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52+ oeuvres 188 utilisateurs 2 critiques 1 Favoris

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Œuvres de A. M. Burrage

Warning Whispers (1988) 26 exemplaires
War is War (1702) 11 exemplaires
Intruders: New Weird Tales (1995) 10 exemplaires
Some Ghost Stories (1927) 7 exemplaires
Un-paying Guests (1989) 3 exemplaires
Seeker to the Dead (2014) 3 exemplaires
Browdean Farm 2 exemplaires
Smee (2012) 2 exemplaires
The Waxwork [short story] (1931) 2 exemplaires
Don't Break the Seal (2014) 2 exemplaires
The Wrong Station 1 exemplaire
The Gamblers' Room 1 exemplaire
The Summer-House 1 exemplaire
The Yellow Curtains 1 exemplaire
Nobody's House 1 exemplaire
Footprints 1 exemplaire
Furze Hollow 1 exemplaire
Wrastler's End 1 exemplaire
The Green Scarf 1 exemplaire
The Hiding Hole 1 exemplaire
Playmates 1 exemplaire
The Tryst 1 exemplaire
The Soldier 1 exemplaire
The Protector 1 exemplaire
The Girl in Blue 1 exemplaire
The Third Visitation 1 exemplaire
The Pit in the Garden 1 exemplaire
Adeldom verplicht 1 exemplaire
Der Todesbote 1 exemplaire

Oeuvres associées

Histoires de fantômes (1983) — Contributeur, quelques éditions1,244 exemplaires
The Oxford Book of English Ghost Stories (1986) — Contributeur — 544 exemplaires
Great Ghost Stories (1985) — Contributeur — 394 exemplaires
Alfred Hitchcock's Ghostly Gallery (1962) — Contributeur — 368 exemplaires
Ghostly: A Collection of Ghost Stories (2015) — Contributeur — 341 exemplaires
Ghosts: A Treasury of Chilling Tales Old & New (1981) — Contributeur — 334 exemplaires
The Mammoth Book of Haunted House Stories (2000) — Contributeur, quelques éditions295 exemplaires
Witches & Warlocks: Tales of Black Magic, Old & New (1991) — Contributeur — 284 exemplaires
The Omnibus of Crime (1929) — Contributeur — 208 exemplaires
Don't Open This Book! (1998) — Contributeur — 203 exemplaires
The Penguin Book of Horror Stories (1984) — Contributeur — 142 exemplaires
The Penguin Book of Ghost Stories (1984) — Contributeur — 122 exemplaires
Tales of Witchcraft (1991) — Contributeur — 112 exemplaires
Phantastic Book of Ghost Stories (1990) — Contributeur — 110 exemplaires
The History of Piracy (1932) — Contributeur — 84 exemplaires
13 More Stories They Wouldn't Let Me Do On TV (1959) — Contributeur — 83 exemplaires
Great Short Tales of Mystery and Terror (1982) — Contributeur — 79 exemplaires
Spirits of the Season: Christmas Hauntings (2018) — Contributeur — 78 exemplaires
Charles Keeping's Book of Classic Ghost Stories (1986) — Contributeur — 77 exemplaires
Chill Tidings: Dark Tales of the Christmas Season (2020) — Contributeur — 72 exemplaires
65 Great Tales of the Supernatural (1979) — Contributeur — 60 exemplaires
Dark: Stories of Madness, Murder and the Supernatural (2000) — Contributeur — 58 exemplaires
Ghosts of Christmas Past (2017) 56 exemplaires
The Mammoth Book of Ghost Stories 2 (1656) — Contributeur — 50 exemplaires
Some Things Strange and Sinister (1972) — Contributeur — 50 exemplaires
Ten Tales Calculated to Give You Shudders (1972) — Contributeur — 48 exemplaires
Fighters of Fear: Occult Detective Stories (2020) — Contributeur — 48 exemplaires
Ghosts for Christmas (1988) — Contributeur — 45 exemplaires
The Third Omnibus of Crime (1935) — Contributeur — 45 exemplaires
The Moons at Your Door (2016) — Contributeur — 43 exemplaires
The Oxford Book of Historical Stories (1994) — Contributeur — 40 exemplaires
The Television Late-night Horror Omnibus (1993) — Contributeur — 38 exemplaires
Small Shadows Creep (1974) — Contributeur — 33 exemplaires
Great Short Stories of Detection, Mystery, and Horror (1928) — Contributeur — 32 exemplaires
Haunters at the Hearth: Eerie Tales for Christmas Nights (2022) — Contributeur — 30 exemplaires
Fifty Amazing Stories of the Great War (1936) — Contributeur — 25 exemplaires
The Ninth Fontana Book of Great Ghost Stories (1973) — Contributeur — 23 exemplaires
And the Darkness Falls (1946) — Contributeur — 21 exemplaires
The Tenth Fontana Book of Great Ghost Stories (1974) — Contributeur — 20 exemplaires
The Second Omnibus Of Crime: The World's Great Crime Stories (1932) — Contributeur — 18 exemplaires
Dr. Caligari's Black Book (1968) — Contributeur — 16 exemplaires
The Fireside Book of Ghost Stories (1947) — Contributeur — 16 exemplaires
Bodies and Souls (1963) — Contributeur — 15 exemplaires
A Little Night Reading: Twenty Tales of Horror and the Supernatural (1974) — Contributeur; Contributeur, quelques éditions14 exemplaires
Fifty Masterpieces of Mystery (1937) — Contributeur — 13 exemplaires
Uncanny Tales 2 (1974) — Contributeur — 12 exemplaires
The Eleventh Fontana Book of Great Ghost Stories (1975) — Contributeur — 11 exemplaires
The Fourteenth Fontana Book of Great Ghost Stories (1978) — Contributeur — 11 exemplaires
Vincent Price Presents The Price of Fear (1976) — Contributeur — 9 exemplaires
Giving Up the Ghosts: Short-Lived Occult Detective Series by Six Renowned Authors (2015) — Auteur, quelques éditions8 exemplaires
The Twentieth Fontana Book of Great Ghost Stories (1984) — Contributeur — 7 exemplaires
Enter at Your Own Risk: Dreamscapes into Darkness (1605) — Contributeur — 7 exemplaires
Haunts, Haunts, Haunts (1977) — Contributeur — 7 exemplaires
Armchair Horror Collection (1994) — Contributeur — 7 exemplaires
Horror Stories (audiobook) (1995) — Contributeur — 4 exemplaires
Flere chokquelques éditions3 exemplaires
Duchy Nocy Świętojańskiej — Contributeur — 1 exemplaire

