Kristine Ong MuslimCritiques

Big issue

With a lot of stories. For that, it's well worth the price, even though I didn't find any of the stories to be the sort that I like.

The flash fiction was very good, tight and well written; the Octavia Butler and Vandana Singh reprints good, others merely OK; short stories were unimpressive and I mostly didn't finish them; I couldn't get into the essays and didn't read them. All-in-all generally uninspiring.

Hard one to star, due to the nature of this being a) essentially a mix tape, almost a sampler, of various artists and backgrounds, and b) I see the idea behind it is to explore an idea, like exploring a city. There may be bits you like and don't like, but really it's about the fact you're experiencing something unique, which exists. So it took me a while, and I went away and came back, and enjoyed some parts more than others. Which explains the 3 stars. But I love the idea, and on the whole, the *mix* of content and styles and ideas is more important, in a way, and thought-provoking, and has potential.

I particularly enjoyed reading about Scandinavian elves more than I thought u would. I would have liked to have seen more mention of Shinto Kami in there - a lot of the ideas here didn't get close to the idea of location-based spiritism as Shinto does. Other pieces you just have to be in the right mood for.

I'll be hanging on to this though, and lots of bookmarks left in place to refer back to.

Bleak eco-weird fictions set in a deteriorating world of machine gods and a dying earth. A larger tale told in strange vignettes of the bleak final days of man and the dawn of whatever comes next.

This collection of flash fiction was inspired by paintings and photographs and each story is an extension, an interpretation or a look inside the separate works of art. Ms. Muslim's writing is very visual, so much so that reading her stories is like looking at images on canvas, all you need is a tiny bit of imagination to see it in color.
The stories may not describe the art that inspired them but they are tied to it, especially in execution - abstract works yield equally abstract fiction, and more traditional subjects result in stories that are more easily processed by those with limited appreciation for modern art. Being one of the latter while I can see the merits of this collection the pieces aren't something I particularly enjoyed reading - in literature, as in visual art, I prefer fiction that reads more like Vermeer's paintings look, as opposed to Bosch's. If your artistic preferences tend in the opposite direction and you enjoy flash fiction I would venture to guess that you will very much like this collection.

These one-hundred stories were inspired by real pieces of art -- but you don't need to be familiar with any of the images to enjoy these stories. Muslim's jumping point -- a painting -- ends with wonderful crafted story, poignant and sharp, sad and humorous. I read all the stories first, image unseen, then went to Muslim's website where she links to every image. Then, after checking out the images, I reread the stories.

I'll be honest: in many cases, I rather enjoyed the story more before seeing the image. Sometimes, Muslim's story is a literal description of the painting; when the image was unfamiliar, I savored her descriptions, but after seeing the picture, I preferred my mental image over the reality. 

Described as 'flash fiction', these short stories are, in some cases, simply a paragraph -- but the length doesn't detract from the wallop of imagery and emotion.  At 169 pages, this volume is easy to race through: I would read on, potato-chip reading, as I described it to my wife, inhaling one story after another, unable to stop myself.  Some of the stories are darkly humorous; others, creepy and grotesque.  Many of the stories have a surrealist feel to them, reminding me of Aimee Bender, Ben Loory, and Catherynne M. Valente -- helped by Muslim's choice in art. Ranging from well-known artists like Dali and Miro, she also picks contemporary artists who were new-to-me, and the spectrum of art styles was exciting and interesting.  (I recommend checking out Muslim's essay on Necessary Fiction to learn more about her process for writing; I read it during my reading of this volume and found myself appreciating the stories even more.)

Even if you're not a short story fan, consider this collection: the pieces are so interesting, odd, dark, and twisted, they're like literary amuse-bouche, or a sampler flight of strange fiction. A unique way to dip your toes into odd fiction.