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Chargement... Mein Verschwinden in Providencepar Alfred Andersch
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Kurzbeschreibung T. hat Gardner House am Samstag, dem 17. Oktober 1970, vormittags um halb neun verlassen. Seitdem fehlt von ihm jede Spur, wenn man von der Registrierkarte der Avis-Autovermietung auf der Kennedy Plaza absieht, aus der hervorgeht, dass er den an diesem Tag geliehenen Wagen, einen Dodge, nachmittags um vier Uhr zurückgegeben hat ... aucune critique | ajouter une critique
Klappentext: Sein dritter Erzählungsband, 1971 erschienen, zeigt Andersch auf der Höhe seiner ästhetischen Möglichkeiten. Neben Formen diskontinuierlichen, fragmentarisierten Erzählens und der literarischen Montage finden sich vor allem traditionell erzählte autobiographische Geschichten, Fiktionalisierungen des eigenen Lebens.. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)833.9Literature German and related languages German fiction Modern period (1900-)Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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Some of the stories contain autobiographical elements. Alfred Andersch, who was born 100 years ago, in 1914, was drawn into the army during the Second World War. A decade before the war, he had been imprisoned in a concentration camp for his sympathies with Communism.
Three of the stories, "Brüder", "Festschrift für Captain Fleischer" and "Die Inseln unter dem Winde" deal with the Second World War. In each of these stories there is a character by the name of Franz Kien, who seems to be an alter ego of Alfred Andersch. "Brüder" is about two brothers who are musing about being drawn into the army. "Festschrift für Captain Fleischer" deals with a group of German Prisoners of War in an intern camp in the United States and the process of de-Nazification, as they need to come to terms with their new status and the fact that Germany has lost the war. The story deals with interesting aspects about the soldiers capacity to remain sane, absorb the many impressions of their new environment (the story is set in the United States), and matters of honour and respect, shown by a Jewish officer. "Die Inseln unter dem Winde" deals with a foreign visitor to Germany, who is shown around by Franz Kien. The story describes how Kien at first suspects, and gradually realizes that the foreign visitor sympathizes with the ascending Nazi powers. The story is set in the final years before the war.
Some stories seem to deal with developments in Germany after the war, and the changes in people's ideas and attitudes towards Americans. Thus, in the story "Tochter" some of the characters German is studded with English expressions, and other English language influences, even to the extent that they cause mistakes to be made in German grammar. Other stories are clearly set during the students protests and "second" rise of communism in Germany during the 1960s. The title story "Mein Verschwinden in Providence" consists of a series of 110 vignettes which represent suggested chapters or scenes for a novel to be written.
It seems the "war stories" are the strongest felt stories. They are apparently most close to the core themes of Alfred Andersch. Most other stories are only somewhat interesting, as they trace contemporary developments in Germany, but there is no clear thematic development. The repeated appearance of the character Franz Kien, suggests that the stories describe a personal development, but other stories seem unrelated.
During the 1950s and 1960s, Alfred Andersch emerged as one of the most important post-war authors, but in recent years, doubt has been cast on his sincerety, and the truthfulness of his autobiographical writing related to the war experience. However, it seems many German authors seem tainted by this type of behavior. It will probably take another generation to re-evaluate this "menschliches-alzu-menschliches" behavior of denial are distortion. Once all biographical facts have been explored and studied, it will most likely be possible in the future to appreciate parts of these writers oevre as opposed to insisting on 100% ideological purity. Surely, a large part of the work must be original and sincere. It would really be throwing the baby out with the bath water, to fully discard an author such as Alfred Andersch.
Alfred Andersch was born in 1914 and died in 1980. ( )