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56+ oeuvres 7,716 utilisateurs 79 critiques 23 Favoris

A propos de l'auteur

A poetry professor turned media theorist---or media guru, as some in the press called him at the time---Marshall McLuhan startled television watchers during the 1960's with the notion that the medium they were enthralled by was doing more than transmitting messages---it was the message: Its afficher plus rapid-fire format, mixing programs and advertisements, conveyed as much as---or more than---any single broadcast element. McLuhan grew up in the prairie country of the Canadian West and studied English at the University of Manitoba and Cambridge University. As television entered a period of huge growth during the 1950's, McLuhan, then a college professor, became interested in advertising. He thought of it as something to be taken seriously as a new culture form, beyond its obvious capability of selling products. That interest led to his increasing speculation about what media did to audiences. In his unpredictable modern poetry classes at the University of Toronto, he spoke more and more of media. The students he taught were the television generation, the first to grow up with the medium. Many were fascinated by McLuhan's provocative observations that a medium of communication radically alters the experience being communicated. A society, he said, is shaped more by the style than by the content of its media. Thus, the linear, sequential style of printing established a linear, sequential style of thinking, in which one thing is considered after another in orderly fashion: it shaped a culture in which (objective) reason predominated and experience was isolated, compartmentalized, and repeatable. In contrast, the low-density images of television, composed of a mosaic of light and dark dots, established a style of response in which it is necessary to unconsciously reconfigure the dots immediately in order to derive meaning from them. It has shaped a culture in which (subjective) emotion predominates and experience is holistic and unrepeatable. Since television (and the other electronic media) transcends space and time, the world is becoming a global village---a community in which distance and isolation are overcome. McLuhan was crisp and assured in his pronouncements and impatient with those who failed to grasp their import. McLuhan's most famous saying, "the medium is the message," was explicated in the first chapter of his most successful book, "Understanding Media," published in 1966 and still in print. It sold very well for a rather abstruse book and brought McLuhan widespread attention in intellectual circles. The media industry responded by seeking his advice and enthusiastically disseminating his ideas in magazines and on television. These ideas caused people to perceive their environment, particularly their media environment, in radically new ways. It was an unsettling experience for some, liberating for others. Though McLuhan produced some useful insights, he was given to wild generalizations and flagrant exaggerations. Some thought him a charlatan, and he always felt himself an outcast at the university, at least partly because of his disdain for print culture and opposition to academic conventions. He never seemed quite as energetic after an operation in 1967 to remove a huge brain tumor, but he continued to work and teach until he suffered a stroke in 1979. He died a year later. Though today his writings are not discussed as much by the general public, his thesis is still considered valid and his ideas have become widely accepted. (Bowker Author Biography) afficher moins

Œuvres de Marshall McLuhan

La Galaxie Gutenberg. La Genèse de l'homme typographique (1962) — Auteur — 1,011 exemplaires
The Mechanical Bride (1951) 259 exemplaires
Laws of Media: The New Science (1988) — Auteur — 93 exemplaires
The Book of Probes (2003) 64 exemplaires
Culture Is Our Business (1970) 54 exemplaires
Letters of Marshall McLuhan (1987) 36 exemplaires
Explorations in Communication (1960) — Directeur de publication — 34 exemplaires
Gerard Manley Hopkins (1945) — Contributeur — 32 exemplaires
Marshall Mcluhan-Unbound (2005) 29 exemplaires
Verbi-voco-visual explorations (1967) 24 exemplaires
Media (2001) 14 exemplaires
Media and Formal Cause (2011) 9 exemplaires
D'oeil à oreille (2006) 6 exemplaires
Mutations 1990 (1969) 3 exemplaires
Yaradanimiz Medya (2019) 1 exemplaire
Die magische Kanäle. 1 exemplaire
Lo strano caso del Dr. McLuhan (2013) 1 exemplaire
Tetrad Workbook (2012) 1 exemplaire
Libraries Without Shelves (1979) 1 exemplaire
Marshall McLuhan 1 exemplaire

