Photo de l'auteur

James Branch Cabell (1879–1958)

Auteur de Jurgen: A Comedy of Justice

233+ oeuvres 5,197 utilisateurs 105 critiques 38 Favoris

A propos de l'auteur

James Branch Cabell (1879-1956) is best known for his tales of the imaginary land of Poictesme, where chivalry and galantry live on
Crédit image: Carl Van Vechten

Séries

Œuvres de James Branch Cabell

Jurgen: A Comedy of Justice (1919) 1,013 exemplaires
Domnei: A Comedy of Woman-Worship (1913) 133 exemplaires
Beyond life : dizain des démiurges (1919) 125 exemplaires
Chivalry : dizain des reines (1909) 112 exemplaires
The Cords of Vanity (1909) 84 exemplaires
These Restless Heads (1932) 76 exemplaires
Let Me Lie (1947) 44 exemplaires
The Devil's Own Dear Son (1949) 41 exemplaires
Smirt : an urbane nightmare (1934) 34 exemplaires
Smith: A Sylvan Interlude (1935) 31 exemplaires
The White Robe (1928) 22 exemplaires
Preface to the Past (1936) 21 exemplaires
Quiet, Please (1952) 21 exemplaires
The Letters of James Branch Cabell (1975) 20 exemplaires
Some of us; an essay in epitaphs (1930) 17 exemplaires
The Judging of Jurgen 8 exemplaires
Sonnets from Antan (1929) 8 exemplaires
Poor Jack : A One-Act Play (2007) 7 exemplaires
The American spectator year book (1934) — Directeur de publication — 3 exemplaires
Porcelain Cups 2 exemplaires
The Rhyme To Porringer 2 exemplaires
Of Ellen Glasgow 2 exemplaires
In The Second April 2 exemplaires
Heart Of Gold [story] 2 exemplaires
Actors All 2 exemplaires
L'incubo 2 exemplaires
Some Ladies And Jurgen 2 exemplaires
The Scapegoats [story] 2 exemplaires
With a Copy of Jurgen (1923) 1 exemplaire
James Branch Cabell 1 exemplaire
Music & Pigeons 1 exemplaire
The Bookman, November-December 1919 — Contributeur; Directeur de publication — 1 exemplaire
The Reviewer, Volume II, Numbers 1-6 (October 1921-March 1922) — Contributeur; Guest Editor — 1 exemplaire
JURGEN 1 exemplaire
Affairs in Poictesme 1 exemplaire
Love At Martinmas 1 exemplaire
The Reviewer : Vol II, No. 3 (Dec. 1921) — Guest editor — 1 exemplaire
Simon's Hour 1 exemplaire
The Casual Honeymoon 1 exemplaire
April's Message 1 exemplaire
The Ducal Audience 1 exemplaire

