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2 oeuvres 21 utilisateurs 1 Critiques

A propos de l'auteur

Jeannie Banks Thomas is professor in, and head of, the Department of English at Utah State University. Her many publications include Featherless Chickens, Laughing Women, and Serious Stories, which received the Elli Kongas-Maranda Prize, and Haunting Experiences: Ghosts in Contemporary Folklore afficher plus (2007), coauthored with Diane Goldstein and Sylvia Grider, which won the Brian McConnell Book Award in legend studies. afficher moins

Œuvres de Jeannie Banks Thomas

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Lots of neat examples of and gender-related theorizing about yard art, funerary statues, and Barbies, presented in disorganized fashion (though basically divided into chapters about each). I was most struck by her discussion of cemetary statues: female statues are usually generalized figures representing mourning, purity, erotic appeal, etc., while male statues are of specific men, often personalized with reference to an occupation or hobby. “Images of handsom, sensuous, nude, or partially nude men posed in fetching, prostrate, arresting, and vulnerable postures are not erected to mark women’s graves.”… (plus d'informations)
 
Signalé
rivkat | May 30, 2012 |

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Œuvres
2
Membres
21
Popularité
#570,576
Évaluation
3.1
Critiques
1
ISBN
4