Photo de l'auteur
3+ oeuvres 267 utilisateurs 17 critiques

A propos de l'auteur

Caitlin Flanagan is a former high school teacher who became a writer; she has been on staff at The Atlantic, The New Yorker; and the Wall Street Journal. A winner of the National Magazine Award, she has also written for Time; O, The Oprah Magazine; the New York Times; and the Los Angeles Times. She afficher plus lives in Los Angeles with her husband and two sons. afficher moins

Comprend les noms: Caitilin Flanagan

Crédit image: Caitlin Flanagan (right) with Ruth Andrew Ellenson
at the 2007 LA Times Festival of Books
Copyright © 2007 Ron Hogan

Œuvres de Caitlin Flanagan

Oeuvres associées

The Best American Essays 2003 (2003) — Contributeur — 312 exemplaires
The Best American Travel Writing 2006 (2006) — Contributeur — 205 exemplaires
The Best American Magazine Writing 2004 (2004) — Contributeur — 82 exemplaires
The Best American Magazine Writing 2003 (2003) — Contributeur — 71 exemplaires
The Best American Magazine Writing 2002 (2002) — Contributeur — 68 exemplaires
The Best American Magazine Writing 2008 (2008) — Contributeur — 47 exemplaires
The Best American Magazine Writing 2019 (2019) — Contributeur — 10 exemplaires

Étiqueté

Partage des connaissances

Date de naissance
1961
Sexe
female
Nationalité
USA
Lieux de résidence
Los Angeles, California, USA
Études
University of Virginia
Professions
teacher
journalist
Organisations
The New Yorker
The Atlantic

Membres

Critiques

Caitlin Flanagan writes about motherhood without the sentimentality. In this book she covers every aspect of modern womanhood from overblown wedding ceremonies to the difficult decision to work outside the home. She writes about her twins' nanny, and she writes about Martha Stewart. She sees through the BS.

And she's funny. She willingly self-deprecates in the name of writing the truth.

It's true that this book is really an essay collection cum memoir, but it's nonetheless super enjoyable. If we're going to figure out the modern family, we need voices like hers.… (plus d'informations)
 
Signalé
bookwrapt | 12 autres critiques | Mar 31, 2023 |
Well, ah, I had read and enjoyed some of Flanagan's writing in the New Yorker and the Atlantic, so somewhere along the line I must have seen that she had written and book, and added it to the "gift list" that I share on Google Docs with my parents. So that's why my Dad said, very skeptically, "is this really the book you wanted?" when I opened it.

Well it is the book I wanted, I suppose, and to hell with what anyone thinks. It was funny and thought-provoking, albeit "counter-revolutionary" as I kept saying to my baffled Marxist brother. It is counter-revolutionary, in a sense, though; Flanagan seems to want to roll back the clock to a pre-feminist age. I found myself wondering what the women at Feministing -- whom I admire -- would make of these essays, and whether it's possible to agree with both of them, or if that makes you a hypocrite or something. Oh well. A better read than many more highly vaunted pieces of cultural criticism, to be sure.… (plus d'informations)
 
Signalé
MikeLindgren51 | 12 autres critiques | Aug 7, 2018 |
Is it ironic that I listened to this while doing household chores? The author gave me some insights about certain other women, but she really does over-generalize, because the insights didn't apply to me or to other mothers I know. I did like the poignant bit comparing Erma Bombeck to Betty Friedan, though...
 
Signalé
Cheryl_in_CC_NV | 12 autres critiques | Jun 6, 2016 |
I struggled with this book immensely. While I agreed with [what I discerned to be] some of her core points - that the housewife decision is not one to be ashamed of, that not all gender roles are oppressive, etc - I found her to be an extremely unlikeable voice. It appeared to me that her opinion was muddled. At times, it was almost hard to figure out what side of the opinion line she stood.

Her writing is not wrought with wit, as the book jacket alluringly enticed me with. She seems a very petty woman, very naive and unappreciative. Particularly about her "servant" [her own words], Paloma. Whom, she says, was a life-saver and deeply meaningful in her life, but who was oddly vacant from her acknowledgments.

I credit Ms. Flanagan for her unwavering bluntness and for the audacity to dive into the highly controversial topic that she did, but I truly struggled to not throw this book against a wall and light it on fire. I still (despite my inclination to use it as fire starters) found it to be a worthwhile read, for it raises questions and makes you think.
… (plus d'informations)
 
Signalé
tealightful | 12 autres critiques | Sep 24, 2013 |

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Statistiques

Œuvres
3
Aussi par
7
Membres
267
Popularité
#86,454
Évaluation
½ 3.5
Critiques
17
ISBN
14

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