Étiqueté

Partage des connaissances

Nom légal
Burrage, Alfred McLelland
Autres noms
X, Ex-Private
Lelland, Frank
Date de naissance
1889-07-01
Date de décès
1956-12-18
Sexe
male
Nationalité
UK
Lieu de naissance
Hillingdon, London, England, UK
Lieu du décès
London, England, UK
Professions
writer
Relations
Burrage, E. Harcourt (uncle)

Membres

Critiques

WAR IS WAR is a fascinating look inside the trenches of WWI, written by a 28 year-old private, who was quite the exception in the enlisted ranks of the time. A.M. Burrage was a professional writer by trade, who served in the Artists Rifles but failed to earn a commission. So he ended up in the front lines with the rank and file men, and in fact was right in the thick of things in some of the fiercest battles of the war, including Passchendale, made famous by the war poets of the time, and, many years later, by Pat Barker's REGENERATION trilogy of novels.

In fact, Burrage continued to write his stories and submit them to the popular magazines of the day while he was literally in the front-line trenches. Throughout his narrative, even in the most trying of times, Burrage displays a wickedly wry sense of humor and a kind of early wisdom that shines through on nearly every page. He also refuses to resort to commonplace profanity or obscenity in his writings, although he acknowledges using it, knowing that any soldier who doesn't swear cannot be trusted. Remaining true to his literary bent, Burrage took Chaucer's CANTERBURY TALES in his kit and read it through repeatedly. He also read Robert Browning's poetry, noting -

"Browning helped me to believe that memories of the old comfortable life were not merely the memories of dreams. There were still English homes, and beds, and garden chairs, green lawns and clusters of flowers, food which did not look as if it came out of a pig-trough, ripe-lipped dainty girls, people who did not qualify every noun with a filthy adjective. Some of us would win back to these delights. Surely they could not kill us all."

Burrage tells you at the outset what an inept and bad soldier he was, how cowardly and fearful he felt much of the time. Nevertheless he did his best, first as a reluctant rifleman, and later as a stretcher-bearer. He was hospitalized twice, the first time for "trench fever," a disabling flu-like ailment transmitted by lice - and everyone in the trenches was lice-ridden. The second and last time he was shot near the kidney, which turned out to be a minor wound, but at the same time he was crippled by trench foot, which turned out to be his "blighty," sending him back to England.

Ruthlessly frank in his description of war and the commonality of death, Burrage tells us, "When a man is killed, we rush to him to see if he's got any food in his haversack, or, that priceless possession, a safety-razor."

Or, about the realization of what his real job is, and the reality of war -

"... the job of the infantry isn't to kill. It is the artillery and the machine-gun corps who do the killing. We are merely there to be killed. We are the little flags which the General sticks on the war-map to show the position of the front-line … We find for ourselves the truth we have already been told - that there is no romance in the war. It is an inglorious hotchpotch of misery ad dreariness, varied occasionally by short spells of stark dreadfulness."

Years later, he is disdainful, if not angry, at the war 'experts,' who wrote about war from afar, even one of his favorite writers, Sir Arthur Conan Doyle, gets trashed -

"Sir Arthur Conan Doyle, in his HISTORY OF THE WAR, dismissed us with the remark that we 'seemed to find some difficulty in getting forward.' The difficulty consisted mainly of being killed in heaps … he should have left the war to the soldiers. You cannot write about the war by merely reading the newspaper reports and looking at maps."

WAR IS WAR, which was written nearly a hundred years ago is, I think, as a first-hand account, one of the best of the memoirs of the Great War. I was often reminded of a WWI novel I read a few years back, Frederick Manning's HER PRIVATES WE, a caustic, ribald and disturbing account of the horrors of trench warfare. Hemingway praised it as one of the best of its kind. I'm so pleased that the English publisher, Pen & Sword Military Books, has brought Burrage's book back into print. Very highly recommended, especially for historians and war buffs.

- Tim Bazzett, author of the Cold War memoir, SOLDIER BOY: AT PLAY IN THE ASA
… (plus d'informations)
 
Signalé
TimBazzett | May 18, 2019 |
I was pleasantly surprised by this. I'd read bits of Burrage in numerous Ghost story anthologies, but to be honest was more interested in getting hold of the Equation volume more for completists sake (and it was a bit of a bargain). I wasn't prepared for how good - and versatile - a writer Burrage is. As with a lot of writers from that time, the quality is variable but stuff like "The Garden of Fancy" is particularly good because there's a tangible oddness and novelty to the story whilst also being particularly satisfying as both a conventional short story and as a bit of weird fiction. Am definitely going to try and track down more...… (plus d'informations)
 
Signalé
irkthepurist | May 23, 2008 |

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Statistiques

Œuvres
52
Aussi par
63
Membres
188
Popularité
#115,783
Évaluation
3.8
Critiques
2
ISBN
26
Favoris
1

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