George Alec Effinger (1947–2002)
Auteur de Gravité à la manque
A propos de l'auteur
Séries
Œuvres de George Alec Effinger
The City On The Sand [novelette] 4 exemplaires
Heartstop 4 exemplaires
King of the Cyber Rifles 3 exemplaires
Maureen Birnbaum At The Earth's Core 3 exemplaires
Marid Changes His Mind 3 exemplaires
Maureen Birnbaum at the Looming Awfulness 3 exemplaires
Maureen Birnbaum Barbarian Swordsperson [Short Story] 3 exemplaires
Maureen Birnbaum After Dark 3 exemplaires
Unferno 2 exemplaires
The Reinvention Of War 2 exemplaires
The Musgrave Version [short story] 2 exemplaires
Slow Slow Burn 2 exemplaires
Marid And The Trail Of Blood 2 exemplaires
The World as We Know It {short story} 2 exemplaires
The Plastic Pasha 2 exemplaires
Marid Throws A Party 2 exemplaires
One 2 exemplaires
Hermanos 2 exemplaires
Everything but Honor 2 exemplaires
Seven Nights in Slumberland 2 exemplaires
The Origin of the Polarizer 2 exemplaires
Double Dribble 2 exemplaires
Maureen Birnbaum on the Art of War [Horseclans] 2 exemplaires
Maureen Birnbaum and the Saint Graal 2 exemplaires
Maureen Birnbaum's Lunar Adventure [revised] 2 exemplaires
The Mothers' March on Ecstasy 2 exemplaires
A Fish Dinner in Memison 1 exemplaire
Neil and Buzz in Space and Time: Number One 1 exemplaire
The Worm Oroboros 1 exemplaire
Planet of the Apes Omnibus: Volume 3 1 exemplaire
Mistress of Mistresses 1 exemplaire
The Mezentian Gate 1 exemplaire
Maureen Birnbaum Pokes an Eye Out {short story} 1 exemplaire
Exile Kiss, The 1 exemplaire
Sand and Stones 1 exemplaire
Irresistible {novelette] 1 exemplaire
Timmy Was Eight 1 exemplaire
The Awesome Menace of the Polarizer 1 exemplaire
Maureen Birnbaum in the MUD [short story] 1 exemplaire
The Pinch-Hitters 1 exemplaire
Why Socialists Don't Believe in Fun 1 exemplaire
"World War II" (in Alpha 7) 1 exemplaire
Maureen Birnbaum on a Hot Tin Roof 1 exemplaire
New New York New Orleans 1 exemplaire
Contentment Satisfaction Cheer Well-Being Gladness Joy Comfort and Not Having to Get Up Early Any More 1 exemplaire
Strange Ragged Saintliness 1 exemplaire
Live from Berchtesgaden 1 exemplaire
Things Go Better {short story} 1 exemplaire
B.K.A. The Master 1 exemplaire
Chase Our Blues Away 1 exemplaire
The Last Full Measure 1 exemplaire
Two Sadnesses 1 exemplaire
Aeon 1 exemplaire
Prince Pat [short fiction] 1 exemplaire
The Ghost Writer 1 exemplaire
How It Felt 1 exemplaire
Ibid 1 exemplaire
The Wooing of Slowboat Sadie 1 exemplaire
Oeuvres associées
Wandering Stars: An Anthology of Jewish Fantasy and Science Fiction (1974) — Contributeur — 294 exemplaires
What Might Have Been, Volumes 1 & 2: Alternate Empires, Alternate Heroes (1989) — Contributeur — 186 exemplaires
Isaac Asimov's Wonderful Worlds of Science Fiction, Volume 2: The Science Fictional Olympics (1984) — Contributeur — 89 exemplaires
Nebula Awards 24: SFWA's Choices for the Best Science Fiction and Fantasy 1988 (1988) — Contributeur — 58 exemplaires
Light Years and Dark: Science Fiction and Fantasy of and for Our Time (1984) — Contributeur — 36 exemplaires
Nebula Awards 20: SFWA's Choices for the Best Science Fiction and Fantasy 1984 (1985) — Contributeur — 28 exemplaires
