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The Take

par Christopher Reich

Séries: Simon Riske (1)

MembresCritiquesPopularitéÉvaluation moyenneMentions
1859147,366 (3.64)6
"Simon Riske is a freelance industrial spy who, despite his job title, lives a mostly quiet life above his auto garage in central London. He is hired to perform the odd job for a bank, an insurance company, or the British Secret Service, when he isn't expertly stealing a million-dollar watch off the wrist of a crooked Russian oligarch. Riske has maintained his quiet life by avoiding big, messy jobs; until now. A gangster by the name of Tino Coluzzi has orchestrated the greatest street heist in the history of Paris: a visiting Saudi prince had his pockets lightened of millions in cash, and something else. Hidden within a stolen briefcase is a secret letter that could upend the balance of power in the Western world. The Russians have already killed in an attempt to get it back by the time the CIA comes knocking at Simon's door. Coluzzi was once Riske's brother-in-arms, but their criminal alliance ended with Riske in prison, having narrowly avoided a hit Coluzzi ordered. Now, years later, it is thief against thief, and hot on their trail are a dangerous Parisian cop, a murderous Russian femme fatale, her equally unhinged boss, and perhaps the CIA itself. In the grand tradition of The Day of the Jackal and The Bourne Identity, Christopher Reich's The Take is a stylish, breathtaking ride."--Publisher's description.… (plus d'informations)
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» Voir aussi les 6 mentions

Affichage de 1-5 de 9 (suivant | tout afficher)
Mostly predictable, I struggled with this at times but, at other times, I was gripped by the action and couldn't put it down. Better than average, but won't make any Top Ten lists at the end of the year. ( )
  ChetBowers | Mar 10, 2021 |
There's *a lot* going on in this thriller—bad guys, more bad guys, Russian bad guys, American bad guys, mixing of the bad guys (past and present), a beautiful-sometimes-rogue French detective, multiple thefts. . . . It was a little hard to follow in the beginning, but I *think* I followed pretty well overall. I was never bored, for certain. If another Reich book comes on my radar, I'll give it a try. ( )
  joyblue | Jul 25, 2020 |
Banal in ever way possible but I was in the mood for something like this and I had a lot of fun with it. ( )
  Iudita | Sep 28, 2019 |
My Take on The Take? Lots of Action, but Without the Adrenaline

A “freelance, industrial spy.” That’s how Reich describes his protagonist, Simon Riske, in the synopsis. I wondered because when Riske isn’t running his sports car restoration garage, he’s using skills he honed during his criminal youth to perform ‘odd jobs’ for banks, insurance companies, and even the British Secret Service. It’s an interesting career path – one that places him in the quagmire of long-term vendettas, shifting alliances, and political secrets on an international scale that are the plot of The Take.

The book has all the action you could want. Assassinations from afar and face-to-face, some with quick and painless deaths, others not. There are knife fights and gun battles. Even a high-speed game of chicken. But as much as those events suggest gut-wrenching tension, they don’t necessarily produce it. Some of the incidents are implied, occurring between chapters rather than in one. Some are in prolonged flashbacks that add greatly to character development, but that can slow the pace. Other events are handled clinically, with the victim dispatched almost before the scene begins. Not that I’m seeking gory details, but a chance to see the characters sweat, hear their hearts pounding would have added to the story. It’s also a book that when you finish, sit back, and ponder, it will feel a bit contrived. When incredible skills are needed, Riske and his friends have them. But in the next scene, they will do something inexplicably foolish. Even the foundation of the story, why this all happens, feels a bit artificial in retrospect.

But what’s not lacking is suspense produced by an intricately interwoven plot. By the finale, there are five opposing forces, each with their own objectives and motivations. And who will end up on top and how they will prevail kept me guessing to the very end…even into the Epilogue.

Overall, The Take is loaded with action, some of which feels too clinical or contrived to get your adrenaline flowing. But for suspense born of a complex, evolving story with multiple competing factions, it’s loaded. You’ll just need to stay on your mental toes to keep up. ( )
  BMPerrin | Sep 17, 2019 |
Riske, a freelance spy finds himself recruited against a rival who has pulled off the greatest heist in history. The American government asks him to retrieve an important letter from the heist that poses a security threat, and it doesn’t hurt that he could exact a little revenge.
  mcmlsbookbutler | Jun 25, 2019 |
Affichage de 1-5 de 9 (suivant | tout afficher)
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"Simon Riske is a freelance industrial spy who, despite his job title, lives a mostly quiet life above his auto garage in central London. He is hired to perform the odd job for a bank, an insurance company, or the British Secret Service, when he isn't expertly stealing a million-dollar watch off the wrist of a crooked Russian oligarch. Riske has maintained his quiet life by avoiding big, messy jobs; until now. A gangster by the name of Tino Coluzzi has orchestrated the greatest street heist in the history of Paris: a visiting Saudi prince had his pockets lightened of millions in cash, and something else. Hidden within a stolen briefcase is a secret letter that could upend the balance of power in the Western world. The Russians have already killed in an attempt to get it back by the time the CIA comes knocking at Simon's door. Coluzzi was once Riske's brother-in-arms, but their criminal alliance ended with Riske in prison, having narrowly avoided a hit Coluzzi ordered. Now, years later, it is thief against thief, and hot on their trail are a dangerous Parisian cop, a murderous Russian femme fatale, her equally unhinged boss, and perhaps the CIA itself. In the grand tradition of The Day of the Jackal and The Bourne Identity, Christopher Reich's The Take is a stylish, breathtaking ride."--Publisher's description.

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