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66+ oeuvres 595 utilisateurs 49 critiques 1 Favoris

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Comprend les noms: Harold Gray

Séries

Œuvres de Harold Gray

Little Orphan Annie: 1934 (1992) 20 exemplaires
Little Orphan Annie: 1935 (2002) 18 exemplaires
Little Orphan Annie: 1933 (1994) 17 exemplaires
Little Orphan Annie (1930) 11 exemplaires
Little Orphan Annie In The Circus (1927) 9 exemplaires
Little Orphan Annie: Shipwrecked (1931) 5 exemplaires
Little Orphan Annie and Chizzler (1933) 4 exemplaires

Oeuvres associées

Annie: Original 1977 Broadway Cast Recording (1977) — Artiste de la couverture, quelques éditions35 exemplaires
Annie: 30th Anniversary Cast Recording (2008) — Artiste de la couverture, quelques éditions3 exemplaires
Annie: Original 2012 Broadway Cast Recording (2012) — Artiste de la couverture, quelques éditions2 exemplaires
Comics Revue #212 — Contributeur — 2 exemplaires
Comics Revue #193 (2002) — Contributeur — 2 exemplaires
Comics Revue #202 (2003) — Contributeur — 2 exemplaires
Comics Revue #208 (2003) — Contributeur — 2 exemplaires
Comics Revue #209 (2003) — Contributeur — 2 exemplaires
Comics Revue #210 (2003) — Contributeur — 2 exemplaires
Comics Revue #211 (2003) — Contributeur — 2 exemplaires
The Connecticut Cookbook — Illustrateur, quelques éditions2 exemplaires
Comics Revue #213 (2003) — Contributeur — 2 exemplaires
Comics Revue #221 (2004) — Contributeur — 2 exemplaires
Comics Revue #217 (2004) — Contributeur — 2 exemplaires
Comics Revue #218 (2004) — Contributeur — 2 exemplaires
Comics Revue #219 (2004) — Contributeur; Artiste de la couverture — 2 exemplaires
Comics Revue #214 (2004) — Contributeur — 2 exemplaires
Comics Revue #220 (2004) — Contributeur — 2 exemplaires
Comics Revue #200 (2002) — Contributeur — 1 exemplaire
Comics Revue #194 (2002) — Contributeur — 1 exemplaire
Comics Revue #195 (2002) — Contributeur — 1 exemplaire
Comics Revue #196 (2002) — Contributeur — 1 exemplaire
Comics Revue #197 (2002) — Contributeur — 1 exemplaire
Comics Revue #198 (2002) — Contributeur — 1 exemplaire
Comics Revue #199 (2002) — Contributeur; Artiste de la couverture — 1 exemplaire
Comics Revue #203 (2003) — Contributeur — 1 exemplaire
Comics Revue #201 (2002) — Contributeur — 1 exemplaire
Comics Revue #204 (2003) — Contributeur — 1 exemplaire
Comics Revue #278 — Artiste de la couverture — 1 exemplaire
Comics Revue #242 — Artiste de la couverture — 1 exemplaire
Comics Revue #205 (2003) — Contributeur — 1 exemplaire
Comics Revue #206 (2003) — Contributeur — 1 exemplaire
Comics Revue #216 (2004) — Contributeur — 1 exemplaire
Comics Revue #215 (2004) — Contributeur — 1 exemplaire
Comics Revue #207 (2003) — Contributeur — 1 exemplaire

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Rara edizione della collana Eureka Pocket dell'editoriale Corno. Tutte le strisce quotidiane pubblicate dal 14 ottobre 1935 fino al 29 settembre 1936. Un tuffo in un'America che non c'è più, con qualche intrigo poliziesco.
 
