Irena MakarykCritiques

Excelente instrumento de aproximación a las diferentes tendencias críticas que han pensado la literatura, es una primera entrada para perder el miedo a la teoría sobre el texto literario, los discursos, el ejercicio de la escritura y la lectura en su más alta complejidad. Todo maestrillo pretende ocultar el "manual" en que se ampara, esta enciclopedia es el manual de ingreso para todos los estudiantes universitarios y sobre todo para los que procuran alcanzar estudios graduados. La enciclopedia reúne las aproximaciones más contemporáneas y facilita el camino teórico a quienes noo han realizado estudios en filosofía, hermenéutica o epistemología.

The story of Jesus going to hell after his crucifixion and removing all the early founders of the church to take to heaven. Lucifer is a bit whiny and wimpy, Jesus is almost a total non-presence. The play is just a few long speeches from Lucifer, a showing of the banner of Jesus, and the knocking over of the gates of hell. Lucifer gives up without a whimper; in fact, there is nothing to indicate Jesus harrowed hell except that he said he did. The scene where Solomon is kicked out of hell is also quite underwhelming. This is clearly a play written for believers to allow them to charge up their mission a bit, but it seems we do that better nowadays. Any modern hell house can top this for sheer inventiveness and hellishness. Mostly interesting as a curiosity of past theatre.