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The End of the Line [2009 Documentary film] (2009)

par Rupert Murray (Directeur)

Autres auteurs: Charles Clover (Original book), Ted Danson (Narrateur)

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"[This film] charts the devastating ecological impact of overfishing by interweaving both local and global stories of sharply declining fish populations, including the imminent extinction of the bluefin tuna, and illuminates how our modern fishing capacities far outstrip the survival abilities of any ocean species. Scientists explain how this depletion has slipped under the public radar and outline the catastrophic future that awaits us -- an ocean without fish by 2048 -- if we do not adjust our fishing and consumption practices." -- Container.… (plus d'informations)
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Hoooo, boy. There were things about this that were done well. I loved the cover, and the premise: interracial love affair set in Novia Scotia, Canada. The heroine, a young black woman caring for her disabled father, sounded appealing and likable. I've got a softness for interracial love stories, and the setting sounded new (to me) and intriguing.

I received a free copy of this novel from the author in exchange or an honest review.

And in all honesty, this work is not yet ready for prime time. Everyone has to start somewhere, and I hate to be harsh, but IMO this work needed many more passes through a critique group, rather than rushed to self-pub.

It doesn't FEEL authentic or like we are inside Latesha's head (coal-black, shoulder-length hair braided in tight dreadlocks, secured with a red and yellow handkerchief resplendent with African designs), though with the muddy Point of View it is hard to tell if we are supposed to be inside her head, or if the POV is supposed to be omniscient. This story feels unintentionally racist, like something written by a white man with a fetish for women of color, about what he imagines their lives would be like, and is "resplendent" with old racial stereotypes. Her cat is named Oprah, the hallway bears framed pictures of Malcolm X, the black power salute at the 1968 Olympics, and there's a BLACKS ONLY sign on the bathroom door. Ugh.

The work itself is bogged down by flat, aimless dialogue and description that does little to nothing to move the story forward, many filler phrases like "a minute later" and worst of all, at least in the e-version, it's all clumped together without paragraph breaks, making it virtually unreadable. Here's an example (I'm starting this two-thirds of the way into a long rambling paragraph about waiting for the bus, boarding the bus, noticing all the other passengers on the bus, and choosing a seat):
...At the next stop a young white woman boarded and sat next to Latesha. She was carrying a brochure for the university. First year?" Latesha asked. "Yes," answered the woman with an overwhelmed look. "I guess I"m [sic] a little nervous. First day jitters, I guess." "You won't have any trouble." "Do you go to university?" "Yes," Latesha said. "What are you taking?" "English. I'll earn my teaching degree this year." "That's good," the woman replied enthusiastically. "I"m [sic] going to major in chemistry, and I hope to do some teaching, too. Maybe we"ll [sic] end up at the same school." "That would be nice." The other woman smiled, then put on a pair of oversized headphones and turned on her iPod. Latesha could hear the song Bittersweet Symphony, by The Verve. She bit her lip and turned slightly away, opening her carrying bag and extracting three letters.
I admit, at this point, I had to skim the rest. The whole societal opposition to the interracial romance felts very dated - which is fine, set it in the 1970's or 1980's (and lose the iPods), but readers need time clues to know that's when we are. The sweet (no explicit sex) romance between Latesha and Peter felt clunky and did not grab me, and the dramatic ending... I could not believe it, but there IS a Happily For Now.

I know how hard it is to write a book, and wish I could be more enthusiastic about this one. I hope the author finds a good crit group and keeps on writing, if not immediately PUBLISHING his work.

( )
  writerbeverly | May 1, 2014 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Murray, RupertDirecteurauteur principaltoutes les éditionsconfirmé
Clover, CharlesOriginal bookauteur secondairetoutes les éditionsconfirmé
Danson, TedNarrateurauteur secondairetoutes les éditionsconfirmé
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"[This film] charts the devastating ecological impact of overfishing by interweaving both local and global stories of sharply declining fish populations, including the imminent extinction of the bluefin tuna, and illuminates how our modern fishing capacities far outstrip the survival abilities of any ocean species. Scientists explain how this depletion has slipped under the public radar and outline the catastrophic future that awaits us -- an ocean without fish by 2048 -- if we do not adjust our fishing and consumption practices." -- Container.

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