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par E. T. A. Hoffmann

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E.T.A. Hoffman's wildly original fictions are some of the most unusual examples of German Romanticism's dark passions, and the stories in Tales of Hoffmanare selected and translated from the German with an introduction by R.J. Hollingdale in Penguin Classics. This selection of Hoffmann's finest short stories vividly demonstrates his intense imagination and preoccupation with the supernatural, placing him at the forefront of both surrealism and the modern horror genre. Suspense dominates tales such as Mademoiselle de Scudery, in which an apprentice goldsmith and a female novelist find themselves caught up in a series of jewel thefts and murders. In the sinister The Sandman, famously used by Sigmund Freud to illustrate both his concept of the unheimlich, or 'uncanny', and of Oedipal guilt, a young man's sanity is tormented by fears about a mysterious chemist; while in The Choosing of a Bridea greedy father preys on the weaknesses of his daughter's suitors. Master of the bizarre, Hoffman creates a sinister and unsettling world combining love and madness, black humour and bewildering illusion. This edition contains authoritative translations of Hoffman's best stories. In his introduction, R.J. Hollingdale explores the background of these works and examines the duality of Hoffman's life - a lawyer by day and creator of a world of fantasy by night. E.T.A Hoffmann (1776-1822) studied law and entered the Prussian civil service, but his over-riding ambition was to become a graphic artist and painter. He turned to fiction only in his thirties, living a Jekyll-and-Hyde existence as lawyer by day, author by night - and became one of the most influential authors of his time. If you enjoyed Tales of Hoffman, you might also like Jorge Luis Borges's Fictions, available in Penguin Modern Classics.… (plus d'informations)
Récemment ajouté parlazalot, tristeham, Minionsan, KevDS, jotoyo, Crooper, therebelprince, johnkruse15
Bibliothèques historiquesEdith Sitwell
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» Voir aussi les 79 mentions

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La materia de sus extraños y estremecedores cuentos son los sueños, el magnetismo, la telequinesia, el sonambulismo, los presentimientos, la premonición y la telepatía. ( )
  BibliotecaUNED | Apr 10, 2018 |
La materia de sus extraños y estremecedores cuentos, son los sueños, el magnetismo, la telequinesia, el sonambulismo, los presentimientos, la premonición y la telepatía ( )
  BibliotecaUNED | Apr 10, 2018 |
The stories are pretty good and I enjoyed them, although oddly enough I've never seen the opera! ( )
  datrappert | Oct 24, 2016 |
"Intenta, estimado lector, penetrar en el mundo de las hadas, lleno de maravillas que provocan las grandes alegrías y los grandes terrores, donde las diosas levantan sus velos para que podamos contemplar sus rostros...bien, pues en este reino, que por lo menos en sueños se nos abre algunas veces, trata de penetrar querido lector, y de reconocer las figuras tal y como las ves en la vida diaria. Entonces creerás que el tal reino está más cerca de ti de lo que te figurabas." ( )
  darioha | Jan 4, 2013 |
Ernst Theodor Wilhelm (Amadeus) Hoffmann may very well be the grandfather (or great-grandfather) of a number of fictional genres and this collection of his short stories provides a great overview of his work.

Mademoiselle de Scudery is a classic murder mystery with plot twists, false heros and a surprise ending. The Entail is a creepy ghost story, set in a dilapidated castle with secret rooms, that plays on some Gothic themes such as mental illness and payment for “sins of the father.” However, where Hoffmann truly shines is in his favored genre of romantic tragedy.

Doge and Dogaressa and The Mines at Falun are both stories of love cut short by misfortune. These tales are full of missed opportunities and strangled attempts at happiness then culminate in brief victory only to be cut short by a devastating event. Of the entire collection, I think The Mines at Falun may have been my favorite because of the clarity of characterization, the succinct plot and the surprise ending.

While the stories were enjoyable and they were all relatively short, this wasn’t an easy read. Hoffmann was a prolific writer and, in addition to fiction, also wrote plays and operas. His broad style combined with his native German may have resulted in a rough translation. The writing appeared choppy in parts and I attribute this to the edition I read. I may try picking up a different edition someday to see if there is much difference. ( )
1 voter pmtracy | Nov 19, 2011 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Hoffmann, E. T. A.Auteurauteur principaltoutes les éditionsconfirmé
Bullock, MichaelTraducteurauteur secondairequelques éditionsconfirmé
Fischer, FritzIllustrateurauteur secondairequelques éditionsconfirmé
Laboccetta, MarioIllustrateurauteur secondairequelques éditionsconfirmé
Merbach, Paul AlfredDirecteur de publicationauteur secondairequelques éditionsconfirmé
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There are several different selections of the tales listed under this title, notably those from Penguin and Ungar, but possibly others as well. Unfortunately it is probably impossible to accurately sort them all out, so the contents of the the identifiable editions are given in the Book Description field. The Chicago Press edition is a different work and should not be combined here.

0140443924 Penguin Classics
0804462755 Ungar
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E.T.A. Hoffman's wildly original fictions are some of the most unusual examples of German Romanticism's dark passions, and the stories in Tales of Hoffmanare selected and translated from the German with an introduction by R.J. Hollingdale in Penguin Classics. This selection of Hoffmann's finest short stories vividly demonstrates his intense imagination and preoccupation with the supernatural, placing him at the forefront of both surrealism and the modern horror genre. Suspense dominates tales such as Mademoiselle de Scudery, in which an apprentice goldsmith and a female novelist find themselves caught up in a series of jewel thefts and murders. In the sinister The Sandman, famously used by Sigmund Freud to illustrate both his concept of the unheimlich, or 'uncanny', and of Oedipal guilt, a young man's sanity is tormented by fears about a mysterious chemist; while in The Choosing of a Bridea greedy father preys on the weaknesses of his daughter's suitors. Master of the bizarre, Hoffman creates a sinister and unsettling world combining love and madness, black humour and bewildering illusion. This edition contains authoritative translations of Hoffman's best stories. In his introduction, R.J. Hollingdale explores the background of these works and examines the duality of Hoffman's life - a lawyer by day and creator of a world of fantasy by night. E.T.A Hoffmann (1776-1822) studied law and entered the Prussian civil service, but his over-riding ambition was to become a graphic artist and painter. He turned to fiction only in his thirties, living a Jekyll-and-Hyde existence as lawyer by day, author by night - and became one of the most influential authors of his time. If you enjoyed Tales of Hoffman, you might also like Jorge Luis Borges's Fictions, available in Penguin Modern Classics.

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