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Pour les autres auteurs qui s'appellent Heidi Thomas, voyez la page de désambigüisation.

22 oeuvres 465 utilisateurs 8 critiques

Critiques

This is relatively non threatening TV, relatively self-preserving. It is somewhat near religion, or at least it portrays religion favorably if distantly. The nuns, who are not the central characters really, are often actually less judgmental than the gossip girls, you know…. People do have vices on the show, but they tend not to be too evil or whatever—although I remember being distinctly threatened by the main girl when I watched this show, as she’s I guess the girl they sing all those scary songs about, right. I didn’t really watch much TV at the time….

And, Maybe!—some of the things I wrote, (in the deleted review), hey, maybe…. mildly unhelpful? Hiss at me, goosie, if you must! (The physical intelligence is the goose’s; it is distinct from the angelic intelligence of angelic doctors, and the great intelligence of the malefic spiritual beings….)

I guess also though what we might view with an unhappy eye as the irreducible danger makes an appearance: what with the pretty girl running away from the monastery, but everyone except the nuns still relate to her as the scarlet starlet, you know….

In a way, the plain but dependable girl is happier, she doesn’t get a Distant And Unkind But Powerful-Seeming Man, who wants her to call, even though “I’m always going to be still married”—but the plain and dependable girl still gets her man, and although she has a mother to contend with her ends up reasonably happy, you know. And without being routinely blown about by the winds of noisy attention, you know.

It’s certainly an Anglo TV show, but in another sense it breaks the mold of what TV is, you know (ie the imagination of the male white American, I guess).
 
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goosecap | Jun 8, 2023 |
Watched with the family.

A slightly surprising 'gothic' style film, apparently based on a book.

Well made, and overall quite enjoyable.½
 
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SueinCyprus | 1 autre critique | Mar 30, 2022 |
I always loved the book 'Ballet Shoes' by Noel Streatfeild, so wasn't entirely sure what to expect from a made-for-TV film of less than 90 minutes . The story is about three adopted sisters who are determined to make their mark on the world: Pauline as an actress, Petrova as a pilot, and Posy as a dancer.

Emma Watson (best known as Hermione Granger in the Harry Potter movies) plays Pauline, the eldest of the Fossil children. There were other well-known faces in this film, including Victoria Wood who wasn't entirely convincing as Nana.

Although, inevitably, a fair amount of the book was condensed or cut out, the storyline mostly stuck to what's in the book; the three sisters were very good, with Posy outstanding as a promising ballet dancer. I wasn't too impressed at a light romance being thrown in at the end - decidedly NOT in the book! - but that kind of thing appears to be compulsory, even in children's films these days.

Still, worth watching for a light evening's entertainment. The sets and atmosphere of London in the 1940s were very realistic.
 
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SueinCyprus | 1 autre critique | Mar 22, 2022 |
Almost labeled this a Feel Good movie. I enjoyed it. Good acting - light. Henry Thomas, the love interest, is the boy from E.T. grown up.
 
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Eurekas | 1 autre critique | Aug 14, 2021 |
not that exciting. best part was about the 50s in the docklands.
 
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mahallett | 2 autres critiques | Oct 13, 2014 |
For some strange reason, I always like reading books about television programmes in January. Is it because there’s nothing to actually watch on TV then? A plan to reminisce over previous series? Getting ready for the new season? Who knows? This year I went off my usual Top Gear track and received the companion book to one of the most delightful series of the series, Call the Midwife. (Due to all the ad breaks, I simply couldn’t stomach Downton Abbey when it was on).

Call the Midwife is a deceptively simple series – that of a group of midwives in 1950s London – that touches the heart with its stories of life, love and friendship against a backdrop that our parents and grandparents still remember. It’s not completely rose tinted, for the series is set in a poorer part of the East End (Poplar), but there’s more good parts than sad. The series came from a real life memoir by Jennifer Worth (you can read my review here) and there is a detailed diary where the writer and author of this book, Heidi Thomas, meets with Jennifer during the development of the series. (Jennifer – or Jenny Lee in the series - initially thought of casting Miranda Hart as Chummy, which was a fantastic move!)

You’ll learn all this and more as the book takes you through the first idea for a TV series to the green light for the second series. It’s a fascinating insight into the TV world behind the screen, where things seem to move dreadfully slowly. There are also interviews with both the characters and the cast, as to be expected. But this book goes into much more than the series and is quite an interesting read on life in the 1950s. Many topics are covered, including the inception of the National Health Service (not as boring as it sounds!), food, fashion, medicine, religion and what life was like in Poplar. I literally could not put it down!

The hardcover was also incredibly pretty under the dustcover – it’s cream with the insignia of a nursing college. Well done to all who worked on this book – it’s both a written and visual feast.

http://samstillreading.wordpress.com
 
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birdsam0610 | 2 autres critiques | Jan 23, 2013 |
Nive companion to the tv show. The book gives nice background information and has pictures from the show.
 
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kresslya | 2 autres critiques | Dec 9, 2012 |
Set in London in the thirties, Gum, an eccentric Paleantologist who travels the world, delivers three orphaned girls to his niece, Sylvia, who raises them as sisters. Gum leaves a limited amount of money for their care and disappears on another adventure for twelve years. To make ends meet, Sylvia takes in boarders who help educate the girls. Pauline stars at a young age on stage and film, Posy trains with a former Russian ballerina, but Petrova longs to fly planes. All three use their stage talents to contribute to the family coffers. This film adaptation of this classic storybook gives moms, daughters, and sisters an all around warm fuzzy. The viewer is drawn in by the boarders’ desire to give the girls a better life, the girls’ ambitions, and a bit of a love story between Sylvia and a male lodger. In startling fashion, selfishness ambition is brilliantly exposed giving a wonderful opportunity for families to discuss their values and beliefs. The story is enchanting and worth viewing. It certainly will be an addition to my collection. Highly recommended for ages 7-12
 
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TeriHogg | 1 autre critique | Sep 20, 2010 |