Analog Science Fiction/Science Fact: Vol. XCI, No. 3 (May 1973) (1973) — Contributeur — 21 exemplaires
Isaac Asimov's Science Fiction Magazine: Vol. 8, No. 1 [January 1984] (1984) — Contributeur — 18 exemplaires
The Magazine of Fantasy and Science Fiction December 1985, Vol. 69, No. 6 (1985) — Contributeur — 15 exemplaires
The Magazine of Fantasy and Science Fiction August 1984, Vol. 67, No. 2 (1984) — Auteur — 14 exemplaires
Isaac Asimov's Science Fiction Magazine: Vol. 11, No. 13 [Mid-December 1987] (1987) — Contributeur — 14 exemplaires
Hiroshima soll leben. Die schönsten Alternativwelt- Geschichten. (1993) — Contributeur — 13 exemplaires
The Magazine of Fantasy and Science Fiction April 1983, Vol. 64, No. 4 (1983) — Contributeur — 11 exemplaires
The Magazine of Fantasy and Science Fiction February 1986, Vol. 70, No. 2 (1986) — Auteur — 10 exemplaires
The Year's 25 Finest Crime and Mystery Stories: Third Annual Edition (1994) — Contributeur — 10 exemplaires
Fires of the Past: Thirteen Contemporary Fantasies About Hometowns (1991) — Contributeur — 10 exemplaires
The Magazine of Fantasy and Science Fiction November 1988, Vol. 75, No. 5 (1988) — Auteur — 10 exemplaires
Worlds near and far: Nine stories of science fiction and fantasy (1974) — Contributeur — 5 exemplaires
Étiqueté
Partage des connaissances
- Nom légal
- Effinger, George Alec
- Autres noms
- Effinger, Alex
Niemand, O.
Diomede, John K.
Doenim, Susan - Date de naissance
- 1947-01-10
- Date de décès
- 2002-04-27
- Sexe
- male
- Nationalité
- USA
- Lieu de naissance
- Cleveland, Ohio, USA
- Lieu du décès
- New Orleans, Louisiana, USA
- Lieux de résidence
- Cleveland, Ohio, USA
New Haven, Connecticut, USA
New Orleans, Louisiana, USA
Los Angeles, California, USA - Études
- Yale University
- Professions
- science fiction writer
- Relations
- Hambly, Barbara (wife|divorced)
- Organisations
- Science Fiction and Fantasy Writers of America
- Agent
- Richard Curtis Associates
Membres
Discussions
Thriller. Man must get to NYC before a certain date and time à Name that Book (Juin 2015)
Critiques
Listes
Best Cyberpunk (3)
Prix et récompenses
Vous aimerez peut-être aussi
Auteurs associés
Statistiques
- Œuvres
- 103
- Aussi par
- 116
- Membres
- 5,371
- Popularité
- #4,640
- Évaluation
- 3.6
- Critiques
- 84
- ISBN
- 148
- Langues
- 9
- Favoris
- 11
Both audiences are well served by the “Foreword” by Barbara Hambly as well as her introductory notes for all the included pieces. She writes with affection, knowledge, and occasional annoyance about Effinger and the stories here. (She never mentions that she was married to Effinger from 1998 to 2000.)
Effinger, she says, had a
"very dark side to his nature, a fascination with the underworld and the demimonde that came about, I think, because many of his mother’s friends were hookers and strippers back in Cleveland "
Those strippers and hookers included a transexual one who was murdered by a customer and the murder not investigated by the New Orleans police. Effinger’s “outrage and helplessness” about that led to When Gravity Fails. The world of the Budayeen is very much like the French Quarter he inhabited in New Orleans with a bit of Greenwich Village in New York City, another place Effinger lived, thrown in.
