J.K Walker

Jazz is overwhelmed with the number of jobs and duties she now has to hold together and is really looking forward to a simple break with Logan – let everyone else handle the chaos for a while.

But people are dying again, there’s a deeply terrifyingly personal enemy that she thought had long since been defeated lurking around. The werewolf pack is chafing under the leadership of a wereleopard. The police and the press both are watching her after the dramatic revelation on television. There’s far too much work for a much deserved holiday

And then one of her best friends is possessed and they find an ancient and truly terrifying evil has moved to town…

At the end of the last book I said there was too much packed into the space, too many plot lines left untouched and in need of development (especially since they were so awesome and I was very interested in learning what happened next). This book did an excellent job of unpacking a lot of that narrative, expanding it and going into the full consequences of several of the major elements that were only briefly covered before.

One of the main ones was Jazz becoming the new Alpha of the werewolf pack – it seemed like a huge shift and one that happened far too easily given her newness as a shapeshifter and the fact she wasn’t a werewolf. Naturally there are consequences to that and that takes up a hefty chunk of the book as she has to deal with the fallout from that.

Then there’s the whole revelation of the supernatural world to humanity at large – and Jazz being the centre of that and the difficulties and fall out that cases; from both the fearful and the curious.

Less deep but still in need of addressing was how, in the last book, she basically called out the alpha of the werecats and challenged his authority. Again, it was an action that had consequences that had to be followed up, even to a small degree. Then there was Logan becoming a vampire and even Jazz’s actual friendship with Victoria.

I even like how Jazz is having some ongoing health issues from previous injuries. Often Urban Fantasy characters can be mangled beyond all measure but next book, except (maybe) some easily hidden and non-mobility related scars, are completely fine.

I haven’t mentioned the main plot much because I think it’s secondary to the themes that were explored while the plot continued – and the development of Jazz and her friends. Not only did it give us time to look at all these issues that were left hanging but it was also a chance to re-analyse Jazz and the way she lives.

Jazz handles everything in town. Everything – and it’s too much. I’ve said before that the books really present how frazzled Jazz is having to handle everything. In addition she has a really great relationship with her frineds – she respects them, she loves them, she has a lot of friends and they’re capable and have skills and powers of their own. This is a nice break from a lot of Urban fantasy protagonists who either a) have friends who only exist to serve them or b) have friends who exist only to be imperilled on a semi-regular basis. It’s because of this that Jazz can be confronted with not having to defend her friends all the time, that she doesn’t have to handle everything, her friends can help or handle their own problems. She isn’t alone and doesn’t have to play lone ranger. It also nicely challenges the whole meme of “I can’t stand to see my friends in danger” – well, all those friends have to see you in danger on a semi-regular basis so deal with it.

Because of that theme it makes Jazz needing rescue and even Jazz being so vulnerable and even traumatised in this book something that fits. This isn’t a classic super-damsel being knocked off her perch, this is a character trying to handle everything and not being able to – this is a character who has other strong people around her and doesn’t need to take it all on herself.

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With a werewolf gang moving into the area and starting a war with the local werecats, a new supernatural drug hitting the streets that makes people preternaturally strong and nearly immune to pain and injury, several disappearing vampires and a new werecougar who really needs Jazz to show her the ropes – everything seems to be happening at once for Jazz. It’s overwhelming, it’s non-stop and it threatens the supernatural in the city from several angles

Not least because of supernaturally-aware government agents showing up – and news of the supernatural finally being leaked to the world at large

This book has an immensely fast paced, action packed storyline. It pulls in all the characters we’ve seen before and faces off against threats from all sides that hit so many of them personally.

It has some really well written fight scenes, just designed to get the blood pumping with excitement - which is hard to do in print and few authors manage to pull it off. We have an involved, complicated and multi-faceted investigation without dead zones, without it being too linear, without it being simplistic or obscure. We also have multiple storylines, each with complex, real threads, each of which demand Jazz’s attention, each of which are vitally important and show how overwhelmed she is – but at the same time they all manage to come together excellently.

And through it all we have Jazz, with her awesome (and predominantly female) friends, intelligent and skilled without unnecessary “chosen one” elements. A keen sense of duty that is really sold (even if she does go over the top, it’s really well portrayed as I mentioned in my review of Hollow Eyes –her sense of duty is her sense of responsibility, her sense of professionalism and her way of proving herself.

It also continues with its diversity, with Jazz having 2 lesbian friends (albeit in more background roles since the earlier books but they’re still awesome with some excellent unique skills on Rachel’s part – and there’s some mention of homophobia Rachel faces from her family), being half-Chinese herself and having Japanese, Latino, Native American and Black characters all as important connections, friends and actors in the supernatural world and close to Jazz. We do have some elements that continue the shakiness – like the prevalence of Latino gang members (but they’re not demonised for it or presented as having just one aspect to their personalities) and an evil-voodoo practitioner (but we also have a voodoo practitioner who isn’t evil as well) but in general the main problem is simply having so many characters and not the time and the space to give them all screen time – especially since this book was very narrow to Jazz even while it involved everyone.

