Photo de l'auteur

Gary Gianni

Auteur de Another Chance to Get It Right

34+ oeuvres 472 utilisateurs 7 critiques 2 Favoris

A propos de l'auteur

Comprend les noms: By Gary Gianni (signed).

Œuvres de Gary Gianni

Another Chance to Get It Right (1993) — Illustrateur — 107 exemplaires, 3 critiques
Jules Vernes Twenty-Thousand Leagues under the Sea (2009) 50 exemplaires, 1 critique
Gary Gianni's Monstermen and Other Scary Stories (2017) 35 exemplaires, 2 critiques
Prince Valiant: Far From Camelot (2008) 29 exemplaires, 1 critique
The Prince Valiant Page (2008) 25 exemplaires
The Shadow: In the Coils of Leviathan (1994) — Illustrateur — 21 exemplaires
Batman: Black and White, Vol. 1 #4 (1996) — Illustrateur — 9 exemplaires
Major Thrill's Adventure Book (2009) 9 exemplaires
Corpus Monstrum Vol. 1 (2005) 8 exemplaires
Into the Land of Shadows: A Prince Valiant Adventure — Illustrateur — 6 exemplaires
Zorina Ballerina (1993) 6 exemplaires
Gary Gianni's The Monstermen (2000) — Auteur — 6 exemplaires

Oeuvres associées

Vingt mille lieues sous les mers (1870) — Illustrateur, quelques éditions18,776 exemplaires, 254 critiques
A Knight of the Seven Kingdoms (2013) — Illustrateur, quelques éditions2,969 exemplaires, 68 critiques
Les princes vagabonds (2007) — Illustrateur, quelques éditions2,932 exemplaires, 141 critiques
Conan - L'Heure du Dragon (1934) 853 exemplaires, 36 critiques
The Savage Tales of Solomon Kane (1998) — Illustrateur, quelques éditions843 exemplaires, 25 critiques
Batman: Black and White, Vol. 1 (1999) — Contributeur — 319 exemplaires, 11 critiques
Tom strong, tome 2 (2002) — Illustrateur — 287 exemplaires, 4 critiques
The Dark Horse Book of Hauntings (2003) — Illustrateur — 150 exemplaires, 4 critiques
The Dark Horse Book of Witchcraft (2004) — Illustrateur — 128 exemplaires, 4 critiques
The Dark Horse Book of the Dead (2005) — Illustrateur — 106 exemplaires, 1 critique
The Dark Horse Book of Monsters (2006) — Illustrateur — 102 exemplaires, 3 critiques
Hard Looks: Adapted Stories (1996) — Illustrateur — 79 exemplaires, 1 critique
Harlan Ellison's Dream Corridor Special #1 (1995) — Illustrateur — 43 exemplaires
Cross Plains Universe: Texans Celebrate Robert E. Howard (2006) — Artiste de la couverture, quelques éditions37 exemplaires, 2 critiques
Joseph Clement Coll: A Legacy in Line (2004) — Introduction, quelques éditions23 exemplaires, 1 critique
Vampires (2002) — Illustrateur, quelques éditions20 exemplaires
Hellboy Christmas Special (2015) — Artiste de la couverture — 10 exemplaires
The Shadow: Hell's Heat Wave #2 (1995) — Illustrateur — 2 exemplaires
The Shadow: Hell's Heat Wave # 1 (1995) — Illustrateur — 1 exemplaire
The Shadow: Hell's Heat Wave #3 (1995) — Illustrateur — 1 exemplaire
The Spectre Vol. 3 #52 (1997) — Artiste de la couverture — 1 exemplaire

Étiqueté

Partage des connaissances

Date de naissance
1954
Sexe
male
Nationalité
USA
Lieu de naissance
Chicago, Illinois, USA

Membres

Critiques

#743 in our old book database. Not rated.
 
Signalé
villemezbrown | 2 autres critiques | Jul 23, 2024 |
Gary Gianni's Monstermen and Other Scary Stories was a real treat! I knew nothing about what to expect from this volume, (knowing nothing about the Hellboy series, in which these comics were originally released), so I went in with no preconceptions. I was seriously impressed. Here's why:

First, I LOVED the stories! The first 2/3 of this are different comics featuring a movie director named St. Lawrence, (who looks a lot like Vincent Price, btw, and who you would think belonged in the 30's expect for the occasional glimpse of technology), and his friend Benedict a member of the Corpus Monstrum guild. Benedict is an immortal knight and always wears his knight helmet and a tuxedo. (I need to learn more about the background of this character because he was a blast to read about.)


Together they fend off plagues of falling skulls, and other monstrous creatures.