Effinger took quite a bit of trouble to depict Islamic culture correctly. The local Islamic Cooperative Association pronounced it respectful to that culture and faith but added they were liberal Sunnis. Who knew what a Shiite would think?
When Gravity Fails was intended to be a single book. However, when it became popular, Bantam Books wanted more. Effinger said the Budayeen was the first world he created that had true “depth and richness”.
A minor character in the Budayeen novels, poet Sandor Courane, is an alter ego of Effinger as Marîd Audran was.
It amused George that many readers take Marîd at Marîd’s own evaluation of himself: cool, clever, street-smart, sharp. But in fact, George said, if you look at what Marîd actually does rather than what he says, he is in fact cowardly, not nearly as clever as he thinks he is, and has a major drug problem which he never quite gets around to addressing.
Like George — dearly as I loved him.
Drugs, depression, and chronic pain from chronic ulcerative colitis took their toll on Effinger in his last twelve years of life, and his output became sparse.
“Schrödinger’s Kitten” is a 1988 story that won both Hugo and Nebula awards which just goes to show awards aren’t a very good measure of enduring appeal. This is a multiple worlds story, but it isn’t particularly memorable compared to others like Frederik Pohl’s The Coming of the Quantum Cats. It’s is a Budayeen story because the protagonist, Jehan Fatima Ashufi, a twelve year old girl, lives there when the story opens. She is plagued by precognitive visions. The story opens with her stabbing a boy whom she will knows will rape her in the future. As she slips back and forth in timelines, past and present, we see her both executed and rescued by visiting physicist David Hilbert who buys her freedom from execution.
She seems to become his mistress and later, revealed to have a talent for physics, assistant to Werner Heisenberg, and her casual religious remarks to him lead to his formulation of the Uncertainty Principle. Later, she becomes an assistant to Schrödinger. Yes, this story deals with Nazi Germany’s atomic bomb program. It’s well told as it moves back and forth in time and between the alternate versions of her life. It’s just not, with its basic concept – another alternate WWII story – that novel or memorable.
“Marîd Changes His Mind” would seem to be here only for completeness sake. It was originally published in Isaac Asimov’s Science Fiction Magazine, but it was also the first two chapters of A Fire in the Sun. Hambly’s introductory notes says that Effinger liked to recycle characters. The nightclub owner M. Gargotier and his daughter Maddie show up in other stories including “The City in the Sand” and a heist novel, Felicia.
“Slow, Slow Burn” is, as Hambly says, one of the best stories in the book. It centers on Honey Pilar, recorder of pornographic moddies frequently mentioned in the Budayeen novels. Those chipping her moddies into their wired brains can either experience sex like or with the world’s most desired woman. Originally published in Playboy, it has the slick feel of some of that magazine’s fiction.
The story has several scenes: advertisements for Honey’s latest moddy (which is marketed to ninth graders among others), tv reports about Honey, the recording of Honey’s latest moddy, and, mostly, Honey’s relationship with Ray, her fourth husband and manager. Honey speaks in weirdly ungrammatical sentences, and Ray, understandably for a man living in the shadow of Honey, likes to assert his independence in various ways. But how long is Honey is going to put up with that?
Oddly, Ray seems to have lustful thoughts for a local woman who is running a “numbers station”. Nothing is really done with that, so maybe Effinger just liked the added weirdness. There is something of a tonal and conceptual discontinuity with the Budayeen novels given that you would never know this is a balkanized world.
The idea for “Marîd and the Trial of Blood” came from Hambly herself who commissioned it for her anthology, Sisters of the Night. It contained stories where vampires were rationalized in various ways. Here Audran encounters the stripper Sheba whose addictive personality has caused her to compulsively chip a Dracula moddy where she is Dracula. This results in her killing some people. Audran amusingly resorts to a Van Helsing moddy to know how to deal with her. The story ends on a somewhat disturbing moral note, but it’s entirely consistent with earlier events in the story and the Budayeen novels themselves.