Oeuvres associées

The New Media Reader (2003) — Contributeur — 300 exemplaires
McLuhan, Hot & Cool (1967) — Contributeur — 156 exemplaires
Arguing Comics: Literary Masters on a Popular Medium (1656) — Contributeur — 71 exemplaires
The Futurists (1972) — Contributeur — 69 exemplaires
The Man-Made Object (Vision + Value Series) (1966) — Contributeur — 46 exemplaires
Paradox in Chesterton (1947) — Introduction, quelques éditions27 exemplaires
Future Media (2011) — Contributeur — 14 exemplaires
World War 3 Illustrated #33: The Situation (2002) — Contributeur — 2 exemplaires

Étiqueté

Partage des connaissances

Nom légal
McLuhan, Herbert Marshall
Date de naissance
1911-07-21
Date de décès
1980-12-31
Lieu de sépulture
Holy Cross Cemetery, Thornhill, Ontario, Canada
Sexe
male
Nationalité
Canada
Lieu de naissance
Edmonton, Alberta, Canada
Lieu du décès
Toronto, Ontario, Canada
Cause du décès
complications of stroke
Lieux de résidence
Winnipeg, Manitoba, Canada
Cambridge, England, UK
St. Louis, Missouri, USA
New York, New York, USA
Études
University of Cambridge (BA|1936|MA|1940|D.Phil|1943 - Trinity Hall)
University of Manitoba (BA|1933|MA|1934 - English)
Professions
professor (English)
philosopher
Relations
Parker, Harley
Kenner, Hugh (student)
Brooks, Cleanth (friend)
Fiore, Quentin (collaborator)
Organisations
University of Wisconsin-Madison
Saint Louis University
Assumption College
University of Toronto (St. Michael's College)
Prix et distinctions
University Gold Medal in Arts and Science, University of Manitoba (1933)
IODE War Memorial Scholarship ( [1934, 1935])
Latham Prize, Cambridge University ( [1934] ∙ [1935])
Governor-General's Award for critical prose (1963)
Honorary Doctorate (University of Manitoba ∙ 1967)
Honorary Doctorate (Simon Fraser University ∙ 1967) (tout afficher 23)
Honorary Doctorate (Grinnell University ∙ 1967)
Honorary Doctorate (University of Windsor)
Honorary Doctorate (Assumption College)
Honorary Doctorate (Humane Letters ∙ University of Rochester ∙ 1969)
Order of Canada (1970)
Insitute for Public Relations ( [1970])
Fellow, Royal Society of Canada ( [1973])
Christian Culture Award, Assumption College ( [1973])
Gold Medal Award, Italian Republic ( [1973])
President's Cabinet Award, University of Detroit
L.L.D., University of Western Ontario (1973)
Citation, Religious Educational Association of the United States and Canada (1973)
Civic Award of Merit, City of Toronto (1974)
Man of Achievement Diploma, National Biographical Centre, Cambridge, England (1975)
Honorary Doctorate (University of Toronto ∙ 1976)
Honorary Doctorate (University of Wisconsin ∙ 1979)
Molson Prize (1967)

Membres

Critiques

> Babelio : https://www.babelio.com/livres/McLuhan-Pour-comprendre-les-media-Les-prolongemen...

> POUR COMPRENDRE LES MÉDIA, de Marshall Mcluhan (et Jean Paré) - Ed. Seuil Poche. — Inventeur de l’expression “village global”, McLuhan est généralement considéré comme LE premier penseur à avoir imaginé le “système nerveux” d’une planète intelligente, à savoir (bien avant internet, mais la préfigurant incontestablement) le réseau médiatique qui nous relie les uns aux autres de manière de plus en plus dense, au point que nous transformons littéralement l’espace-temps autour de nous... et donc notre conscience.
Nouvelles Clés
… (plus d'informations)
 
Signalé
Joop-le-philosophe | 22 autres critiques | Apr 1, 2023 |

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Statistiques

Œuvres
56
Aussi par
8
Membres
7,716
Popularité
#3,156
Évaluation
3.8
Critiques
79
ISBN
223
Langues
21
Favoris
23

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