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Kathryn Born

Auteur de The Blue Kind (Switchgrass)

1 oeuvres 9 utilisateurs 2 critiques

Œuvres de Kathryn Born

The Blue Kind (Switchgrass) (2012) 9 exemplaires

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Chicago-area author Kathryn Born set her debut novel The Blue Kind in Neom, a dystopian city where the laws of physics are lax. In the aftermath of Drug War II, Allison is a "chain," meaning she is collateral after a drug deal is made. The drugs in this world are called "mugs" (mind-drugs?). Different mugs offer different experiences, usually warping the laws of physics and the realms of perception.

The novel focuses on Allison's misadventures with her husband Cory, her friend Ray, and other transients. They take different kinds of mugs in an abandoned theater, try not to get arrested, and engage in a kind of quest. This quest is to find, pay for, and take IDeath. This mug promises to give the user an out-of-death experience that she can return from. Born puts a satirical spin on this dystopia. Cory says, "They could create mugs that let you assemble objects faster, or create an emotional block to keep your personal demons at bay. So suddenly there are a whole bunch of new mugs, the Feudal Government says they're good for you, and they're all legal." He continues, "Then they start adding laws. Some mugs become illegal, and they create a whole nonsensical system of degrees ranging from mugs they call 'recommended' to mugs they label 'banned.' Once some mugs become illegal, people start hoarding legal mugs in case their status changes. Then mug formulas hit the streets, and there's an instantaneous black market." What makes Cory's diatribe so funny is how accurate it is to the drug catastrophe in the United States. This nation legalizes drugs that reward industriousness (coffee, energy drinks) and make illegal drugs that alter perception (LSD) or make one giggly and like jam bands (pot). The current state-federal conundrum created by the recent pot legalization in two states only complicates the matter.

Allison and her ragtag group confront Atom, Allison's arch-nemesis and IDeath dealer. But this description is deceptive, since The Blue Kind isn't written like a taut thriller or a docu-realistic depiction of an addict's life (see The Wire). The novel chugs along at a jangly loose pace. People talk, people sit around, and there's the occasional physical transformation. The relaxed pacing and dystopian setting reminds me of Richard Linklater's film A Scanner Darkly, equal parts hallucination, paranoid fantasy, and evil conspiracy. While not everything works in this book, this is Born's first novel and I'm more lenient with first novels. But as first novels go, she creates a unique dystopian environment and an equally persuasive writing style. She has a novel that rides the fine line between literary experimentation and one that follows every genre convention. More novelists writing in science fiction should take these kinds of chances. The Blue Kind reminds the reader that Kathryn Born is a writer to watch. On the back flap Born's profile states she "is working on a follow-up novel, which she hopes to complete in less than twenty years." Hopefully we won't have to wait that long, because seeing her talents develop and evolve will be something that could be quite marvelous to behold.

Out of 10: 8.0

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Signalé
kswolff | 1 autre critique | Apr 19, 2013 |
I don't know what it feels like to be high, rather than perhaps the haze of being drunk magnified quite a bit. However, I feel like this book makes you feel high, or perhaps makes you feel high and having someone try to talk to you about important things while you are. I really hope that's what the author was shooting for because that's nailed perfectly.

My mind is in a fog right now. A very dense fog where I can barely see my hands held out in front of me. I'm confused and grasping for something without knowing if it's actually there. That's what this book does.

It's written in first person. What makes that tiny fact so interesting is having a narrator who is constantly high because she's trying to deal with a long (immortal) past filled with regrets, the inevitable fact that she will continue to live while the world falls in around her, and a drug system leaving her dependent on someone else to actually get those much-needed drugs for her to space out and forget all the troubles around her.

You pretty much fall into her mind and live her highs as she's living them, bringing with it all of her confusing thoughts and actions. It's written in such a roundabout way that you are confused at what things mean, leaving you in a fog until finally an answer or explanation arrives down the line (or perhaps it doesn't ever arrive) and then the fog dissipates the tiniest bit.

I might equate it to reading a person's autobiography where chapters have been shuffled around and doing so while drunk. It's a little hard to get past and certainly made it a hard read, but it made it such an interesting one. My mind is in overdrive trying to come to conclusions about some things and having no one to discuss them with. Similar, really, to Allison and the rest of Neom's citizens since secrets are like currency. I guess I'll just have to let it go since the laws of nature really don't apply. (view spoiler)

Anyway, I don't think it matters since it seems the true importance is for Allison to explore her dependence on Cory and how she feels about it and how she reacts to her own realizations. What can I say about that without really telling you truly important parts of the plot? It's such a short novel and truly is fast paced that everything plays a vital role in Allison's and the other characters psyche. This is truly one that cannot be explained through review without intense spoilers. You're going to have to read it to understand it and what an amazing journey that is.
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Signalé
jes5890 | 1 autre critique | Sep 1, 2012 |

Statistiques

Œuvres
1
Membres
9
Popularité
#968,587
Évaluation
3.8
Critiques
2
ISBN
3