Rafa Garres

Stephen King has been an author who means a lot to me over the years. He writes a lot. Not all of it is good. Quite often his work is laced with varying levels of implicit and explicit bigotry and prejudice. This seems to be something he has shared with his son.

This is a comic adaptation of the novella, Throttle, by Hill and King, and, the story that inspired it, Duel by Richard Matheson. Both stories centre on conflict with a malevolent truck on the highway.

I haven't read either of the original stories, but in the excepts and adaptations, Matheson's Duel seems a much stronger and more original, in multiple ways, of the two.

Throttle follows a motorcycle club, The Tribe, complete with grinning skull wearing a war bonnet patch, following a bloody altercation and moving from the frying pan of that into the fire of being made roadkill by a big, mean truck. If you know Stephen King's work, you know he loves big, malevolent trucks and casual racism. I cannot understand why they chose to name the MC and describe their patch in this manner, beyond exoticism. I may be wrong, but does not appear to be a Native American MC naming themselves within the story in this manner, as with the Hispanic MC, The Mayans, originally from Sons of Anarchy. With his history of 'Indian burial ground' origins for a number of his horror stories and propensity for the 'Magical [Black person]' trope, I find it hard to see anything else.

It's an excuse for some carnage, which is fun enough, but the forced moral turn at the end and the framing story give this an oddly preachy vibe, so unbelievably out of step with the roadkill porn this honestly is. Maybe, it works better in the book, but the tonal dissonance is wild.

Duel is a more interesting narrative following the eponymous duel between a guy on his way to an interview on California and truck that takes exception to being overtaken. That's the while premise, but the focus on the protagonist's descent into despair and madness at their ordeal and the maintained anonymity of the truck driver add a level of horror and intrigue that is sorely lacking in Throttle.

Both stories have an interesting perspective on class, with who they focus on and their portrayal, especially considering the author's situations when these stories were written. By interesting, I really mean a kind of sneering, dehumanising, and othering of those of the lower classes and outside the law, again nothing new for King, while weight and respect is placed upon dedicated fathers and veterans.

Throttle is, quite frankly, some Boomer-arse shit, and Duel seeks like it would be interesting to read.

The art and direction for Throttle is very standard affair and not particularly interesting. Duel has a much more distinct design and layout, reflecting the degrading of sanity of the protagonist, which I appreciate.

This wasn't from me, but it was something to randomly pull from the library.… (plus d'informations)

I think I actually enjoyed this graphic novel adaptation of Hill & King's Throttle more than the original story. The pacing and art are well done and add a lot to the story.

But, it's the followup story, Richard Matheson's Duel that is the absolute winner here. I was barely nine years old when the Steven Spielberg (who was an absolute unknown back then) directed television movie, Duel premiered on national television, Nov 13, 1971, a Saturday night. I had to get permission to watch it from my mother before my cousin came over to babysit me.

And even then, at nine years old, I knew I'd seen something special. I remember my cousin being quite upset that there had been no key moment where you found out exactly what the trucker's problem was with Mann, and you never ever found out who he was. Me, hell, I thought that was one of the coolest parts of the movie.

And that, I think, is the defining difference between the Hill/King story and the Matheson one. Hill & King give you that this is why he did it scene. Matheson doesn't. And his story is all the stronger for it.

For this edition, I wasn't as crazy about the art for the Duel story, but it still worked well enough.

Overall, definitely worth picking up.… (plus d'informations)

Things are moving along in this volume with Jane, Roxxon, Solomon and the damage that is being done in the Ten Realms. You can see how the pieces and people are being put in place and you know that in the future comics, that these things will end in a big fight.

I've never read much Thor comics because the style never suited me, so I don't know a lot of the backstory only the basics or what I've read in other comics. I know the basics of Jane's story but I love how she is being portrayed in these volumes. She is strong and fighting the evil's in the whole galaxy, while she is sick with cancer.

I love that we get to see how strong she is when she's Thor but also how strong she is when dealing with cancer too. I love those few scenes we have her as just Jane Foster.

In this volume we see Shield is still trying to figure out who the new Thor is. We get a story on the origin of Mjolnir and how it chooses those to wield the Hammer. There is also 2 filler issues in the beginning, that were okay but the rest of the volume is great and finishes on a high.

I hope that soon Thor Odinson will learn the truth about Jane and I hope it will strengthen their bond with each other.

I love everything about this series and can't wait to read the next volume.… (plus d'informations)