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This complete and unabridged edition is the only complete critical edition in paperback. Samuel Johnson was a poet, essayist, dramatist, and pioneering lexicographer, but his continuing reputation depends less on his literary output than on the fortunate accident of finding an idealbiographer in James Boswell. As Johnson's constant and admiring companion, Boswell was able to record not only the outward events of his life, but also the humour, wit, and sturdy common sense of his conversation. His brilliant portrait of a major literary figure of the eighteenth century,enriched by historical and social detail, remains a monument to the art of biography.… (plus d'informations)
At the end of his Life of Johnson, James Boswell admits to many of his subject's faults: Johnson's irascibility, his prejudices, his narrow-mindedness in religion and politics. Johnson was a conservative with a capital C, and he is outright dismissive of many of the important philosophical ideas of his time (there is little consideration of Locke, Hume or Smith, much less Kant).
Instead, Johnson is known has the foremost literary figure of 18th Century London. He was not a man of ideas; rather, he was a man of language, and his greatest achievement was to codify that language in his Dictionary. Again, this project was an essentially conservative endeavor, an attempt to protect and elevate the language so that the uneducated masses could be kept in their linguistic place.
The Romantics that followed represented a rebellion against this staid, elitist, infighting group of literati that includes Addison, Steele, Pope and Johnson. Instead of engaging in a game of wits against their intellectual rivals, the Romantics sought to expand the possibilities of language by infusing it with a more natural, vernacular, personal and passionate approach. The writers of the Age of Johnson were essentially backwards looking, translating and retranslating the Greeks and Romans, writing criticism on Shakespeare. The Romantics were visionary and progressive. johnson would have probably scoffed at the likes of a Keats or a Blake as being too radical and impolite in their poetic visions.
Boswell's life of Johnson is confusing in that, while it is a warts and all depiction of the good doctor, the reader is a left with a sense that Boswell looks at his subject through the rose-colored lenses of a literary acolyte. What are we meant to think of this complicated man? ( )
Greatest biography written bar none. Captures the nature of the man better than anything since. I wouldn't call it the best model for writing a biography, but it still is the finest one ever written. Never surpassed. ( )
The stages of reading Boswell's Johnson thus far: 1) Believing Johnson was a genius. 2) Knowing Johnson was an idiot. 3) Shipping Johnson and Boswell.
The moment Boswell meets Johnson is electric.
I'm having so much fun with this one, Johnson is quite often extremely relatable: "I always feel an inclination to do nothing" (p. 268). Going to take a nice break before tackling volume 2. ( )
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
To write the Life of him who excelled all mankind in writing the lives of others, and who, whether we consider his extraordinary endowments, or his various works, has been equalled by few in any age, is an arduous, and may be reckoned in me a presumptuous task.
Citations
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
After we came out of the church, we stood talking for some time together of Bishop Berkeley's ingenious sophistry to prove the nonexistence of matter, and that every thing in the universe is merely ideal. I observed, that though we are satisfied his doctrine is not true, it is impossible to refute it. I never shall forget the alacrity with which Johnson answered, striking his foot with mighty force against a large stone, till he rebounded from it -- "I refute it THUS."
Derniers mots
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
Such was Samuel Johnson, a man whose talents, acquirements, and virtues, were so extraordinary, that the more his character is considered, the more he will be regarded by the present age, and by posterity, with admiration and reverence.
This complete and unabridged edition is the only complete critical edition in paperback. Samuel Johnson was a poet, essayist, dramatist, and pioneering lexicographer, but his continuing reputation depends less on his literary output than on the fortunate accident of finding an idealbiographer in James Boswell. As Johnson's constant and admiring companion, Boswell was able to record not only the outward events of his life, but also the humour, wit, and sturdy common sense of his conversation. His brilliant portrait of a major literary figure of the eighteenth century,enriched by historical and social detail, remains a monument to the art of biography.
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Bibliothèque en héritage: James Boswell
James Boswell a une bibliothèque historique. Les bibliothèques historiques sont les bibliothèques personnelles de lecteurs connus, qu'ont entrées des utilisateurs de LibraryThing inscrits au groupe Bibliothèques historiques [en anglais].
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Instead, Johnson is known has the foremost literary figure of 18th Century London. He was not a man of ideas; rather, he was a man of language, and his greatest achievement was to codify that language in his Dictionary. Again, this project was an essentially conservative endeavor, an attempt to protect and elevate the language so that the uneducated masses could be kept in their linguistic place.
The Romantics that followed represented a rebellion against this staid, elitist, infighting group of literati that includes Addison, Steele, Pope and Johnson. Instead of engaging in a game of wits against their intellectual rivals, the Romantics sought to expand the possibilities of language by infusing it with a more natural, vernacular, personal and passionate approach. The writers of the Age of Johnson were essentially backwards looking, translating and retranslating the Greeks and Romans, writing criticism on Shakespeare. The Romantics were visionary and progressive. johnson would have probably scoffed at the likes of a Keats or a Blake as being too radical and impolite in their poetic visions.
Boswell's life of Johnson is confusing in that, while it is a warts and all depiction of the good doctor, the reader is a left with a sense that Boswell looks at his subject through the rose-colored lenses of a literary acolyte. What are we meant to think of this complicated man? (