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18+ oeuvres 33 utilisateurs 2 critiques 1 Favoris

A propos de l'auteur

Probably no other fiction writer in Latin America can match Medina for the directness and violence of his portrayals of the authoritarian social structure underlying Argentina and the whole region. Medina, who has published over 20 novels and collections of stories and newspaper writings, sees afficher plus himself as a direct heir of Celine and Bukowski. Virtually all of his works were banned during recent military dictatorships in Argentina, but the country's return to democracy in 1983 has not significantly altered Medina's commitment to unmasking moral, political, and social hypocrisy. Medina spent much of his youth in a combined orphanage and reform school, placed there by his working-class mother when she could no longer care for him. His first, largely autobiographical novel, "The Tombs," focuses on a juvenile reformatory as an efficient institution for inculcating the dynamics of tyranny and the violence it breeds. The frequent accusations leveled against Medina of sloppy writing and an obsession with the seamiest realms of human existence may contain an element of truth, but they are arguably beside the point: Medina specifically promotes an unadorned discourse freed from poeticizing impulses and the disingenuous ideologies of the oppressors. Whether a narrative voice, however confident, can reveal the naked truth of life is an interesting problem, but the fact remains that Medina's writing, especially his weekly newspaper columns, have exercised an enormous impact during dark days in Argentina. "The Duke," about a prizefighter turned death squad agent, is one such work. Medina's writing stands in stark contrast to that of Latin American writers who have provided foreign readers with benign magical realist fantasies. (Bowker Author Biography) afficher moins

Comprend les noms: MEDINA ENRIQUE

Œuvres de Enrique Medina

Les tombes (1991) 5 exemplaires
Las Tumbas 2 exemplaires
Strip-tease (Serie mayor) (2017) 2 exemplaires
GATICA (1991) 2 exemplaires
Perros de la noche (2013) 2 exemplaires
Sólo ángeles 1 exemplaire
TUMBAS, LAS. 45 ANIVERSARIO (2013) 1 exemplaire
Las Muecas del Miedo (1983) 1 exemplaire
Las Hienas 1 exemplaire
As Tumbas 1 exemplaire
Solo Angeles 1 exemplaire
Con el trapo en la boca (1983) 1 exemplaire
Solo ángeles 1 exemplaire
Hienas, Las (Spanish Edition) (1986) 1 exemplaire
Transparente 1 exemplaire
Les Chiens de la nuit (1996) 1 exemplaire
Muecas Del Miedo, Las (2007) 1 exemplaire

Oeuvres associées

Fiction, Volume 6, Number 1 — Contributeur — 1 exemplaire

Étiqueté

Partage des connaissances

Date de naissance
1937-12-26
Sexe
male
Lieu de naissance
Buenos Aires, Argentina
Lieux de résidence
Buenos Aires, Argentina

Membres

Critiques

Enrique Medina's 'The Duke' seems to harken back into Argenitine history to the time just before the military coup that overthrew the short lived regime of Isabel Martinez Peron. Manipulated by the sinister Jose Lopez Rega--Peron's government not only set loose but enabled right wing vigilante death squads organized by Lopez Rega himself--allowing them to wreak havoc on their opponents on the left more or less giving these vigilantes get out of jail free cards. They called them The Triple A--though not anything like the organization that provides road service throughout the USA.

In any case the Duke is an ex-professional boxer of some renown turned thug--part of a team led by one Sorel who murder, rape and steal without compunction and FWIW the graphic violence including sexual violence that this book portrays may keep some awake at night. Celine is one of Medina's influences and this novella is as hard and harsh as anything you'll find by the author of Journey to the end of the night. It's not for the squeamish. It seems to me though that Medina is attempting to say something about his country--at least as it was during those times and say it in as honest and brutal a way as he can.

As it happens what follows this period in Argentine history was even worse--much worse in fact. And this book was banned in Medina's own country. The military dictatorship did not correct the evils of Isabel Peron's government--they simply followed the model set by Pinochet in Chile. One thing set the stage for another. It is in this respect that I think this book is worthwhile reading. I know most people here in the USA do not believe something like these tragic times in Argentina could happen here but human ambition and greed tells at least your humble reviewer otherwise.
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Signalé
lriley | Mar 25, 2010 |
Chronicles the life of a young boy as he enters into a type of reform school atmosphere in late 40's early 50's Buenos Aires. Whether or not this is an autobiographical novel or not is hard to tell. It certainly has the sense of that--and in the regard that the situation the boy finds himself may not seem real to some--this same situation is not all that far removed from Vargas Llosa's 1st novel 'The time of the hero'. The reason for his entry into this world is unclear but that he is thrown into a world that he is not prepared for and has no understanding of is very real. From the beginning not only will he have to deal with the harsh authority of the school and its staff but also has to come to grips with the other boys themselves--most of whom are older and bigger and who have formed into a society with its own rules and rulers if anything even harsher and certainly more aware of any individuals weaknesses. Their world is even more vicious and in fact is much like a prison society with its constant struggle for hegemony within. Intimidation on its own amounts to almost nothing--subjugation through violence or real threat of violence as well as rape is common and the young Enrique soon learns through trial and error how to survive and how to make himself less of a target until eventually growing older himself and feeling more freedom to move within this world he will try to assert his own rise but will then be sent to an even harsher school where he will have no choice but to toe the line. This novel percolates with rage. It moves though because Medina's anger has a cathartic quality. There is one major critique that needs to be made however concerning the text itself. There are about 3 chapters from the middle of the book or so that are repeated exactly and inexplicably towards the end of the book and it is some kind of publishing error but it can be kind of disconcerting.… (plus d'informations)
 
Signalé
lriley | Sep 6, 2006 |

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Statistiques

Œuvres
18
Aussi par
1
Membres
33
Popularité
#421,955
Évaluation
4.8
Critiques
2
ISBN
20
Langues
3
Favoris
1