Photo de l'auteur

Joan G. Robinson (1910–1988)

Auteur de If Jesus Came to My House

37+ oeuvres 1,182 utilisateurs 11 critiques

A propos de l'auteur

Notice de désambiguation :

(eng) Joan Gale Thomas was born in 1910 in Gerrard's Cross, Buckinghamshire, England. She studied art at the Chelsea Illustrators Studio. After illustrating books for other authors, she wrote and illustrated her first book A Stands for Angel in 1939. In 1941, she married Richard Robinson, also an author and illustrator and began writing books under the name of Joan Gale Robinson.

Crédit image: Joan G. Robinson

Séries

Œuvres de Joan G. Robinson

If Jesus Came to My House (1600) 539 exemplaires
When Marnie Was There (1967) 234 exemplaires
Charley, or The Girl Who Ran Away (1969) 71 exemplaires
The Teddy Robinson Storybook (2000) — Auteur — 68 exemplaires
More About Teddy Robinson (1954) 38 exemplaires
Dear Teddy Robinson (1966) 36 exemplaires
Teddy Robinson Stories (1953) 26 exemplaires
Keeping Up with Teddy Robinson (1964) 19 exemplaires
Teddy Robinson Himself (1974) 15 exemplaires
If I'd been born in Bethlehem (1953) 14 exemplaires
Mary-Mary (2013) 13 exemplaires
The Dark House of the Sea Witch (1979) 11 exemplaires
Mary-Mary Stories (1968) 11 exemplaires
Hundreds and Hundreds (1984) — Contributeur — 8 exemplaires
Our Father (1950) 7 exemplaires
Christmas Angel (1978) 6 exemplaires
Dissection of the locust (1963) 6 exemplaires
More Mary-Mary (1973) 5 exemplaires
Ten Little Angels (1951) 5 exemplaires
Where is God? (1959) 4 exemplaires
Madam Mary-Mary (Armada Lions S.) (1973) 4 exemplaires
Sea Witch (Beaver Books) (1981) 4 exemplaires
One Little Baby (1956) 4 exemplaires
The House in the Square (1972) — Auteur — 3 exemplaires
God of all things (1948) 3 exemplaires
Teddy Robinson's Second Omnibus (1974) 3 exemplaires
Teddy Robinson (1954) 2 exemplaires
Meg and Maxie (1978) 1 exemplaire
From the Nursery Window ... Illustrated by Joan Gale Thomas (1947) — Illustrateur — 1 exemplaire
Damals mit Marnie 1 exemplaire

Oeuvres associées

Souvenirs de Marnie (2014) — Original book — 106 exemplaires
Oncle Lubin (Renard poche) (1902)quelques éditions66 exemplaires
Tales of Betsy-May (1940) — Illustrateur, quelques éditions45 exemplaires
Open the Door (1965) — Contributeur — 22 exemplaires
Marnie of memories, Vol.2 (2003) — Original book — 1 exemplaire
The Night Before Christmas (Joan Gale Thomas) — Illustrateur — 1 exemplaire

Étiqueté

Partage des connaissances

Nom légal
Robinson, Joan Mary Gale
Autres noms
Robinson, Joan G.
Date de naissance
1910-02-10
Date de décès
1988-08-20
Sexe
female
Nationalité
Royaume-Uni
Lieu de naissance
Gerrards Cross, Buckinghamshire, Angleterre, Royaume-Uni
Lieu du décès
King's Lynn, Norfolk, Angleterre, Royaume-Uni
Professions
Auteur de livre pour enfants
Illustratrice
Relations
Robinson, Richard Gavin (Epoux)
Notice de désambigüisation
Joan Gale Thomas was born in 1910 in Gerrard's Cross, Buckinghamshire, England. She studied art at the Chelsea Illustrators Studio. After illustrating books for other authors, she wrote and illustrated her first book A Stands for Angel in 1939. In 1941, she married Richard Robinson, also an author and illustrator and began writing books under the name of Joan Gale Robinson.

Membres

Critiques

 
Signalé
WBCLIB | 3 autres critiques | Feb 27, 2023 |
This book completely captured my heart. One of my favourites for a long, long time.
 
Signalé
emmy_of_spines | 4 autres critiques | Sep 8, 2022 |
A gentle and charming ghost story set on the North Norfolk coast.

Anna is a lonely foster child, who feels very 'outside' the warm relationships of others. While convalescing on the Norfolk coast, she meets Marnie, also lonely and excluded, and the two become firm friends. There is a lovely sense of place with the marshes and the dunes. The explanations at the end come very thick and fast compared to the gentle pace of the rest of the book, and while they are a bit coincidental, they are satisfying. I think I will not walk down the staithe again without imagining Marnie, pale at the window!… (plus d'informations)
½
 
Signalé
atreic | 4 autres critiques | Aug 19, 2020 |
”It was raining harder now and she was beginning to get wet, but it did not matter. She was warm inside. She turned and began running back along the dyke, thinking how strange it was—about being ‘inside’ or ‘outside’. It was nothing to do with there being other people, or whether you were ‘an only’, or one of a large family . . . she knew that now—it was something to do with how you were feeling inside yourself.”

Anna is around ten and absolutely friendless. Unable to connect with the other children at school or bond with the older foster parents she’s lived with for some years, she is profoundly unhappy. Her characteristic expression is the “ordinary” face: an appearance of indifference and haughty detachment. She hates the mother who left her to go off on a holiday with a second husband, only to die along with this man in a car crash, and she also hates the grandmother she was left with for dying soon after. After being away from school for two weeks, suffering from asthma that is likely psychosomatic in nature, Anna is sent by her foster parents, the Prestons, to stay with the Peggs, an endearing, warm couple who live in Little Overton in the fen country. The family doctor has stated that the air there may well do her good. It certainly makes more sense for her to be there than spend the last six weeks of term in the prison that is school.

Once in the marshy country, Anna is given an enviable degree of freedom. She explores the marshlands and is particularly compelled by a lovely old house that looks out onto the creek and the straithe. There is a strange, deep familiarity about this place, whose windows Anna sometimes believes to be watching her. Soon she will make the acquaintance of an unusual—magical or ghostly—girl. “Marnie”, who is just as lonely as Anna herself, lives in the mysterious house. The two will become each other’s best friend and will have several small adventures together, but then Marnie will quite suddenly depart, leaving Anna to question if the other girl is a figment of the imagination or a character from some strange dream.

When summer finally (officially) arrives, a lovely, friendly family with five children moves into the mysterious Marsh House. Their renovations of the old place bring to light a diary from long ago that will explain much about Marnie. The Lindsay family will also invite an elderly friend to stay. This woman, “Gillie”, lived in Little Overton as a child, and has fascinating stories to tell about the Marsh House and the lonely girl who lived there over fifty years before, during the time of the Great War. Anna will find her intuited connection to the house is based in her own family’s history.

When Marnie Was There is a lovely, atmospheric piece of children’s literature into which adults, too, can escape to rediscover some of the pain and pleasure of childhood. It is a story of feeling lonely and apart and of finally coming home.
… (plus d'informations)
1 voter
Signalé
fountainoverflows | 4 autres critiques | Apr 20, 2018 |

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Statistiques

Œuvres
37
Aussi par
6
Membres
1,182
Popularité
#21,746
Évaluation
4.1
Critiques
11
ISBN
84
Langues
5

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