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Chargement... La décisionpar Britta Böhler
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This intriguing novel follows German author Thomas Mann during three crucial days in 1936. Away in Switzerland and fearing arrest by the Nazis upon his return to Germany, Mann must choose whether to travel back to Munich. He decides to release an open letter to the regime in a Swiss newspaper but is then tortured by doubt: his Jewish publisher in Germany will be furious with the unwelcome attention Mann's letter is sure to bring, and by choosing exile, isn't the writer abandoning his loyal readers back home? Will the Nazis burn his books? Will they confiscate his diaries, which include intimate, homoerotic confessions? Britta B#65533;hler shows us one of the twentieth century's greatest writers as a family man, a father, a writer, and a man with moral doubts. We see a human soul trapped in a historical setting that forces him to make a seemingly impossible choice. A convincing depiction of a dilemma addressed only sparsely in Mann's own writings, The Decision eloquently explores the all-too-human price of confronting totalitarianism. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)833.92Literature German and related languages German fiction Modern period (1900-) 1990-Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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The Decision is a fictionalised account of three tense days in 1936, when the renowned author Thomas Mann is in Switzerland, weighing up the implications of publicly denouncing his homeland Germany. At this time he had published, among many other works, Buddenbrooks, (1901, see my review); Death in Venice (1912); and The Magic Mountain (1924, see my review). He had been awarded the Nobel Prize for Literature in 1929. His was a powerful voice, and – having left Germany for Switzerland in 1933 when Hitler came to power, he had to decide how best to use his celebrity.
He has written a letter denouncing the regime to the Zurich-German press, that when published would amount to cultural suicide. It is not just that he cannot ever go back unless things change, it is also that he is tormented by the idea that he shares the same cultural tradition as new regime, and may be tainted by it. He’s not even sure if he can still enjoy the sublime music of Wagner, now that it’s been appropriated by the Nazis.
To read the rest of my review please visit https://anzlitlovers.com/2017/11/04/the-decision-by-britta-bohler-translated-by-... ( )