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Chargement... Haute fidélité (1995)par Nick Hornby
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Happily, Hornby does not rely on pop-cultural allusion to limn his characters' inner lives, but uses it instead to create a rich, wry backdrop for them... Hornby is as fine an analyst as he is a funny man, and his book is a true original. Mr. Hornby captures the loneliness and childishness of adult life with such precision and wit that you'll find yourself nodding and smiling. Est contenu dansFait l'objet d'une adaptation dansContient un guide de lecture pour étudiantPrix et récompensesListes notables
Rob is a pop music junkie who runs his own semi-failing record store. His girlfriend, Laura, has just left him for the guy upstairs, and Rob is both miserable and relieved. After all, could he have spent his life with someone who has a bad record collection? Rob seeks refuge in the company of the offbeat clerks at his store, who endlessly review their top five films (Reservoir Dogs...); top five Elvis Costello songs ("Alison"...); top five episodes of Cheers (the one where Woody sang his stupid song to Kelly...). Rob tries dating a singer whose rendition of "Baby, I Love Your Way" makes him cry. But maybe it's just that he's always wanted to sleep with someone who has a record contract. Then he sees Laura again. And Rob begins to think (awful as it sounds) that life as an episode of thirtysomething, with all the kids and marriages and barbecues and k.d. lang CD's that this implies, might not be so bad. Aucune description trouvée dans une bibliothèque |
Discussion en coursAucunCouvertures populairesGenresClassification décimale de Melvil (CDD)823.914Literature English English fiction Modern Period 1901-1999 1945-1999Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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"This time, something different happens, though. It’s the daydreaming that does it. I’m doing the usual
thing—imagining in tiny detail the entire course of the relationship, from first kiss, to bed, to moving in
together, to getting married (in the past I have even organized the track listing of the party tapes), to how
pretty she’ll look when she’s pregnant, to names of children—until suddenly I realize that there’s
nothing left to actually, like, happen. I’ve done it all, lived through the whole relationship in my head.
I’ve watched the film on fast-forward; I know the whole plot, the ending, all the good bit. Now I’ve got
to rewind and watch it all over again in real time, and where’s the fun in that?
And fucking … when’s it all going to fucking stop? I’m going to jump from rock to rock for the rest of
my life until there aren’t any rocks left? I’m going to run each time I get itchy feet? Because I get them
about once a quarter, along with the utilities bills. More than that, even, during British Summer Time.
I’ve been thinking with my guts since I was fourteen years old, and frankly speaking, between you and
me, I have come to the conclusion that my guts have shit for brains." ( )