Photo de l'auteur
26 oeuvres 278 utilisateurs 9 critiques

A propos de l'auteur

Comprend les noms: Yves Simoneau, Ив Симоно

Œuvres de Yves Simoneau

Bury My Heart at Wounded Knee [2007 film] (2007) — Director — 111 exemplaires
Assassins Creed: Lineage (2011) 40 exemplaires
Napoelon [motion picture] (2002) 29 exemplaires
V: The Complete First Season [2009 TV series] (2009) — Directeur — 25 exemplaires
Dead Man's Walk [1996 TV mini-series] (1996) — Director — 21 exemplaires
Nuremberg [2000 TV mini series] (2000) — Directeur — 14 exemplaires
Ignition (2003) 8 exemplaires
Ruffian 3 exemplaires
America (2009) 3 exemplaires
Midnight Horror Collection: Psycho Stalkers (2011) — Directeur — 2 exemplaires
Free Money [1998 film] (1999) — Directeur — 2 exemplaires
Pilot [2009 V TV Episode] (2009) 2 exemplaires
Napoleon Part 1 1 exemplaire
44 Minutes 1 exemplaire
DEAN KOONTZ'S INTENSITY (2012) — Directeur — 1 exemplaire
Intensity 1 exemplaire
[No title] 1 exemplaire

Étiqueté

Partage des connaissances

Date de naissance
ukjent

Membres

Critiques

A telling of the story of the famous U.S. aviatrix Amelia Earhart who attempted to fly solo around the world in 1937. She disappeared during the process. (fonte: Imdb)
 
Signalé
MemorialeSardoShoah | Mar 15, 2024 |
 
Signalé
MemorialeSardoShoah | Jan 20, 2024 |
 
Signalé
MemorialeSardoShoah | Jan 20, 2024 |
I watched this a decade and some change ago. I recalled liking some moments in it, and so when I found it cheaply I bought it on a whim to rewatch. My memory was about right, it turned out.

There are indeed several great moments here and there, but unfortunately they do not combine to a particularly engrossing whole. The series spends too much time on personal drama to be able to follow the warfare to the detail needed to understand and thus invest emotionally in the ups and downs, and simultaneously too much time on the wars and battles to properly pay off the character relationship drama aspect. The battles are mostly showing off their budget, never truly giving a sense of who is doing what to whom, what tactics are working and which are not, and yet going on for quite a while despite failing to involve the viewer. Similarly, the political intrigue is always hinted at, with clever looks, veiled threats and biting remarks, but it's all for show, as the series immediately returns to the (underdeveloped) relationship dramas and the (shallow) war epic scenes. Thus, "Napoléon" ends up teasing an intrigue thriller we never get, indulging in detailed family affairs soap that mostly (there are exceptions here, thankfully) fizzles out without fanfare, and providing hefty amounts of glorious spectacle with little to none of the depth and detail that would have made such spectacle exciting.

The production quality, however, is splendid. The actors are great (Malkovich is particularly delicious, but there are many here who get to shine), the costumes, the sets, all wonderful. Some of the dialogue is quite decent, too, and the pacing, despite my laundry list of complaints above, is actually not too bad. But in the end, to me, this show is alas, somewhat less than the sum of its parts.
… (plus d'informations)
½
 
Signalé
Lucky-Loki | 1 autre critique | Aug 23, 2022 |

Prix et récompenses

Vous aimerez peut-être aussi

Auteurs associés

Statistiques

Œuvres
26
Membres
278
Popularité
#83,543
Évaluation
½ 3.7
Critiques
9
ISBN
24

Tableaux et graphiques