Jeffery H. Haskell

This originally appeared at The Irresponsible Reader.
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WHAT'S ONE DECISIVE VICTORY ABOUT?
After the calamitous events at the end of With Grimm Resolve, the Alliance Navy is raring to strike back, but the government has another plan. The last thing they want is another war—they're still torn over the last one, and they'll snatch any excuse to avoid the next.

Naval Intelligence's Admiral DeBeck can't believe this and can't stand it. He knows he can't do anything. But he has a plan that centers on Lt. Commander Jacob Grimm, but Grimm's going to have to be sacrificed for it to work.

The Caliphate has struck a massive blow to the Alliance and they need to respond or DeBeck (and most of the Navy) is convinced that they'll be emboldened to attack again and again—until it's too late for the Alliance to effectively defend itself.

So they're going to follow through on the plan to dismiss Grimm from the Navy when the Interceptor is taken out of service. Then Grimm is supposed to steal his former ship, head to Caliphate space, free a bunch of their slaves and wreak havoc on the planet that serves as the center of their slave trade. Then he'll come home and spend the rest of his life in military prison.

It's a plan so crazy that it just might work. Or it'll go down in history as one of the dumbest things humans have tried. If it's the latter, it's good that only a handful of people will know about it.

ITS PLACE IN THE SERIES
I talked about this with the last book, too, but I think I need to touch on it again.

So this is definitely the end of a trilogy—Haskell might have had an idea for a fourth book by this time, but it's clearly the end of something. Yes, there's a way for more stories to be told featuring at least some of these characters—I knew that had to be the case going in. But Haskell writes this in a way that you can't take for granted that anyone is going to survive this book. You can't guess how successful this mission is going to be until the closing pages.

This is a hallmark and a strength of the series so far—even coming to it when I did, with multiple books released/scheduled to be released, not knowing just how safe any character would be (arguably with the exception of the title character, but I don't know that you can count on that).

SO, WHAT DID I THINK ABOUT ONE DECISIVE VICTORY?
Ooh boy, this is about as action-packed as you can ask for. Not that the previous volumes were think-pieces. But One Decisive Victory is able to build on the work already done in establishing the world and doesn't need a whole lot of new work to set up this novel. Once that little work is done, the brakes come off and it's all action.

There's a lot of good character work in the middle of it all—I'd argue it's the best character work he's done in the series—but this is about things happening. Grimm and the Interceptor have their work cut out for them and we don't need to waste time with much else.

The novel was fast, the action was furious, and the story did exactly what you want. I was on the edge of my seat for almost the entire novel and I loved it. I did think the closing pages came close to being cheesy—but Haskell avoided it, and at this point, he's earned a bit of cheese anyway.

This was a satisfying conclusion to the trilogy, and the fact it's become a longer-running series is nothing but a positive. Jump on board.… (plus d'informations)

This originally appeared at The Irresponsible Reader.
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“Kim, any ideas?” he asked.

He didn’t need to tell her what for— her stations repeated everything he saw and kept her apprised of the situation.

“Other than we run? Nothing, sir. I know that’s not what you were hoping to hear.”

“I can’t expect you to solve the impossible every day. Maybe just on Tuesdays,” he said with false cheer.

WHAT'S WITH GRIMM RESOLVE ABOUT?
Grimm's back from command school and the USS Interceptor is back on patrol. His crew has become the well-oiled machine he knew they could be. There's been a little shuffling of the crew between books, but by and large, those secondary characters you enjoyed before are back and ready for more.

I really don't know what else to say shy of recapping the whole novel—the crew looks into a distress call on a fairly remote station, and finds both action and a mystery. Chasing breadcrumbs leads them to a couple of discoveries that blow their minds (and don't do wonders for the structural integrity of the ship, come to think of it). Coupled with what they uncovered/witnessed in the first volume, Grimm and his crew know that things for their Navy and the Alliance will never be the same.

ITS PLACE IN THE SERIES
Initially, I saw this advertised as a trilogy (and it still looks like one on the publisher's website, as of the time I write this)—and there's at least one reference in the book to a trilogy.

However, Amazon tells me there's a fourth book coming in September. I'm refusing to read anything about it, so I don't inadvertently learn anything about the third volume, One Decisive Victory. But I can't stop speculating—was there just too much to wrap up in One Decisive Victory, so Haskell had to split it? (I can 100% believe that given the events of this book) Did he finish the trilogy and decide he was having too much fun/success to leave it there and came up with something new? (Another theory I could absolutely believe).

Regardless, With Grimm Resolve functions as a middle novel of a trilogy—it's darker, the stakes are higher, and it certainly appears that Grimm, the Interceptor, her crew, and potentially the entire Alliance are in dire straits—straits so dire I should probably capitalize them. At the same time, we get a complete story here—Haskell only leaves the minimum unresolved. There's clearly more to come, but we get a resolution on most of the important events here. One Decisive Victory will be about the repercussions of this novel.

SO, WHAT DID I THINK ABOUT WITH GRIMM RESOLVE?
Against All Odds started slowly, establishing the status quo for the Navy, the political realities in the Alliance, and the state of relations with other governments—in addition to everything about Grimm and the Interceptor. Once that's established, he takes the brakes off and it becomes a thrill ride. As we start this novel by focusing on a different group and their activities threatening the Alliance, I assumed we'd get something similar.