Oeuvres associées

Le Serpent Ouroboros (1922) — Préface, quelques éditions2,304 exemplaires
The Wizards of Odd: Comic Tales of Fantasy (1996) — Contributeur — 632 exemplaires
Tales Before Tolkien: The Roots of Modern Fantasy (2003) — Contributeur — 613 exemplaires
La Rôtisserie de la reine Pédauque (1892) — Introduction, quelques éditions288 exemplaires
This Is My Best (1942) — Contributeur — 188 exemplaires
The Fantastic Imagination (1977) — Contributeur — 155 exemplaires
Great Short Stories of the World (1925) — Contributeur — 144 exemplaires
An Anthology of Famous American Stories (1953) — Contributeur — 139 exemplaires
The Young Magicians (1969) — Contributeur — 139 exemplaires
The World's Best (1944) — Contributeur — 90 exemplaires
Bedside Book of Famous American Stories (1936) — Contributeur — 71 exemplaires
A Treasury of American Literature Volume 2 (1948) — Contributeur — 57 exemplaires
A Treasury of American Literature [2-volume set] (1948) — Contributeur — 50 exemplaires
Weird Words: A Lovecraftian Lexicon (2009) — Contributeur — 39 exemplaires
Within the Hollow Hills: An Anthology of New Celtic Writing (1994) — Contributeur — 33 exemplaires
Modern Essays (1921) — Contributeur — 33 exemplaires
Weird Fiction Review #5 (2015) — Contributeur — 25 exemplaires
Cabellian Harmonics (1928) — Introduction — 23 exemplaires
Realms of wizardry (1976) — Contributeur — 21 exemplaires
A Round-Table in Poictesme: A Symposium (1924) — Contributeur — 21 exemplaires
The House of Lost Identity (1927) — Introduction — 20 exemplaires
Southern writing, 1585-1920 (1970) — Contributeur — 14 exemplaires
A bibliography of the writings of James Branch Cabell (1924) — Avant-propos — 13 exemplaires
Aklo: A Volume of the Fantastic (1991) — Contributeur — 10 exemplaires
The American Twenties: a Literary Panorama (1952) — Contributeur — 10 exemplaires
Contemporary Trends, American Literature since 1914 (1946) — Contributeur — 9 exemplaires
O. Henry Memorial Award Prize Stories of 1919 (1919) — Contributeur — 9 exemplaires
The Smart set; a history and anthology — Contributeur — 9 exemplaires
Phantasmagoria (1976) — Contributeur — 8 exemplaires
the pocket university volume xxii part I fiction (1922) — Contributeur — 8 exemplaires
The Smart Set Anthology (1934) — Contributeur — 7 exemplaires
Frances Newman's Letters (1929) — Introduction — 6 exemplaires
Modern writers at work (1930) — Contributeur — 5 exemplaires
Library of Southern Literature, Vol. II: Boyle-Clarke (1909) — Contributeur — 5 exemplaires
Famous recipes from old Virginia (1935) — Contributeur — 4 exemplaires
30 Eternal Masterpieces of Humorous Stories (2017) — Contributeur — 4 exemplaires
1935 Essay Annual — Contributeur — 4 exemplaires
Legends of Virginia (1950) — jacket blurb, quelques éditions4 exemplaires
American Mercury: Facsimile Edition of Volume I (1984) — Contributeur — 4 exemplaires
The Romaunt of Manuel Pig-Tender : from the Quarto of 1559 (1931) — Contributeur — 4 exemplaires
Morrow's Almanack and Every Day Book For 1930 — Contributeur — 4 exemplaires
The Novel of tomorrow : and the scope of fiction (2010) — Contributeur — 3 exemplaires
Little Verses and Big Names — Contributeur — 2 exemplaires
Die Zaubergärten (1969) — Contributeur — 2 exemplaires
American Aphrodite (Volume One, Number Four) (1951) — Contributeur — 2 exemplaires
The Atlantic, October 1946 — Contributeur — 2 exemplaires
Johan Bojer, the man and his works (1974) — Contributeur, quelques éditions2 exemplaires
Saturday Evening Post, August 6, 1904 — Contributeur — 1 exemplaire
McBride's Magazine, September 1915 — Contributeur — 1 exemplaire
The American Spectator : A Literary Newspaper, Vol. 1 No. 5 — Directeur de publication — 1 exemplaire
Second-hand Man — Contributeur — 1 exemplaire
Prize stories from Collier's, 5 volumes — Contributeur — 1 exemplaire
The Nation (September 12, 1953) — Contributeur — 1 exemplaire
Light O' Love: A Play in One Act (Classic Reprint) (2015) — Contributeur — 1 exemplaire
The American Spectator : A Literary Newspaper, Vol. 1 No. 4 — Directeur de publication — 1 exemplaire
Saturday Evening Post, September 24, 1904 (1904) — Contributeur — 1 exemplaire
The Reviewer : Vol I, No. 8 (June 1, 1921) — Contributeur — 1 exemplaire
The American Spectator : A Literary Newspaper, Vol. 1 No. 3 — Directeur de publication — 1 exemplaire
Ellen Glasgow (1928) — Contributeur — 1 exemplaire
Fellowship : December 1921 — Contributeur — 1 exemplaire
The Art of Narration (1926) — Contributeur — 1 exemplaire
Saturday Evening Post, October 1, 1904 — Contributeur — 1 exemplaire
Saturday Evening Post, August 13, 1904 — Contributeur — 1 exemplaire
Saturday Evening Post, September 10, 1904 — Contributeur — 1 exemplaire
The Red Book, November 1925 — Contributeur — 1 exemplaire
American Mercury, August 1930 — Contributeur — 1 exemplaire
American Mercury, July 1931 — Contributeur — 1 exemplaire
The Dial, February 22, 1919 — Contributeur — 1 exemplaire
American Mercury, December 1951 — Contributeur — 1 exemplaire
The Nation — Contributeur — 1 exemplaire
Poetry Magazine Vol. 6 No. 5, August 1915 — Contributeur, quelques éditions1 exemplaire
The Golden Book Magazine, Vol IX No 43 (June 1929) — Contributeur — 1 exemplaire
Virginia Quarterly Review, Vol 6 No 3 (July 1930) — Contributeur — 1 exemplaire
Saturday Evening Post, August 27, 1904 — Contributeur — 1 exemplaire
The Georgia Review, Vol VII No 3 (Fall 1953) — Contributeur — 1 exemplaire
Gates of Life — jacket blurb, quelques éditions1 exemplaire
Abstracts from reviews of 'Ole Marster and other verses' — blurb, quelques éditions1 exemplaire
The Jewel Merchants, in Lino-cuts — Contributeur — 1 exemplaire
The American Spectator : A Literary Newspaper, Vol. 1 No. 7 — Directeur de publication — 1 exemplaire
The American Spectator : A Literary Newspaper, Vol. 1 No. 6 — Directeur de publication — 1 exemplaire
Saturday Evening Post, September 3, 1904 — Contributeur — 1 exemplaire
Saturday Evening Post, August 20, 1904 — Contributeur — 1 exemplaire
Direction, Vol 1 No 1 (Autumn 1934) — Contributeur — 1 exemplaire