That’s a recipe for a lot of awesome. But there’s an issue. A big one

There’s a lot that happens that isn’t explored to the degree I’d expect it to – or doesn’t have the same kind of impact I’d expect it to. This is going to be hard to write about without spoiling so I’m going to do a lot of dancing around the subjects.

Like Jazz suffers a severe loss in this book – but she kind of rolls with it. Yes she grieves but she keeps moving and doesn’t suffer the magnitude of loss I’d expect. I think part of the reason why it’s so jarring to me is that Jazz’s muted reaction also kind of mirrored my own. I don’t think we’ve truly been shown how much these people mean to Jazz, I don’t think the relationships have been properly established or the characters fully developed enough for the loss to be felt. When Jazz didn’t seem to feel the loss that deeply, it only emphasised how little the lost mattered to me in the story’s context. I considered it a distraction.

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avid died when a serial killer came to his home. His pregnant wife survived the attack

Now he’s a ghost and driven by his desperate devotion to her to follow her, watch her and do whatever he can to protect her. It’s a compulsion that grows the longer he is dead

A compulsion that is not only unhealthy – but can lead a ghost down a very dark path.

In the first book of this series that was a fun,interesting, helpful character who helped Jasmine assimilate into thesupernatural world, David.

He was a werewolf and he pretty much defeated most of the werewolf tropes we’ve come to know and loathe. He was kind, he was patient, he was funny, he was wonderfully loving to his wife, Angel, and generally had all the hallmarks of being a pretty decent character and an excellent counterpoint to the werewolf Alpha who was a much more “traditional” werewolf depiction.

He was also one of Jasmine’s friends – one of the things these books have been so good at showing is Jasmine’s friendship with the other characters, actually spending social time together and doing silly things like bad movie nights. It’s one thing I’ve always liked

And he died.

It was sad and disappointing and really showed how excellently the character had been developed that I missed David. The character deserved more than to be killed off for pathos

And so we have this book. David the ghost whose desperate love and devotion to Angel forces him to haunt her. It’s powerful, loving and tragic – as the overwhelming love and protection David feels for Angel drives him to make her more and more unsettling and dangerous to her

Not only is that haunting and powerful, it’s also a wonderful subversion of the genre where this kind of stalky-obsessive love is too often presented as the pinnacle of affection and devotion. This book is clear – it isn’t healthy and it isn’t good for either party.

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Jazz is embracing her role as the supernatural’s trouble shooter – and the city’s homeless population being preyed upon definitely counts as a problem for her to fix. Finding out who is responsible and making them stop definitely adds a complication to the holiday season.

A complicated situation that isn’t made any easier by a berserker arriving in town determined to force one of her friends to fight – and he’s willing to target Jazz to force AJ into the ring.

I don’t know how much time has passed between this book and the first in the series, it doesn’t expressly say and it doesn’t need to. The development of the characters alone has created the sense of time without having to expressly spell it out – it’s very neatly done.

Especially with Jasmine. Jazz has transitioned excellent from the first book to her new role as the Council’s trouble shooter. She didn’t ask for it. She may not even like it – but she does take it seriously and I like that. Sure it wasn’t a role she sought out but she recognises it as a role that’s important and a role that comes with a lot of responsibility. Linked into that is her own strength and confidence and desire to prove herself. Does this mean she always makes great decisions? No, she’s driven to solve the problem in the book and she’s determined to do it herself with relatively little help. But, unlike so many reckless Urban Fantasy characters, Jazz actually sells this. She’s driven to solve this because it’s her job, her responsibility and through that her place in the supernatural community. More, it’s her role given by the leaders of that community very quickly because they respected her abilities. She can’t let someone else take it over without implying they were wrong (even if any sensible person would and the Council won’t hold it against her). There’s this ongoing message from Jazz that started in the last short story – this is her job, she takes it seriously and this is what she has to do. Not because she’s the chosen one or the only one with the special woo-woo or anything else (in fact, there are moments where it’s expressly made clear Jazz isn’t the strongest of them all, not even close) – but it’s her job, her role, her responsibility. It’s not pride, or not pride in the arrogant sense or over-confidence – it’s responsibility and duty that drive Jazz as well as a deep well of compassion.

I also like that she’s a female character, in this genre, who is most strongly defined by her female friends. She has a close circle of excellent, close female friends she relies on, she spends time with (and that’s social time – not just “hey I need something, come help”) that is growing if anything. They’re a far more dominant and powerful part of her life than her male friends and even than her love interest (who still needs to drop the awful Cajun accent).

Other good development comes from Mitchell, the hard-ass werewolf leader who is always so abrasive and controlling. I initially thought we were looking at a wannabe dictator but he has a lot more nuance than that. Yes he’s controlling and arrogant, but he also legitimately cares about the community – all the supernaturals – quite possibly more so than any other leader. In fact, he may be the only leader who can or who wants to take point and help the community as a whole – the head witch we haven’t seen much of, head vampire Victoria is doing her level best not to be the Supreme Queen of the area, which is hard because she’s the biggest, baddest thing in town. The werecats are few in number and too independent. Who else but Mitchell can lead? Like Jazz, responsibility seems to drive him. It’s really nice to see that develop alongside her – and alongside Victoria who seems mixed between being friendly and terrifying and in a really awesome

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