Michael Hughes (12)Critiques

“What was the start of it? The whole wrecking match, that sent so many strong souls roaring down to hell, dogs chewing up the guts ground into the road, birds pecking at the splattered bits of their brains. The way London wanted it to go. The way it always is.”

“Someday, they knew, the string would be pulled to stop at all. Not yet. When all the pieces were in place. The higher-ups would settle it, find the middle course. Until then, we live and die here below. One nod of the head, one tip of the scales. The way it always was. The way it has to be.”

This book is based on Homer’s Iliad, but I read that book so long ago that I don’t remember the details. I made no attempt to “compare and contrast” the two books. This book is completely enjoyable even if you have never read the Iliad, based on a combination of the vivid (and profane) language and the compelling characters. Set in the 1990s, this book presents the conflict between the IRA and the British as a war, a gang fight and a Gunfight at the O. K. Coral. War is just a pointless mess, no matter the century. The motivations of the characters included pride, vengeance, patriotism and a desire to protect the defenseless, among other things. Women don’t play much of a role here. There is an informer, a whiny wife and a few who are passed around as war prizes.

I listened to the audiobook narrated by the author. That is usually a bad idea, but this author did an excellent job (although it took me a while to get used to the Irish accent). After I finished the book I discovered that the author is also an actor. That probably explains his skill as a narrator. I would be happy to read anything else he writes.

I received a free copy of this book from the publisher.

Fury. Pure fury. The blood was up. Lost the head completely.~from Country by Michael Hughes

Hughes begins his story in the middle of a conflict between two members of an rogue IRA terrorist cell group.

Achill and Pig, the 'trigger man' who killed eight Brits and the Officer Commander of a terrorist cell, clash over a girl whose father wants her back home. She had willingly come to Achill and he won't give her up. Pig insists the teenager will return to her da.

Achill capitulates but throws in the towel. He knows it is his reputation that keep the Brits scared. Let them see what happens without him. He was done. He was going home.

And that was the start of it. A terrible business altogether...Wait now till you hear the rest.~from Country by Michael Hughes

A tenuous truce has brought temporary peace, but the cell group won't give up the fight. This time, they are sure they have the upper hand with inside information about British plans. Independence is theirs, if they have the heart for it.

The tale is violent, gritty, filled with passion and tears. It is an engrossing read, a timeless and compelling story.

I was attracted to the novel as a retelling of The Iliad, Homer's story of the falling out between Achilles and King Agamemnon during the Trojan War. It's been a very long time since I last read Homer. The plotline and themes are there to be found, but readers will enjoy this novel if you don't know Homer.

Hughes novel has the feel of the epic in the narrative voice, the high passions, the rhythm of the language.

I won an ARC from LibraryThing a year ago. After it didn't arrive, I contacted the publisher in the fall and they sent me the published edition.

It was worth waiting for.

Bloody brilliant. A retelling of The Iliad set amid the conflict in Northern Ireland. Gritty, violent, and pure poetry.½

My only disappointment was that this book was over all too soon. Set in 1996, near the end of Ireland's Troubles, _Country_ follows a squad of men in the Provisional IRA, in the North of Ireland. Told from the perspectives of different people in and associated with the squad, the book provides a gripping window into the flavor of the time and place.

Even though the story is supposed to be a retelling of the Illiad, I tried not to overthink the story and rate it on it's own merits. And the tale doesn't disappoint. The story is thrilling, and kept my interest, up till the very end.

Growing up, one of my favorite classic literature stories was Homers Iliad. This is a retelling of that story but based in Ireland and northern Ireland in the 1990s. I really enjoyed this story. It was an interesting read and it follows the Iliad for closely. The author did a great job retelling the story.

Country is a retelling of Homer's Illiad set on the border between Ireland and Northern Ireland during the 1990s. The IRA are the Greeks and the British army are the Trojans. It's a fairly close copy of the original despite the differences in time and setting.
I read The Silence of the Women a few months ago which tells the same story but from the POV of Briseis and the other women involved in the Trojan War. I enjoyed this book much more than that one; the Trojan War is ultimately a war between men, and Briseis was a minor character. Framing the story from the POV of the women didn't work for me, at least in that book.
However, Country is marvelous. It's gritty and crude and grim, everything you want to read about from Homer's war story but without the gods (which I didn't miss honestly). It's kind of sad how well a war story centuries old still fits in our current world. The uselessness of this fighting is a theme throughout the book. I also thought, apologies to Ms. Barker, that this book did a better job of explaining the role of women in war. Their helplessness, even Nellie's (Helen), was another theme that Mr. Hughes pursued successfully.
I heartily recommend this book. It's an excellent read regardless of the reader's interest in Greek epics.