And we sort of do—but it's quicker, Haskell doesn't have much to do in order to orient his readers, and the action hits before we're a quarter of the way in—and it really doesn't let up. Yes, there are moments of rest for the reader and characters, it's not all danger and combat for the last three-quarters. But the plot doesn't stop and no one gets out of the woods until the end. There's a tension throughout that doesn't let up.

Along those lines, I should mention a nice trick by Haskell. The series is called Grimm's War, and whether it goes on for one or two (or more) books, you know Grimm makes it through Book 2, or the series would be called something else. Yet, there's more than once where you can see Grimm being killed and you can't help but wonder if Haskell has fooled you into thinking he's safe. I love that he was able to do that.

With Grimm Resolve ended in a way that made me consider tossing off my schedule and jumping on to the next one right away. I'm thoroughly enjoying this series and can't imagine why anyone wouldn't. Give this series a try!… (plus d'informations)

This originally appeared at The Irresponsible Reader.
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Chief Boudreqx rolled the ship until the belly faced Kremlin and the cockpit looed out into open space...open except for her.

The Interceptor. The front of her hull was painted like a shark’s head, but it was old and faded, scratched and worn.

Jacob had spent most of his life waiting for this moment, and in it, all his concerns about his past, his present, and his future faded away.

He didn’t care if she looked like a beaten prizefighter with her armored hull dented and streaked from action. Or if the turrets were scratched, streaked, and patched.

Only that she was his.

WHAT'S AGAINST ALL ODDS ABOUT?
Two years ago, Lt. Jacob Grimm, did the right thing in a crisis situation. Sadly, the optics of his action were horrible and the political fallout from it turned a promising Naval career into a dead-end endeavor. He's assigned to an obscure post—where he does well but is destined to fall into obscurity and having to leave the navy.

Then politics intervenes again—and he's assigned a ship to command. The commander unexpectedly died of natural causes a couple of months ago, and Interceptor needs someone to get it back into shape. Grimm doesn't know the politics behind this assignment—and doesn't care. This is his last hope of doing anything with his time in the Navy that won't be covered in scandal.

In the intervening months, the ship has fallen into disrepair (its major drive component is missing!), and there's little-to-no discipline among the crew. Grimm has his work cut out for him.

Meanwhile, a hostile (foreign) government, pirates, other criminals, and an obsessed scientist are at work in this sector—naval high command is up to something, too. Grimm and his crew only know about the pirates, so they don't realize just how interesting/dangerous life is going to get.

THE TECHNOLOGY OF THIS UNIVERSE

He wasn’t in uniform, but the cap was a universal spacer adornment. Ships were almost always on the cold side, enough to be uncomfortable without warm clothes and a watch cap. If a ship was warm, something was terribly wrong.

One thing every book about interstellar travel has to deal with is how both travel and communication are handled. I appreciated Haskell's approach, it feels as grounded as any series that's not going to force generation ships on everything can be.

The way he designed the technology/construction/etc. of the ships really appealed to me. There's a very Star Trek-feel to the whole thing, but without the shiny panels and great lighting, the physical aspects of the ships are more Firefly-like. Think Moore's Battlestar Galactica, just slightly less advanced.* There's also a feel of 20th Century Navy ships and submarines—unforgiving metal everywhere, a focus on function over comfort/aesthetics; cold temperatures everywhere; worrying about what could happen to things that aren't bolted down while the ship moves; food that's nutritious, but not necessarily appealing.

* I'm a little annoyed with myself here. I spent the entire novel thinking about the Star Trek/Firefly comparison and only got around to BSG because I wanted to throw on some Bear McCreary as I wrote this. BSG is a better way to envision the tech/atmosphere. There's a very non-subtle Star Trek homage in the novel, so I feel okay getting it stuck in my mind.

SO, WHAT DID I THINK ABOUT AGAINST ALL ODDS?
I've enjoyed the first two novels in Haskell's Full Metal Superhero series (and have been kicking myself for years for not reading more of them), but this? He's clearly been working his craft since 2017, and it has paid off here.

I spent a good portion of the novel wishing he'd spend less time on the subplots—assuming they'd end up being important, but all I wanted to do was get back to the Interceptor. It made me question several of my reading choices over the last couple of years—why didn't I read more things like this? There was a brief spy vs. spy thing, too, as part of a subplot—I could've used more of that. But once the subplots started converging on the Grimm/Interceptor story? It was like having my cake, eating it, too—and not caring about my A1C levels.

My impatience aside, this was skillfully paced—he kept the tension mounting as you become more invested in the various crews and characters, and as the layers of the plot get pulled back to reveal Haskell's game plan. The combat scenes—the ship vs. ship scenes in particular—were great. There are times I feel shallow and adolescent for enjoying that kind of thing the way I do, but I get over that pretty quickly.

I would say the Epilogue felt unnecessary—if the reader didn't assume most of what we got there already, I'm not sure they were paying attention. I think it'd have been better for Haskell to trust the reader to assume the Epilogue and/or to see the effects of it play out over the next book or two without spelling it out quite the way he did. That's my major beef with the book, and if it takes until the Epilogue to get something like that? That's a pretty good sign. There were a couple of other choices I questioned, but I want to see what Haskell does with them before I spend too much ink on them.

I've got Book 2, With Grimm Resolve, scheduled for mid-July—and at least one too many books on my June schedule—but it took all my discipline not to dive into it after finishing this. Do yourself a favor, grab some popcorn and settle down with this for a couple of hours—you'll have a whale of a time.… (plus d'informations)