Étiqueté

Partage des connaissances

Autres noms
Cabell, Branch
Washington, Burwell (pseudonym)
Jefferson, Henry Lee (pseudonym)
Anderson, Claiborne Hauks (pseudonym)
Date de naissance
1879-04-14
Date de décès
1958-05-05
Lieu de sépulture
Hollywood Cemetery, Richmond, Virginia, USA
Sexe
male
Nationalité
USA
Lieu de naissance
Richmond, Virginia, USA
Lieu du décès
Richmond, Virginia, USA
Lieux de résidence
Richmond, Virginia, USA
New York, New York, USA
St. Augustine, Florida, USA
Williamsburg, Virginia, USA
Études
College of William and Mary (BA|1898)
Professions
novelist
short-story writer
essayist
poet
reporter
editor (tout afficher 7)
geneaologist
Relations
Glasgow, Ellen (friend)
Cabell, Margaret Freeman (wife)
Munford, Beverley Bland (uncle)
Tompkins, Ellen Wilkins (cousin)
Harrison, Henry Sydnor (cousin)
Rives, Amelie (cousin) (tout afficher 12)
Cabell, James Alston (cousin)
Cabell, Isa Carrington (cousin)
Harrison, Norvell (cousin)
Christian, W. E. (cousin)
Bouve, Pauline Carrington (cousin)
Bowie, Walter Russell (cousin)
Prix et distinctions
American Academy of Arts and Letters (Literature ∙ 1937)
Courte biographie
Cabell, Branch - (James Branch Cabell)kăˈbəl, 1879–1958, American novelist, b. Richmond, Va., grad. William and Mary, 1898. "As a mnemonic for the pronunciation of his name, he wrote: 'Tell the rabble / My name is Cabell.' (2004, F Brett Cox, editor)" After various experiences as a journalist and as a clerk for a coal mining company he began writing fiction. His early works, which are sophisticated novels deriding conventional history, include Gallantry (1907), Chivalry (1909), and The Rivet in Grandfather's Neck (1915). Many of Cabell's most popular novels are set in the imaginary medieval kingdom of Poictesme; among these are The Cream of the Jest (1917), Jurgen (1919)—Cabell's most famous work because of its attempted suppression on charges of obscenity—and The Silver Stallion (1926). Cabell's novels are usually pointedly antirealistic, and many of them can be considered moral allegories. Although he was enormously popular in the 1920s, his highly artifical prose style and subject matter lost favor with critics and public alike by the 1930s. His nonfiction writing includes Beyond Life (1919), The St. Johns (with A. J. Hanna, 1943), and Let Me Lie (1947).

Membres

Discussions

Notes and Translations on Chivalry? à The Rabble Discuss Cabell: James Branch Cabell &c (Septembre 2022)
New digital project explores the life and legacy of James Branch Cabell, namesake of VCU’s library à The Rabble Discuss Cabell: James Branch Cabell &c (Janvier 2022)
Cabell's original titles à The Rabble Discuss Cabell: James Branch Cabell &c (Septembre 2021)
Cabell reference in science fiction story à The Rabble Discuss Cabell: James Branch Cabell &c (Septembre 2021)
Gaiman's steal on Cabell à The Rabble Discuss Cabell: James Branch Cabell &c (Juillet 2021)
German ballad (1907) about a knight called Manuel à The Rabble Discuss Cabell: James Branch Cabell &c (Janvier 2021)
"The Vampire," a First Story by Cabell à The Rabble Discuss Cabell: James Branch Cabell &c (Décembre 2020)
Cabell's Heirs? à The Rabble Discuss Cabell: James Branch Cabell &c (Novembre 2020)
Faulkner and james Branch Cabell à William Faulkner and his Literary Kin (Octobre 2020)
Happy 100th birthday Jurgen! à The Rabble Discuss Cabell: James Branch Cabell &c (Septembre 2019)
Beyond Life à The Rabble Discuss Cabell: James Branch Cabell &c (Janvier 2019)
Special Delivery (screening the mail) à The Rabble Discuss Cabell: James Branch Cabell &c (Novembre 2017)
Ecben and the Witch-Women (and a pendant) à The Rabble Discuss Cabell: James Branch Cabell &c (Octobre 2013)
Illustrated Cabell Bibliography à The Rabble Discuss Cabell: James Branch Cabell &c (Janvier 2013)
Dedicated to JBC à The Rabble Discuss Cabell: James Branch Cabell &c (Décembre 2012)
Cabell articles on offer à The Rabble Discuss Cabell: James Branch Cabell &c (Mai 2011)
A new book called Jurgen à The Rabble Discuss Cabell: James Branch Cabell &c (Mars 2011)
Musings on The Silver Stallion à The Rabble Discuss Cabell: James Branch Cabell &c (Juillet 2010)

