Christopher Stray
Auteur de A Companion to Classical Receptions
Séries
Œuvres de Christopher Stray
Expurgating the Classics: Editing Out in Greek and Latin (2012) — Directeur de publication — 14 exemplaires
Gilbert Murray reassessed : Hellenism, theatre, and international politics (2007) — Directeur de publication — 11 exemplaires
The Mushri-English Pronouncing Dictionary: A Chapter in 19th-Century Public School Lexicography (1970) — Directeur de publication — 7 exemplaires
Remaking the Classics: Literature, Genre and Media in Britain 1800-2000 (2007) — Directeur de publication — 6 exemplaires
The Classical Association: The First Century 1903-2003 (New Surveys in the Classics) (2004) 5 exemplaires
Classics in 19th and 20th century Cambridge: curriculum, culture and community (1999) — Directeur de publication — 5 exemplaires
Classical Commentaries: Explorations in a Scholarly Genre (2016) — Directeur de publication — 4 exemplaires
Liddell and Scott: The History, Methodology, and Languages of the World's Leading Lexicon of Ancient Greek (2019) — Directeur de publication — 3 exemplaires
British Classics Outside England: The Academy and Beyond (2008) — Directeur de publication — 2 exemplaires
The owl of Minerva : the Cambridge praelections of 1906 : reassessments of Richard Jebb, James Adam, Walter Headlam,… (2005) — Directeur de publication — 2 exemplaires
Classics in Britain: Scholarship, Education, and Publishing 1800-2000 (Classical Presences) (2018) 1 exemplaire
Oxford Latin Dictionary: A Historical Introduction 1 exemplaire
From One Museum to Another: The "Museum Criticum" (1813-26) and the "Philological Museum" (1831-33) 1 exemplaire
Oeuvres associées
An American in Victorian Cambridge: Charles Astor Bristed's "Five Years in an English University" (2008) — Directeur de publication, quelques éditions — 14 exemplaires
Roman Literature, Gender and Reception: Domina Illustris (Routledge Monographs in Classical Studies) (2013) — Contributeur — 6 exemplaires
The Drunken Duchess of Vassar : Grace Harriet Macurdy, pioneering feminist classical scholar (2017) — Avant-propos — 4 exemplaires
Texts, Ideas, and the Classics: Scholarship, Theory, and Classical Literature (2001) — Contributeur — 3 exemplaires
Transactions of the American Philological Association. Volume 127 (1997) — Contributeur — 2 exemplaires
Étiqueté
Partage des connaissances
- Sexe
- male
- Nationalité
- UK
- Études
- University of Oxford
- Professions
- Honorary Research Fellow
- Organisations
- Swansea University
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Critiques
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Statistiques
- Œuvres
- 28
- Aussi par
- 8
- Membres
- 138
- Popularité
- #148,171
- Évaluation
- 3.6
- Critiques
- 1
- ISBN
- 45
There are accessible volumes of A. E. Housman's scholarly works, such as John Carter's collection A. E. Housman: Selected Prose. This isn't such a book. Nor is it an overview of what Housman worked on -- not really. Instead, it is a series of essays by modern scholars getting into the details of what he did. Housman's life work was editing the texts of classical Latin writers, and his work in that field was noteworthy for two things: His insistence on using the stemmatic methods pioneered by Karl Lachmann (in which Housman was dead right, and the people he fulminated against dead wrong -- sez I) and his extreme willingness to engage in conjecture -- that is, instead of adopting a reading found in (some subset of) the manuscripts, to adopt one that he felt fitting. That conjecture is sometimes necessary can hardly be denied. That Housman went overboard with it is almost as certain.
But to know just how far he went, you have to know Latin, and Latin authors, and the techniques of textual criticism -- and, frankly, you have to know Housman's work on the editions involved. It's a very high bar; the random fan of Housman's poetry will surely find this book incomprehensible. Even knowing a good bit about textual criticism, I found most of it to be pretty meaningless -- I don't know enough about (say) Manilius's writing style, and the vocabulary of ancient astrology, and the forms of ancient poetry to be able to judge whether one of Housman's conjecture is necessary.
This book appears to be a print-on-demand edition (at least, the print quality is pretty poor, and has the ragged-edged type of most print-on-demand books). I suspect its extreme specialization is the reason: The demand for it is just too small for anyone to want to keep copies on the shelf. Housman was a very important textual critic, still widely quoted in manuals of the subject. (Mostly because he was so quick with a fierce, and often unfair, quip.) His methods deserve to be studied. But unless you are a critic of Latin literature yourself, you aren't likely to get much out of this book.… (plus d'informations)