“King of the Cyber Rifles” doesn’t take place in the Budayeen nor does it have any of the characters from the Budayeen novels, but it is set in the same world. It’s hero, Jân Muhammed, mans an outpost on a mountain pass, his moddies enable him to chip into various sensors and weapons. But the system is sabotaged, and he must decide how to respond not only in defending the pass but in punishing the saboteur. Hambly sees something of Effinger in Muhammed, a man both gregarious and “half-afraid” of people, who takes pride in his “miniscule, mindless, and insignificant” task.
“Marîd Throws a Party” is nothing less than the first two chapters of what was to the fourth Budayeen novel, Word of Night. Effinger wrote them in 1990, and, when he died in 2002, they were still all he had written on that novel. Hambly and Effinger did work out an outline for the novel.
The book opens with Audran observing that the most frightening words in the world are “Do you know what you did last night?” Audran’s day starts out with news of another “gift” from Friedlander Bey. Audran is to have another operation on his brain – the experimental surgery we heard about in A Fire in the Sun – the next morning before he and Bey go on the pilgrimage to Mecca.
Audran spends his day plotting revenge on the hapless Faud who conned him out of some money in The Exile Kiss. At his club that night, a man mysteriously ends up dead, and Audran’s sexual kinks are expanded. Kumzu, Audran’s slave, is not at all happy the next morning about developments
I’d read “The World As We Know It” before, but I wasn’t aware that its unnamed narrator is Audran. This story takes place after what was to be the end of the five novel series. Audran is an outcast from the city and hiding from his old enemy Shaykh Reda (presumably Friedlander Bey is dead).
The story involves “consensual realities”, partly holographic illusions, part virtual reality, and part stage illusions. Audran, for instance, has an office rather like Raymond Chandler’s Philip Marlowe. He’s called to investigate some vandalism at a place running a consensual reality simulation of a Mars colony. As a crime story, it’s not entirely satisfying. Hambly sees it as a bit of a metaphor for New Wave master Effinger holding his own against the up-and-coming cyberpunks. Here one character tells Audran he’s “A small legend, an ignoble kind of legend, but if you were younger, our age . . . “
“The City on the Sand” is another fine story, and, indeed, the “ultimate tale of the Budayeen Nights”. It was published in 1973, yet it has almost all the details of the later Budayeen novels, many inspired by New Orleans. It features another reoccurring Effinger character, the “lost, shabby, and hopeless expatriate Ernst Weinraub (or Weintraub).” Sandor Courane also shows up as does M. Gargotier.
Like many in New Orleans, Weinraub is a would-be writer who wants to be noticed as he scribbles things on napkins. Mostly he just pretends to write and contemplate, as Effinger did of New Orleans, the city he finds himself in. Weinraub’s pretensions are rather amusing.
Nothing much happens in a story which has Weinraub sitting outside a café for almost 24 hours, getting increasingly drunk. We eventually come to wonder how many of his thoughts about his past are really just drunken fantasies of self-pity and grandeur. He is constantly mocked obscenely by an Arab boy (evidently another sort of recurring Effinger character). Here Weinraub is jealous of the attention the poet Courane gets. There is a plot (who knows how much is delusion and how much mockery of Weinraub?) where Courane and a local militia leader (another feature of the Budayeen novels which shows up in The Exile Kiss) ask him to write propaganda for them.
“The Plastic Pasha” is the very last thing Effinger was working on before he died in 2002. Hambly’s introductory note says it involves Audran’s younger brother who was sold into slavery by their mother. The story involves a religious conference and the political intrigue around it with the issue being the status of the personality moddies in Islam. The brother is now ruler of Algeria. The story was to be about (and this is not at all clear from the fragment we have) a moddy that enables its user to be the “perfect Islamic governor” and who gets to wear it. Oddly, Hambly notes, the personality is a simulation of Thomas Jefferson (a hero of Effinger’s), so there is a question, if the moddy’s use is allowed, who would really be in charge.… (plus d'informations)