Signalé
Drusetta | 1 autre critique | Jan 1, 2021 |
Yeah - I'm starting not to like Annie. Or perhaps it's Harold Gray. Four stories; the first one is (most of) Tik Tok the World's Greatest Cartoonist - if this is as autobiographical as the foreword thinks it is, Gray had serious self-esteem issues. Tik Tok is a braggart and a fool - I really can't tell if he's actually that stupid, about Pat and about his "friends", or if he's just scared to admit the truth. Or what. Annie is also a) pretty much a cipher - she does a lot of eye-rolling and "Oh bruthuuur"ing, but doesn't actually act, or even talk directly to Tik Tok. And the one time she really lights in to him about spending three times what he's hoping to make...he buys her some stuff and that makes her so happy she cries and stops bugging him. Sheesh! This story started in the last book and concludes here - in the usual way, her latest family disappears/dies/?. Annie's off wandering, fearing an attack (which has actually been dealt with - by Punjab, I suppose, big feet). She finds another family, small town this time (city, town, city, town...). The town's more or less under the thumb of a political boss, who takes what he wants, uses subtle (and not so subtle) threats to enforce it, and bribes and smarms most of the unthinking citizens into thinking he's a good guy. His opponent is Joe Christmas...yet another slightly mysterious, outsider, Christ figure man. There's a lot in this story about mob rule vs rule of law - a really heavy-handed MORAL, repeated over and over, with several scenes of mobs, including one where Annie's current "father" is part of one and regrets it afterward. Gaws, the political boss, gets really careless and stupid in trying to get rid of Joe; the moral is repeated, and Gaws manages to get dead (helped, admittedly, by Punjab. But not direct action). Oh yes, and Warbucks is back, directed to Annie by Mr. Am (who shows up only long enough to be a deus ex machina a couple times). Then a shortish story with Annie and Warbucks dealing with the takeover of a house that was apparently a secret headquarters for Warbucks. The takeover was masterminded by...oh bl**y, it's Axel again. And Warbucks is too good a man to actually kill an enemy, he'd rather leave him able to still attack. Warbucks claims he's just too busy to bother hating someone, but...serious change of personality, there. So Warbucks has to run off, leaving Annie to go to school - and unsurprisingly, Axel gets loose and tries to snatch her. So Annie goes running off again - and when she lands in a city that she knows Axel is in too, she cheerfully finds a place to settle down. Arrgh! Where's clever Annie? Talk about a personality change. Yet another sequence of Axel planning for a Day of Destruction, with lots of homegrown (or foreign? Max is called both) terrorists planning how there will be a "real democracy" with them on top. And again, Axel is sent off unharmed. Heck, he survives the attentions of a practiced murderer...a mere tramp steamer isn't going to hold him, especially one filled with his people. End.

I'm sorry, this isn't fun any more. Annie has completely lost her smarts - she's alternately a cipher and onlooker (she did almost nothing with Tik Tok, and was only a convenient hostage in the takeover) or a busybody and nuisance (she tells tales to start things happening, but doesn't actually act herself). She no longer remembers how to make a home on not much money (she _can_, but give her any money and she'll happily blow it on luxuries); she doesn't even remember how to run when an enemy is near. The messages are waaaaay too heavy-handed. And the stories are utterly repetitive - oh look, Annie's gone to a town and found a family. Next she'll go to a city and find a family. A magic man will show up - Am or someone else, or both. Axel will show up and chase her, but she'll get away; Warbucks will be declared dead and return. Again. And again. And again. I'm not going to bother to buy any more of these books. I'd still like to read them - find them in a library, maybe - but they're not worth my money any more.
… (plus d'informations)
 
Signalé
jjmcgaffey | Apr 11, 2018 |
Hmm. One good story – small town, Annie being a catalyst (though less so than the last – she’s helping around the edges rather than being the main cause of events). Junior Commandos again, though much more hobbled. And newspaper work, and a big mystery/scandal - that gets Annie in a very dangerous position. Still, I think this is the first time she's run out before things were dealt with, of her own free will - she didn't know the problem was handled as she was leaving. An odd interlude, with the Duke - and more murder. And this time it's Punjab who shows up at the last minute and rescues her. Yet another report of "Daddy"s death - admittedly, a little more reliable than most, but still. And Annie gets into a very bad position. Mrs. B-H is way over the top - a lot worse than others with a similar surface, that Annie's encountered. And again Annie runs leaving the villain behind, though this time the threat is basically to her, not to others.… (plus d'informations)
½
 
Signalé
jjmcgaffey | 1 autre critique | Sep 17, 2016 |
Three good stories, though one is a bit annoying. Sheer chance leaves Annie with Dr. Zee; she's a catalyst to make some major changes for him, for Kate and Blunt, and for the whole town. I like that one. Plus the whole thing with Eldeen and Zaney - yet another miraculous invention, with a secret formula - that part's a bit of a yawn, it's too unlikely to work for me. Then an extension - the Junior Commandos of the title; Annie organizes all the kids in town, from the smallest to the big tough gang kids, into helping with war work, in dozens of ways. Again, she's a catalyst - changes things for Mrs. Sleet, in particular. And the return of Shanghai Peg - it's great to see him again, in a slightly more...hmm. I can't really say respectable. Slightly more powerful role, I guess. It's a little odd how people keep popping into and out of the army, though. Blunt's out, then he's in, then he's out again, then finally in; Dr. Zee goes off, and returns; and so on. Dr. Clover is interesting - hope things work out for her, I don't think she ever shows up again. And then another unlikely adventure, though I like the setting - the castle is fascinating. Another ghost, too. And the local Junior Commandos play a big part. I like that some of the characters are a bit broader than their surfaces - at least two here are more than they seem, and on the right side. The poor commander...And Daddy comes back in the nick of time. Again. Honestly. Annie should know better than to believe any reports of his death, ever, from any source...… (plus d'informations)
½
 
Signalé
jjmcgaffey | 1 autre critique | Sep 17, 2016 |

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Statistiques

Œuvres
66
Aussi par
35
Membres
595
Popularité
#42,223
Évaluation
4.2
Critiques
49
ISBN
32
Favoris
1

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