John Clark RidpathCritiques

1/29/23

1/29/23

Volume 14 of 17 contains:
Book 18: The English Revolution
Book 19: Age of Frederick the Great
Book 20: Age of Revolution

Volume 12 contains:5 Books:
Book 11: Barbarian Ascendency
Book 12: Mohammedan Ascendency
Book 12: Age of Charlemagne
Book 14: Feudal Ascendency
Book 15: The Crusades

The Story of South Africa is quite the epic tale at 1,016 pages. Written in 1902 at the end of the Boer War it tells the entire story of the South African Republic also known as the Transvaal (as well as their sister independent country - the Orange Free State) from beginning to eventual annexation of both by the British Empire.

Everything you've ever wanted to know about the Transvaal, the Afrikaanders or the English treatment of such and the eventual war & end of independent South Africa is told within these pages. In an effort to be a non biased account it tells the story of the conflict and lead up to such from both sides. Nor does it hold back on criticism of either group calling out errors & mistakes for what they are.

If you have ever been interested in the shaping of Africa, the British Empire, Dutch Africa, the Boer War, the development of African resources or world history in general you won't go wrong with this book. It's excellent.½

Exactly what the title says, running from Patrick Henry to William H. Taft

A few days after reading the following in Thomas Wolfe’s “Look Homeward, Angel” I came across two well worn volumes of “Ridpath’s History” in a used book store. Wolfe was right.

“Secure and conscious now in the guarded and sufficient strength of home, he lay with well-lined belly before the roasting vitality of the fire, poring insatiably over great volumes in the bookcase, exulting in the musty odor of the leaves, and in the pungent smell of their hot hides. The books he delighted in most were three huge calf-skin volumes called Ridpath's History of the World. Their numberless pages were illustrated with hundreds of drawings, engravings, wood-cuts: he followed the progression of the centuries pictorially before he could read. The pictures of battle delighted him most of all. Exulting in the howl of the beaten wind about the house, the thunder of great trees, he committed himself to the dark storm, releasing the mad devil's hunger all men have in them, which lusts for darkness, the wind, and incalculable speed. The past unrolled to him in separate and enormous visions; he built unending legends upon the pictures of the kings of Egypt, charioted swiftly by soaring horses, and something infinitely old and recollective seemed to awaken in him as he looked on fabulous monsters, the twined beards and huge beast-bodies of Assyrian kings, the walls of Babylon. His brain swarmed with pictures -- Cyrus directing the charge, the spear-forest of the Macedonian phalanx, the splintered oars, the numberless huddle of the ships at Salamis, the feasts of Alexander, the terrific melee of the knights, the shattered lances, the axe and the sword, the massed pikemen, the beleaguered walls, the scaling ladders heavy with climbing men hurled backward, the Swiss who flung his body on the lances, the press of horse and foot, the gloomy forests of Gaul and Cæsarean conquests. Gant sat farther away, behind him, swinging violently back and forth in a stout rocker, spitting clean and powerful spurts of tobacco-juice over his son's head into the hissing fire.”

A few days after reading the following in Thomas Wolfe’s “Look Homeward, Angel” I came across two well worn volumes of “Ridpath’s History” in a used book store. Wolfe was right.

“Secure and conscious now in the guarded and sufficient strength of home, he lay with well-lined belly before the roasting vitality of the fire, poring insatiably over great volumes in the bookcase, exulting in the musty odor of the leaves, and in the pungent smell of their hot hides. The books he delighted in most were three huge calf-skin volumes called Ridpath's History of the World. Their numberless pages were illustrated with hundreds of drawings, engravings, wood-cuts: he followed the progression of the centuries pictorially before he could read. The pictures of battle delighted him most of all. Exulting in the howl of the beaten wind about the house, the thunder of great trees, he committed himself to the dark storm, releasing the mad devil's hunger all men have in them, which lusts for darkness, the wind, and incalculable speed. The past unrolled to him in separate and enormous visions; he built unending legends upon the pictures of the kings of Egypt, charioted swiftly by soaring horses, and something infinitely old and recollective seemed to awaken in him as he looked on fabulous monsters, the twined beards and huge beast-bodies of Assyrian kings, the walls of Babylon. His brain swarmed with pictures -- Cyrus directing the charge, the spear-forest of the Macedonian phalanx, the splintered oars, the numberless huddle of the ships at Salamis, the feasts of Alexander, the terrific melee of the knights, the shattered lances, the axe and the sword, the massed pikemen, the beleaguered walls, the scaling ladders heavy with climbing men hurled backward, the Swiss who flung his body on the lances, the press of horse and foot, the gloomy forests of Gaul and Cæsarean conquests. Gant sat farther away, behind him, swinging violently back and forth in a stout rocker, spitting clean and powerful spurts of tobacco-juice over his son's head into the hissing fire.”