Second, the last third of the book contains illustrated classic stories by the likes of Clark Ashton Smith, Robert E. Howard, and William Hope Hodgson. I LOVED these! When reading these short stories, I couldn't help but notice how the first 2/3 of the book carried the exact same pulpy, adventure feel that these classic stories originally created. I think Gianni did a beautiful job of carrying on that feel in his comics and in his illustrations of these pulp shorts. In a way, I feel like these were his way of paying tribute to what came before, while also making them his own.

Again, I went into this with no preconceptions. I came away with much admiration and respect. I'm going to eventually read the Hellboy comics and I'm definitely going to search out Mr. Gianni and see what else he has on offer, because whatever it is, I'm in!

Highly recommended, especially to fans of the classic pulp short stories and to fans of incredible artwork.

You can get your copy here: Gary Gianni's Monstermen and Other Scary Stories

*Thank you to Edelweiss and to Dark Horse Comics for the e-ARC of this volume in exchange for my honest review. This is it!*
… (plus d'informations)
 
Signalé
Charrlygirl | 1 autre critique | Mar 22, 2020 |
A strange little book with moments of cleverness and moments of severe discomfort. Despite its appearance, it is definitely neither a kids' book nor a comic book.
 
Signalé
mrgan | 2 autres critiques | Oct 30, 2017 |
Before I had read a single fantasy story, before I even really knew what science fiction was, before I had ever rolled a single die in a role-playing game, there was Prince Valiant. From the time I was old enough to read and knew what the Sunday comics in newspapers were, I would look forward to being transported to King Arthur's court to follow the adventures of Prince Valiant of Thule as we waded through anachronistic enemies, won the hand of Aleta of the Misty Isles, and wielded the Singing Sword to bring his particular brand of hack and slash justice to the world. Far from Camelot reprints strips of the Sunday comic that appeared between 2004 and 2008, long after my formative years of religiously reading it, but they capture the same history-be-damned pulpy chain mail and flashing swords adventure that I fell in love with when I was six.

The book opens with Prince Valiant, now serving along with his wife Queen Aleta as regents of England following Arthur's abdication, chafing at the idleness of courtly life. After a brief set of strips in which Valiant takes out his frustrations on those around him, he is encouraged to take his son Nathan as his squire and head out into the country in search of adventure. From there four lengthy stories ensue, one after another, as Valiant ventures further and further away from his home in Camelot. First Valiant befriends a Pict named Borgut who convinces him to head north to deal with dragons that are plaguing Borgut's village. After some adventure, intrigue, treachery, and something of a love interest for Nathan, Valiant and his squire charter passage back to Camelot. Of course, as this is Prince Valiant, their journey home is interrupted by some anachronistic Norse raiders, and Valiant is taken prisoner.

The stories are told in a fairly boisterously implausible style, with Valiant doing manly things and dealing with manly men. The Norse captain Skyrmir humiliates Valiant until Valiant manages to disable him, resulting in his replacement as captain by the even more ruthless Thornwolf. After sailing to Iberia, the Norse crew finds a mysterious tower and learn of a forgotten Carthaginian treasure that turns out to be King Solomon's gold. After adventures involving the hoards otherworldly guardian, Valiant and Skyrmir escape, establish the sort of macho friendship that results when two men beat each other over the head for a while, only to stumble across and rescue an African princess named Makeda. Meanwhile Nathan finds Gawain, who takes him back to Camelot where he can report Valiant's capture to Aleta.

And so the story winds on as Valiant finds himself drawn into a quest to return King Solomon's gold to its African guardians in the city of Ab'Saba, and Aleta sets out to rescue the husband she thinks is still the prisoner of Norse pirates. Instead of trying to return home to his wife and children, Valiant decided that once he was free of his pseudo-Viking captors he would work his way south along the African coast. And so Valiant's adventures continue until he finds himself in the middle of a Ab'Saban civil war, where, serendipitously, Aleta's expedition happens to show up to tie the story up in a neat little bow.

For anyone who has ever read Prince Valiant in the Sunday papers, there isn't really anything in this volume that should be surprising. The artwork is done in the usual realistic style, the text is placed in little boxes - the Valiant strip has never used speech bubbles. The stories are, as one would expect, filled with villains who are at turns nefarious, duplicitous, and jovial, and monsters that are sometimes implausible, and sometimes merely beastly. Throughout, Valiant perseveres with the kind of swashbuckling bravado that only works in the particular kind of comic strip that he lives in, but it is a kind of swashbuckling bravado that is entertaining as well. Readers who don't enjoy Arthurian epic heroism won't get much out of this book. Those who do, on the other hand, will certainly find this to be an enjoyable and exciting read.

This review has also been posted to my blog Dreaming About Other Worlds.
… (plus d'informations)
½
 
Signalé
StormRaven | Jun 11, 2014 |

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Statistiques

Œuvres
34
Aussi par
21
Membres
472
Popularité
#52,190
Évaluation
3.8
Critiques
7
ISBN
38
Langues
4
Favoris
2

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