Critiques

"Ah, your highness, let us not speak of my death, for it is a death which you would deplore."
"Would I deplore your death?" Orléans' head was now cocked until it lay almost on his left shoulder. "It is a fact of which I am not wholly persuaded."
1 voter
Signalé
Jon_Hansen | 4 autres critiques | Nov 14, 2023 |
This book collects the prefaces to all of the books in Cabell's Storisende edition of his work. As such, I didn't think at first that it would be worth getting. But the Storisende edition itself has its prefaces printed in difficult-to-read italics -- and it's also difficult to find every last volume -- so I decided to try it. It provides a more or less coherent summary of what Cabell thought he was doing with each of his books. Or, at least, what Cabell says he was trying to do; he is nothing if not an unreliable narrator. Perhaps it's better to say that it works as a coherent plan of the Storisende edition and why he laid it out as he did. He also succumbed to the urge to re-revise, apparently, in that he added some material that had been printed elsewhere. If someone is going to read all of Cabell, it's a useful book.… (plus d'informations)
1 voter
Signalé
rpuchalsky | Oct 10, 2022 |
A one act play Cabell adapted from one of his short stories (Balthazar's Daughter), done for some local theatre. Apparently it was heavily rewritten with input from the actors and producer. I'm not sure which book the original story is collected in but i have read it and this is pretty similar to my recollection.

However there was an odd emphasis on the heroine being horrified by the fact the Duke was slightly dark skinned.. maybe i'm giving Cabell too much credit but i don't think that is in his solo version.

Still i wouldn't really recommend this even for the Cabell enthusiasts since its repeated elsewhere and in a purer Cabellian fashion.
… (plus d'informations)
1 voter
Signalé
wreade1872 | 1 autre critique | Jul 25, 2022 |
"...where she would tantalize me nightly, from her balcony, after the example of the Veronese lady in Shakespeare's spirited tragedy, which she prodigiously admired.
As concerns myself, a reasonable liking for romance had been of late somewhat tempered by the inclemency of the weather and the obvious unfriendliness of the dog; but there is no resisting a lady's commands..."

Yet another in the long line of Cabell’s historical romance short story collections. Its all filigree and artificiality but completely self-aware both from the authorial point of view and that of its characters who are generally quite practical at heart regardless of their pretensions for high romance.

Each story is presented like a scene from a play to add to the idea of life as stage sort of thing. Unlike most of Cabell’s story collections which are spread throughout time this one is much more connected with each tale leading on from the one before.
So a side-character in one will be the main character in the next, or the villain in one might be the hero in the following.
Personally i prefer the more historically spread collections but this format does allow you to see a different perspective on some of the previous stories and characters.

I think its probably the nicest of Cabell’s works. Usually the ratio of sweet to bitter in Cabell’s books is about 50/50 or worse but this is more like 80/20.
Its very nicely written but its happily-ever-afterness did start to grate on me a bit, of course my favourite Cabell so far is Figures of Earth, probably his bitterest work :P .

After i finished the final proper chapter it was still going to be 4-stars but probably the Cabell work i would have least liked to reread.
However the afterpiece really brings everything together and actually makes me want to reread the whole thing again keeping in mind the effect of the whole rather than seeing it as a series of tales.

"...and my children will be reared on moral aphorisms and rational food, with me as a handy example of everything they should avoid. Deuce take it, Amalia," he added, "a father must in common decency furnish an example to his children!"
… (plus d'informations)
1 voter
Signalé
wreade1872 | Jul 25, 2022 |

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Guy Holt Contributor, Introduction
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Fabrizio Clerici Illustrator
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Frank C. Pape Illustrator, Cover artist
Mike Foreman Cover artist
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Virgil Burnett Illustrator
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Blanche Ostertag Illustrator
Lore Strassl Translator
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Statistiques

Œuvres
233
Aussi par
105
Membres
5,197
Popularité
#4,790
Évaluation
½ 3.7
Critiques
105
ISBN
474
Langues
12
Favoris
38

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