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121+ oeuvres 985 utilisateurs 7 critiques

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Crédit image: stephenlongstreet.com

Séries

Œuvres de Stephen Longstreet

The Joys of Jewish Cooking (1974) 77 exemplaires
Indian Wars of the Great Plains (1970) 59 exemplaires
Dessins d'Ingres (1950) 27 exemplaires
A Salute to American Cooking (1968) 23 exemplaires
The Pedlocks (1951) 18 exemplaires
Chicago, 1860-1919 (1973) 14 exemplaires
Pedlock and Sons (1966) 13 exemplaires
Man of Montmartre (1958) 12 exemplaires
The Dream Seekers (1979) 12 exemplaires
Geisha (1977) 9 exemplaires
The Drawings of Rembrandt (1993) 9 exemplaires
The Beach House (1952) 9 exemplaires
The Boy in the Model-T (1956) 8 exemplaires
The Gay sisters (1942) 7 exemplaires
Gettysburg: A Novel (1961) 7 exemplaires
More Drawings of Delacroix (1973) — Introduction — 5 exemplaires
The real jazz, old and new; (1969) 5 exemplaires
The Child in Art (1990) — Introduction — 5 exemplaires
Pedlock Saint Pedlock Sinner (1969) 5 exemplaires
A Few Painted Feathers (1963) 5 exemplaires
The Crime (1959) 4 exemplaires
the general (1974) 4 exemplaires
Storm Watch (1979) 4 exemplaires
Death Walks on Cat Feet (1938) 4 exemplaires
The sisters liked them handsome, (1946) 4 exemplaires
Stallion road a novel (1945) 4 exemplaires
Kingston Fortune (1975) 4 exemplaires
She Walks in Beauty (1971) 4 exemplaires
All or Nothing (1984) 4 exemplaires
Drawings of Matisse (1997) 3 exemplaires
Ambassador (1978) 3 exemplaires
Eagles where I walk 3 exemplaires
God and Sarah Pedlock (1976) 3 exemplaires
The Politician 3 exemplaires
Straw boss: A novel (1978) 3 exemplaires
The Pembroke colors (1981) 3 exemplaires
The Young Men of Paris (1967) 3 exemplaires
The Burning Man (2012) 3 exemplaires
The Pedlock Inheritance (1974) 3 exemplaires
Wheel of Fortune (1981) 3 exemplaires
High Button Shoes (1949) 2 exemplaires
Knaurs Jazz Lexikon 2 exemplaires
El dorado exilio (1976) 2 exemplaires
Drawings of Hokusai (1969) 2 exemplaires
The Lion at Morning (1957) 2 exemplaires
Poison from a Wealthy Widow (1938) 2 exemplaires
Three days 2 exemplaires
Drawings of Tintoretto (1967) 2 exemplaires
Masts to Spear the Stars (1969) 2 exemplaires
Artists' Quarter (1969) 2 exemplaires
Our Father's House (1985) 2 exemplaires
Águilas en mi camino 1 exemplaire
The Tree in art 1 exemplaire
The Last Man Comes Home (1942) 1 exemplaire
Reading For Men: The Flesh Peddlers and The Easy Way (1962) — Contributeur — 1 exemplaire
Death talks shop 1 exemplaire
Le grand plongeon (1963) 1 exemplaire
The Sound of an American (1942) 1 exemplaire
Portrait in Art (1965) 1 exemplaire
Enciclopedia del jazz 1 exemplaire
Drawings of Renoir 1 exemplaire
Senator Silverthorn 1 exemplaire
Stribling (1973) 1 exemplaire
The Animal in Art (1966) 1 exemplaire
Strike the Bell Boldly (1977) 1 exemplaire
Delilah's Fortune (1984) 1 exemplaire
Living High (1962) 1 exemplaire
The Pedlocks in love: A novel (1978) 1 exemplaire
Last Man Around the World (1941) 1 exemplaire
The World Revisited (1953) 1 exemplaire
The Bank (1977) 1 exemplaire
Two Beds for Roxane (1952) 1 exemplaire

Oeuvres associées

Cricket Magazine, Vol. 8, No. 9, May 1981 (1981) — Contributeur — 3 exemplaires

Étiqueté

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Membres

Critiques

 
Signalé
Steendam | May 25, 2021 |
There is a musical supplement from The Sunday Examiner ("Words & Music by Ernest Hogan, the famous songwriter with Black Patti's Troubadours) tucked in the front slipcover, date unknown.
 
Signalé
sadjrlegacy | Apr 8, 2021 |
This is a work born of a long-burning passion for the subject. In his introduction, Stephen Longstreet describes how as a youth he collected newspaper articles and spoke with pilots of the First World War about their experiences. As an adult he spent a quarter of a century accumulating materials about the air war in order to write this book, in which he sets out to tell the stories of “the men and machines who fought the pioneer air combat.”

And this passion shows on nearly every page. Longstreet’s focus is on the “human element,” or the lives of the men who participated in the air war. While his focus is on the famous aces – most of whom receive brief biographies and select descriptions of their air battles – he also discusses the ground crews and manufacturers as well. Anthony Fokker receives particular attention, with his story encapsulating just how fluid the aircraft industry was at the time and how quickly fortunes could change for the people in it. It all makes for very entertaining reading.

Yet for all of its strengths, this is also a deeply flawed book. In focusing on the aces, Longstreet leaves out vital aspects of the air war. As is so often the case, Longstreet’s book is mainly about warfare over the Western Front, with aerial battles elsewhere covered in just two short chapters. Moreover, it is almost exclusively a book about fighters and fighter pilots: coverage of the bombing campaigns is confined to a single chapter about the Zeppelin raids on England, while scouting is effectively ignored altogether. Nor is there is any context provided for the aerial dueling he describes, making it seem as though it was all a struggle apart from the larger conflict. Worst of all, though, is the clichéd nature of Longstreet’s writing, which too often devolves to national stereotyping to fill in the gaps in his analysis.

Because of this, anyone new to the subject can finish this book with a deeply distorted understanding of air warfare during the First World War. For all of the thrilling episodes recounted in purplish prose, Longstreet’s reduction of an important aspect of the conflict to a series of dramatic personalities and biplane battles does a real disservice to his subject. The best that one can hope for in this respect is that enough of Longstreet’s zeal will rub off on his readers that they will seek out other books for a more comprehensive picture of the air war, lest they believe that the popular image of the air war is the only one that matters.
… (plus d'informations)
 
Signalé
MacDad | 1 autre critique | Mar 27, 2020 |
Documents the Great War's aerial combat, from machine inventors, to death-dealing bombers, to the flying aces…short profiles of all the aces; Max Immelmann, the first German; von Richthofen, and Boelcke. America had its Rickenbacker, the French four of lesser stature, Belgium a great balloon killer; etc., etc. Longstreet has worked in contemporary material, memoirs. There is also a certain indiscriminate supercargo: he refers twice in short succession to the long distance affair between Shaw and Ellen Terry which seems wide of the target to begin with. Nothing very alluring except for the congenital devotee -- and spotty notes, no index.… (plus d'informations)
 
Signalé
MasseyLibrary | 1 autre critique | Mar 9, 2018 |

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Statistiques

Œuvres
121
Aussi par
2
Membres
985
Popularité
#26,140
Évaluation
½ 3.5
Critiques
7
ISBN
136
Langues
4

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