Photo de l'auteur

Caitlin Thomas (1913–1994)

Auteur de Caitlin

4+ oeuvres 224 utilisateurs 3 critiques

A propos de l'auteur

Comprend les noms: Caitlin Thomas

Crédit image: wikipedia

Œuvres de Caitlin Thomas

Caitlin (1986) 75 exemplaires
Leftover Life to Kill (1957) 71 exemplaires
Double Drink Story (1989) 65 exemplaires

Oeuvres associées

The Norton Book of Women's Lives (1993) — Contributeur — 412 exemplaires

Étiqueté

Partage des connaissances

Autres noms
Macnamara, Caitlin
Date de naissance
1913-12-08
Date de décès
1994-07-31
Lieu de sépulture
Laugharne, Carmarthenshire, Wales, UK
Sexe
female
Nationalité
UK
Pays (pour la carte)
UK
Lieu de naissance
Hammersmith, London, England, UK
Lieu du décès
Catania, Sicily, Italy
Lieux de résidence
London, England, UK
Rome, Italy
Catania, Sicily, Italy
Laugharne, Carmarthenshire, Wales, UK
Ringwood, Hampshire, England, UK
County Clare, Ireland
Professions
memoirist
autobiographer
Relations
Thomas, Dylan (husband)
Devas, Nicolette (sister)
Courte biographie
Caitlin Thomas, née Macnamara, was born in London to a decayed Anglo-Irish landowning family from County Clare. Her sister Nicolette Macnamara Devas grew up to became a painter and writer. When Caitlin was a small child, her parents separated, and she moved with her mother and siblings to a house near Ringwood, Hampshire, on the edge of the New Forest, where they were close friends of the painter Augustus John and his family. In 1930, at age 16, she returned to London and entered dancing school; by 18, she was dancing in a London chorus line. After studying the Isadora Duncan style of dancing, she lived for a brief time in Paris before going to County Clare with her father. In 1936, she met Dylan Thomas in a pub in London; they began a relationship through correspondence and married the following year. The couple lived a peripatetic and bohemian lifestyle, moving from Chelsea to Wales, Oxford, Ireland, and Italy. They eventually settled in a cottage in the village of Laugharne, Wales, in 1938 and had three children. The marriage was famously tempestuous, fuelled by alcohol and infidelity. She became more and more frustrated at being left behind to raise the children and deal with the bills while her husband spent his time traveling for poetry readings and carousing. Following his premature death in 1953, she published a frank memoir, Leftover Life to Kill (1957). She had been spending an increasing amount of time in Italy, and finally decided to move there. She never married again, but had a long-term relationship with Giuseppe Fazio, with whom she had a son when she was 49. In 1963, she published her second book, Not Quite Posthumous Letters to My Daughter. In 1986, she published her autobiography, Caitlin: Life with Dylan Thomas.

Membres

Critiques

I did not find this book nearly as interesting as, 'Caitlin' which, interestingly, told much more of the story of Caitlin's marriage to Dylan Thomas.

This book is divided into three sections; the first, a rambling apology for the Thomas' drunken lifestyle, the second covering Caitlin's troubled childhood, and only the third really giving an insight into life with Dylan. The first book was written with a ghost writer, George Tremlett, who at least provides an invisible line in authorship. In this tome, Caitlin writes her own story and one is forced to the opinion that she wanted to prove her writing ability stood alongside that of Dylan: it didn't. The text appears stilted: this is not someone writing in their natural manner.

So, having complained about the style, what of the content? Were this to be the only book that I had read about Dylan Thomas, I would be much more complimentary, but there are many professional biographies of the poet and even, as previously mentioned, another book giving Caitlin's perspective. In that light, this offering is somewhat surplus to requirements and a cynic might suggest that it was written to cash in. Even the pictures therein, have all been included in other works so, there is little to recommend this book over others upon the subject.
… (plus d'informations)
½
 
Signalé
the.ken.petersen | 1 autre critique | Dec 3, 2013 |
What this book lacks in literary polish, it more than makes up in honesty. Of course, I cannot know for certain that this is a true picture of Caitlin and Dylan Thomas' life together, but Caitlin comes across as very honest: the tale does not always represent her in a good light and has the ring of truth to it.

This is a very sad story of two people, neither very mature, either in years, or outlook, who obviously loved each other deeply but did not have the wisdom to work upon their relationship. There were violent outbursts - usually Caitlin handing out a beating to the miniature, feeble Dylan who, whilst not violent, could be completely thoughtless.

Were Dylan Thomas not to have been an undoubted poetical genius, then one's description of him would have been most unflattering: indeed, even Caitlin seems to have excused behaviour that would have been unacceptable from a mere human being, because of Dylan's talent. This raises some interesting questions, as does Dylan's demise in America. Both parties were inveterate drunks and Dylan was reported to have said that he had drunk a record (for him) eighteen straight whiskies. This may well have been an exaggeration; Dylan seems to have been one of those chaps who felt that a man is defined by how much alcohol he is able to consume (I hope not: I would certainly need to become a cross dresser, at the very least!). There were other strange events surrounding the death - the doctor called to assist Thomas seems to have administered an odd cocktail of drugs and his treatment to have been, unusual. At this remove, we will probably never know the truth and Caitlin appears to have reached this conclusion too because, whilst she mentions these facts, she does not churn out a conspiracy theory.

This is a loving reminiscence of a relationship into which few people would ever have entered but, which was perhaps inevitable for these two.
… (plus d'informations)
 
Signalé
the.ken.petersen | Oct 10, 2013 |
Na de eerste 2 hoofdstukken kon ik het verdere verloop van hun leven wel inschatten: drankgebruik, overspel, poëzie schrijven en vooral eigenlijk veel drankgebruik. Waarschijnlijk een boeiend boek als je gepassioneerd bent door het leven en drankprobleem van Dylan Thomas.
 
Signalé
fempie | 1 autre critique | Apr 6, 2010 |

Prix et récompenses

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Statistiques

Œuvres
4
Aussi par
1
Membres
224
Popularité
#100,172
Évaluation
½ 3.5
Critiques
3
ISBN
14
Langues
2

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