Roberta Taylor (1) (1948–)
Auteur de Too Many Mothers: A Memoir of an East End Childhood
Pour les autres auteurs qui s'appellent Roberta Taylor, voyez la page de désambigüisation.
Œuvres de Roberta Taylor
Étiqueté
Partage des connaissances
- Date de naissance
- 1948-02-26
- Sexe
- female
- Nationalité
- UK
- Professions
- author
actor
Membres
Critiques
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Auteurs associés
Statistiques
- Œuvres
- 2
- Membres
- 106
- Popularité
- #181,887
- Évaluation
- 3.2
- Critiques
- 4
- ISBN
- 40
- Langues
- 1
Ivy, Janet, and Eileen are three women whose love for the same man brings them together during the freezing winter of 1963. Eileen thinks Brian belongs to her, but Ivy and Janet are rivals for his affection, and the fight to claim and keep his love will uncover secrets that threaten to undo them all. The 'twist in the tale', though telegraphed early, is very cleverly written, and might even require a second reading to properly untangle the web that binds the characters together. Janet, the typical rebellious teenager of the 1960s, and Eileen are sympathetically drawn, whereas the eponymous 'reinvented' heroine is abrasive and unlikeable, but all of the characters are flawed and believable.
I also loved Roberta Taylor's style. Her descriptions of the weather - 'Any sense of spring, summer or autumn had been buried forever under the icy pavements, as if the different seasons no longer belonged here. This has become the state of the nation' - and the fashions of the time - 'Black rolled-neck sweater, tight black pants, flat black pumps. Her lovely innocent hair, butchered into this docked cap of revolution' - are sharp and almost darkly nostalgic. The fruity dialogue amused me, too.
Readers expecting a Catherine Cookson type story, full of homely values and happy ever afters, might be disappointed with Ivy Brown. Though brief, Roberta Taylor's novel is a thought-provoking, multi-layered combination of realism and gothic drama, bringing to life the changing values of the early 1960s.… (plus d'informations)