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Pour les autres auteurs qui s'appellent Louise Bourgeois, voyez la page de désambigüisation.

62+ oeuvres 609 utilisateurs 10 critiques

Œuvres de Louise Bourgeois

Louise Bourgeois (2008) 76 exemplaires
The insomnia drawings (2000) 20 exemplaires
Louise Bourgeois: Spiral (2019) 12 exemplaires
Louise Bourgeois: Aller-Retour (2006) 11 exemplaires
Louise Bourgeois 11 exemplaires
Louise Bourgeois (1987) 11 exemplaires
Les Papesses (2013) 8 exemplaires
Moi, Eugénie Grandet (2010) 8 exemplaires
Louise Bourgeois Drawings (1988) 8 exemplaires
Album (1994) 6 exemplaires
The Reticent Child (2004) 6 exemplaires
Bourgeois (2012) 5 exemplaires
The Woven Child ( in context) (2006) 5 exemplaires
Do Not Abandon Me (2010) 4 exemplaires
Louise Bourgeois (1998) 3 exemplaires
La sage femme (2008) 3 exemplaires
Echo (2008) 2 exemplaires
Louise Bourgeois (2003) 2 exemplaires
Louise Bourgeois (1995) 2 exemplaires
Louise Bourgeois (2008) 2 exemplaires
Louise Bourgeois 1 exemplaire
Spider 1 exemplaire
Twosome (2017) 1 exemplaire
Suites on fabric (2011) 1 exemplaire

Oeuvres associées

De kunst van het ongelukkig zijn (2019) — Artiste de la couverture, quelques éditions40 exemplaires

Étiqueté

Partage des connaissances

Nom légal
Bourgeois, Louise Joséphine
Date de naissance
1911-12-25
Date de décès
2010-05-31
Sexe
female
Nationalité
France (birth)
USA (naturalisation)
Lieu de naissance
Paris, France
Lieu du décès
Manhattan, New York, USA
Lieux de résidence
Choisy-le-Roi, France
Manhattan, New York, USA
Études
Sorbonne
Ecole de Louvre
Ecole des Beaux-Arts, Paris
Academie Julian, Paris, France
Atelier Fernand Léger
Académie de la Grande Chaumière (tout afficher 7)
Art Students League of New York
Professions
artist
sculptor
Relations
Goldwater, Robert (husband)
Organisations
American Academy of Arts and Letters (Art ∙ 1983)
Prix et distinctions
National Medal of Arts (1997)
Wolf Prize (Arts ∙ 2002/03)
Courte biographie
Louise Bourgeois was the middle of three children born to well-to-do parents who owned a Parisian antiques gallery. A few years after her birth, her family moved out of Paris and set up a workshop for tapestry restoration below their apartment in Choisy-le-Roi, for which Louise sometimes was allowed to draw in missing fragments of the designs. The death of her mother, an invalid, in 1932 inspired Louise to abandon her study of mathematics and to begin studying art. Because her father would not support her, she found classes that needed translators for English-speaking students. In one of these, she met Fernand Léger, who told her she should be a sculptor, not a painter. Louise Bourgeois graduated from the Sorbonne in 1935, and continued to study art at various schools, such as the prestigious Ecole des Beaux-Arts. In 1938, she married Robert Goldwater, an American art historian and professor, and moved with him to New York City, where Goldwater taught at the New York University Institute of Fine Arts. Louise Bourgeois attended classes at the Art Students League of New York. In 1939, she and her husband briefly returned to France to adopt a son, and she subsequently gave birth to two more sons. Much of Louise Bourgeois's work evoked her troubled past and the abuse she suffered from her father. She befriended other artists such as Willem De Kooning, Mark Rothko, and Jackson Pollock. As a member of the American Abstract Artists Group, she made the transition from upright scultures made of wood to more complex figures in marble, plaster, bronze, steel, and stone. In 1973, she began teaching at Columbia University, Cooper Union, Brooklyn College, and Yale University, among others. She also taught for many years in the public schools in Great Neck, Long Island. In 1982, in her early '70s, Louise Bourgeois received a major retrospective by the Museum of Modern Art in NYC, which gained her the fame and professional success that had long eluded her. She received an honorary doctorate from Pratt Institute in Brooklyn in 1993.

Membres

Critiques

41 illustrations one double-page facsimile of the artist"s "Je t"aime" written over 300 times, in red ink, 1 B&W photograph of the artist. Designed by John Cheim. Essay titled, "Louise Bourgeois and the Nature of Abstraction". Catalogue produced soon after her 1982 retrospective at The Museum of Modern Art, New York.
 
Signalé
petervanbeveren | Oct 21, 2023 |
 
Signalé
petervanbeveren | Nov 18, 2022 |
Do Not Abandon Me', a collaboration between Louise Bourgeois and Tracey Emin, consists of sixteen intimate works made between 2008 and 2010.
 
Signalé
petervanbeveren | Aug 3, 2022 |
Louise Bourgeois' drawings for the La Fabrica Matador series of Artist Portfolios, originally produced in 1999, are executed on music notation paper using red, blue and black ballpoint pens. In a short statement written for the portfolio, Bourgeois writes: "At first there is terrific tension. Then slowly line, shape, space and color, like notes on a score, begin to form a rhythm."
 
Signalé
petervanbeveren | Jul 4, 2022 |

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Statistiques

Œuvres
62
Aussi par
2
Membres
609
Popularité
#41,276
Évaluation
4.0
Critiques
10
ISBN
79
Langues
8

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