Bice Curiger
Auteur de Flowers and Questions: A Retrospective
A propos de l'auteur
Œuvres de Bice Curiger
Birth of the cool : American painting from Georgia O'Keeffe to Christopher Wool (1997) 20 exemplaires
Parkett No. 80: Dominique Gonzalez-Foerster, Mark Grotjahn, and Allora & Calzadilla (Parkett) (English and German… (2007) 15 exemplaires
Parkett No. 31: David Hammons / Mike Kelley Issue (English and German Edition) (1992) 14 exemplaires
Sigmar Polke, Fotografien: Staatliche Kunsthalle Baden-Baden, 11. Februar bis 25. Marz 1990 (German Edition) (1990) 11 exemplaires
Parkett No. 72: Monica Bonvicini, Richard Prince, Urs Fischer (2004) — Directeur de publication — 11 exemplaires
Parkett #61: Liam Gillick, Sarah Morris, Bridget Riley, Matthew Ritchie (2001) — Directeur de publication — 10 exemplaires
Parkett No. 15 Mario Merz (Parkett Art Magazine, No 15, 1988) (1988) — Directeur de publication — 6 exemplaires
Sigmar Polke: Music from an Unknown Source 4 exemplaires
Parkett No. 94: Tauba Auerbach, Cyprien Gaillard, Ragnar Kjartansson, Shirana Shahbazi (2014) 4 exemplaires
Album: On and Around, The Work of Urs Fischer, Yves Netzhammer, Ugo Rondinone, and Christine Streuli: Participating at… (2007) 4 exemplaires
Freie Sicht aufs Mittelmeer 5. Juni - 30. August 1998, Kunsthaus Zürich, 6. Oktober - 22. November 1998, Schirn… (1998) 3 exemplaires
Public affairs : das Öffentliche in der Kunst ; [dieser Katalog begleitet die Ausstellung "Public Affairs. Von Beuys b (2002) 2 exemplaires
Friedrich Kuhn, 1926-1972 der Maler als Outlaw Kunsthaus Zürich, 12.12.2008 - 01.03.2009 (2009) 2 exemplaires
Sigmar Polke : alles flie t: die Photo Copie GmbH ; [diese Publikation basiert auf einem Vortrag, der am 3.11.2002 in… (2004) 2 exemplaires
Mon Cher... Urs Fischer (English and French Edition) 2 exemplaires
TATE ETC. ISSUE 15 1 exemplaire
Parkett No 73 2005 1 exemplaire
Parkett 82 1 exemplaire
Parkett 74 1 exemplaire
Endstation Sehnsucht Janine Antoni, Sadie Benning, Sophie Calle, Sylvie Fleury, Julio Galán, Gabriel Orozco, Raymond… 1 exemplaire
Tate Etc. Issue 4, Summer 2005 1 exemplaire
Tate etc. 1 exemplaire
Fischli, Peter and David Weiss. 1 exemplaire
Tate Etc. Issue 53, Autumn 2021 1 exemplaire
Sigmar Polke. Objects : real and imagined 1 exemplaire
Sigmar Polke: música de origen incierto 1 exemplaire
L' Automne du paradis: Jean-Luc Mylayne 1 exemplaire
Tate Etc. Issue 7, Summer 2006 1 exemplaire
Parkett: Number 45: December 1995 1 exemplaire
Nicole Eisenman and the Modernists. Köpfe, Küsse, Kämpfe: Cat. Kunsthalle Bielefeld/Aargauer… (2022) 1 exemplaire
Parkett No. 39 1 exemplaire
Parkett No. 50/51: In Broad Daylight (Parkett) 1 exemplaire
Tate Etc. Issue 6, Spring 2006 1 exemplaire
Étiqueté
Partage des connaissances
- Date de naissance
- 1948
- Sexe
- female
- Nationalité
- Switzerland
- Lieu de naissance
- Zürich, Switzerland
Membres
Critiques
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Auteurs associés
Statistiques
- Œuvres
- 80
- Membres
- 472
- Popularité
- #52,190
- Évaluation
- 4.2
- Critiques
- 6
- ISBN
- 82
- Langues
- 7
Along with more than seventy of O’Keeffe’s paintings and drawings were photographs of her, notably those by her promoter and husband, Alfred Stieglitz. Although his figure studies contributed to a reductionist interpretation of her flower paintings, my take after reading the essays in this book is that these were not exploitation but that O’Keeffe worked with Stieglitz in forming her public persona. Her life, her work, and the photos interpret each other. Taken together, they present the image of an autonomous personality.
The essays by Bice Curiger, Carter Ratcliff, and Peter J. Schneemann reiterate this. While the reading “flowers equal genitalia” is too simplistic, it seems that O’Keeffe’s denial of this view should not be taken at face value either.
The book includes “Momentaufnahmen,” short reactions by sixteen artists. While most are positive, some indicate they admire the person and what she represents more than the work. This seems related to her delayed reception in Europe. Her work is too abstract to be representational, too representational to be abstract.
O’Keeffe has been a favorite since I first saw her paintings in the 1960s. I enjoyed the Zurich retrospective, a mix of familiar work and many I hadn’t seen before. And I’m glad I can revisit the exhibit through the pages of this book.… (plus d'informations)