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Chris Gavaler

Auteur de Pretend I'm Not Here

6+ oeuvres 52 utilisateurs 3 critiques

A propos de l'auteur

Chris Gavaler is an assistant professor of English at Washington and Lee University. He is the author of the novel-in-stories School for Tricksters and the romantic suspense novel Pretend I'm Not Here. He lives with his family in Lexington, Virginia.

Œuvres de Chris Gavaler

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Real Unreal: Best American Fantasy 3 (2010) — Contributeur — 55 exemplaires

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This is a bit of a hard book to review because it was not what I expected, yet at the same time, exactly what it purported to be. This is an academic work and is therefore a bit denser than most people are used to. I admit that I had to remind my brain about how to read an academic work, which is prone to throwing many different names at the reader with very little context, as opposed to even a pop non-fiction book. This took several chapters before I got my brain back into academic mode.

That said, this was a super interesting book that followed superhero tropes through human storytelling history. Given the title, I guess I had expected more actual superheroes in the narrative. Instead, Gavaler explored the figures that preceded the superheroes that appeared in the comic books of DC and Marvel etc. These included mythological/religious figures, historical icons, and the heroes of old Westerns and noir pulps. At the same time, he placed superheroes into political, cultural, and social contexts, sometimes in ways that made me uncomfortable to be such a huge fan of fictional characters with roots in eugenics and white supremacy.

It was a fairly quick read for an academic work--much quicker than I remember some of my old history textbooks from college to be. And Gavaler was obviously as much of a superhero nerd as I was, making quick asides that were phrased to be an in-joke, a quiet nod to his fellow nerds.

That said, it is still an academic work and fairly dense. Some may find it a boring slog, in fact, when they were expecting something more light-hearted based on the subject matter. (They should probably not be looking at a university press, then.) I also wish that Gavaler had slowed down and given a bit more backstory sometimes to the figures he threw at the reader. This was less of a problem later on in the book, but earlier when he was writing about mythological and historical figures, he could have provided more background, particularly since some of the figures he discussed were very obscure.

Second, he seemed to assume that the reader was familiar with current superheroes and their stories, and would casually mention Magneto, or the Dark Phoenix saga with no context of their relevance. If the reader was a comic book nerd, this is not a problem. But an unsuspecting reader who has only a passing familiarity with superheroes and comic books would have probably been at least a bit confused and lost. This was a problem throughout the book. It may seem odd to consider that there is anybody alive who doesn't know Batman has a sidekick named Robin, but I'm sure that person is out there (though he or she would probably not pick up this book, so perhaps this point of criticism is moot).

Third, I felt that despite his great scholarship and analysis, Gavaler skirted around a critical question of, "Why superheroes?" Why are we fascinated by them and love them? And why did they see a resurgence and unprecedented rise in popularity recently?

Review copy courtesy of the publisher via Netgalley
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Signalé
wisemetis | Sep 16, 2022 |
Note: I received a digital review copy of this book from the publisher through NetGalley.
 
Signalé
fernandie | 1 autre critique | Sep 15, 2022 |
This would make the perfect textbook for a class on the history of Comics. It’s great for comic fans who want to go beyond the pages of the latest DC or Marvel adventure to understand and appreciate how these stories evolved and what were their origins.

As a woman I’ve often been irritated that otherwise great stories get overshadowed by illustrations of female characters where you can barely see their faces/bodies because their breast size would rival a porn star. After all male characters generally aren’t drawn with a certain part of their anatomy outsizing their body so why should women be treated differently? I finally found the answer in this book.

You will learn how the aspects of male and female characters began and adapted as society changed over the years. What characteristics define someone as a ‘Super Hero’ as there must be more requirements than access to spandex? You’ll even learn some interesting legal history like finding out the word ‘Superhero’ is actually owned by Marvel & DC.

After reading this I definitely have a greater appreciation and understanding for what comics have given to our culture, how they’ve evolved and why we need them in society. Parents would be well deserved to read this so they can understand taking comics away from their kids because they don’t think they’re good education material or whatever is actually really stupid.
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Signalé
ttsheehan | 1 autre critique | Jun 5, 2017 |

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Œuvres
6
Aussi par
1
Membres
52
Popularité
#307,430
Évaluation
½ 3.4
Critiques
3
ISBN
16

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