The focus of this novel is a description of the tension that existed in Northern Ireland between the IRA and the British in 1996. It describes the IRA effort to unify all the counties in Ireland into one country. The book is segmented into seven sections, beginning with a description of the existing conditions of a possible cease fire and peace talks. The remaining sections are centered on specific individuals, their actions and their thinking. Both sides of the conflict are covered. Peace talks are on the horizon , but hatred, mistrust and intransigence play a huge role in the possible outcome.
This is a compelling book. Hard to put down, but for me,
difficult to read. Much of the Irish vocabulary was foreign to me. Some definitions eventually became apparent, but many did not. I found myself guessing at the meaning. I recommend this book.There are valuable lessons to be learned about the conflict, and why it took so long.½

‘Country’ by Michael Hughes is a retelling of Homer’s Iliad set in 1990’s Ireland at the time of the Troubles. And it is spot on! I knew the basic plot of the Iliad prior to reading this, but while reading I found myself repeatedly referencing online sources for more details and was surprised/delighted with how well Hughes was able to reframe the Greek tale so naturally in an entirely different setting. Given this, there wasn’t the same suspense in reading there might have been if I wasn’t sure who would die and how the tale would end, but the novel is so well written and the characters so compelling I was captivated nonetheless. Bringing the conflict into modern terms where people at war are the puppets of politicians just as completely as heroes in epics were the puppets of Gods is a cold bite to swallow, but it rings true. I loved Hughes’ integration of Irish dialect and attention to historic details as well, though not being terribly well versed in Irish slang or history I did find myself searching terms online not too infrequently. On the flip side, there are sections that drag somewhat where characters are repeatedly proselytizing their position, but all in all a great read, highly recommend.

ARC through LibraryThing Early Reviewers program½

Where was this book when I was in school? Homer & I had a rocky relationship & by the time I graduated, we were barely on speaking terms. With this retelling of The Iliad, Michael Hughes takes the legendary poets’s themes & characters & plunks them down in 1996 Northern Ireland, just after the signing of the peace accord.

Like many great tales, it all begins with a woman. Nellie is a young Catholic who is part of a new generation. Tired of grinding poverty & endless violence, they yearn for a life beyond “the Troubles”. So when she’s offered money to inform on her IRA husband & his crew, she sees it as her ticket to a new life in London & grabs it with both hands.

Think of her as a modern Helen which means her husband Brian Campbell is this version’s Menelaus. Brian is part of a group led by his brother Shane (think Agamemnon) & follows him with unquestioning loyalty. So when they learn Nell is a tout, they vow to blow up a nearby English army post in retaliation. It’s not just what they do, it’s a matter of family pride. But they’ll need the help of sniper Liam “Achill” O’Brien to guarantee success (no points for recognizing him as our Achilles).

Liam is more than a competent marksman. He’s a legend in these parts & the mere whisper of his name is the stuff of nightmares for English soldiers. He’s been picking them off for years & truth be told, he’s getting a little tired of the whole damn mess. If the peace accord holds, he’ll be out of a job & lately he’s been thinking of returning home to the island of Achill. Now he’s being asked to continue the slaughter just to salvage a man’s pride.

In alternate chapters we’re introduced to Henry, an aging English combat veteran who has no time for the hopeful blather being spewed by politicians. He embodies Homer’s Hector, a soldier addicted to the glory of war at the expense of everyone else in his life. HIs days on active duty are numbered & taking out Liam would guarantee his legacy.

And so the stage is set. It’s inevitable there will be a mighty clash between these characters & many others. The contemporary setting makes this powerful story more relatable & N. Ireland in particular is the perfect location to explore Homer’s classic themes of honour, pride, fate, loyalty & mortality. Instead of dealing with the big picture, the author uses a small band of characters to represent the brutal effect of decades of war. This narrow focus personalizes the Troubles, helping us understand how they’ve inherited so much bitterness & hatred.

It’s clear from the start we’re in for a bloody ending but much of the book is more dialogue than action. It’s written in Irish vernacular & although I found this difficult to understand at times (my failing, not the author’s) it lends authenticity to the narrative.

It’s written as if someone is telling you a story while you share a pint, a story about people who can’t escape their circumstances or even imagine a different life. For them fighting is like breathing & as in the original tale, there are few winners here. It’s an engrossing read & I can’t help but think if I’d had this version while in school I’d have got a better grade.

A puzzle of a book - find out more about its pieces in my full review here http://annabookbel.net/the-countenance-divine-by-michael-hughes-jonn-murray