loved it too. He kept saying, "this is so interesting!" How did I miss this book for so long? Appartient à la série éditorialeBastei Lübbe Taschenbuch (12151) — 36 plus Est contenu dansFait l'objet d'une ré-écriture dansGarden par Jane Yates Fait l'objet d'une suite (ne faisant pas partie de la série) dansFait l'objet d'une adaptation dansEst en version abrégée dansFait l'objet d'une version longue dansA inspiréContient une étude deContient un guide de lecture pour étudiantContient un guide pour l'enseignant
Mary, petite Anglaise laide, tyrannique et malheureuse, est adopt©♭e par son oncle, © la mort de ses parents. Dans le grand domaine du ch©Øteau, elle d©♭couvre un jardin. Aucune description trouvée dans une bibliothèque |
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![]() GenresClassification décimale de Melvil (CDD)813.4 — Literature English (North America) American fiction Later 19th Century 1861-1900Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:![]()
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