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Peter Fischli

Auteur de Will Happiness Find Me?

42+ oeuvres 287 utilisateurs 5 critiques

A propos de l'auteur

Crédit image: Peter Fischli [credit: film+ 12]

Œuvres de Peter Fischli

Will Happiness Find Me? (2003) 67 exemplaires
The Way Things Go [1987 Short Documentary film] (1987) — Directeur — 20 exemplaires
Equilibres (2006) 19 exemplaires
Plotzlich deise Ubersicht (2008) 11 exemplaires
Fotografias (2006) 11 exemplaires
Alexander Calder & Fischli / Weiss (2016) 11 exemplaires
Peter Fischli, David Weiss (2010) 9 exemplaires
Sonne, Mond und Sterne (2008) 9 exemplaires
Fischli Weiss, Garten (1998) 8 exemplaires
Bilder, Ansichten (1991) 7 exemplaires
Sichtbare Welt: Visible World (2000) 7 exemplaires
Airports (1995) 2 exemplaires
Stop Painting (2021) 2 exemplaires
Fragen Projektion (2002) 2 exemplaires
Siedlungen, Agglomeration (1993) 2 exemplaires
Mundo Visível 1 exemplaire
Stiller Nachmittag 1 exemplaire
Borse Zurich 1 exemplaire

Oeuvres associées

Extra (2003) — Contributeur — 8 exemplaires

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Long before Peter Fischli and David Weiss made Fotografias, Nancy Spector had noted that the two liked to "undermine conventional distinctions between high and low art." This collection of underexposed black-and-white images does exactly that, recreating low-end figurative paintings as muddy, dark, snapshots and minting them anew as fine art. Subjects include landscapes and historical scenes, animal and mythological beings, and, yes, female figures.
 
Signalé
petervanbeveren | Oct 23, 2022 |
Peter Fischli’s creatively conceived history of the crises of painting over the past 150 years

Conceived by artist Peter Fischli for Fondazione Prada’s Venice premises, Stop Painting investigates the persistence of painting in the 21st century. Described by Fischli as “a kaleidoscope of repudiated gestures,” the project explores five ruptures within the history of painting over the last 150 years.

Painting’s first rupture was produced by photography, which led painter Paul Delaroche to exclaim in 1840: “from today, painting is dead.” The second crisis is represented by Duchamp’s invention of the readymade and collages by the likes of Kurt Schwitters. The third rupture was produced by the interrogations of authorship made famous by Roland Barthes’ “death of the author” in 1968; simultaneously, the fourth crisis was the critique of painting as a commodity. The fifth rupture focuses on the crisis of criticism under late capitalism as formulated by Luc Boltanski and Eve Chiapello.… (plus d'informations)
 
Signalé
petervanbeveren | Oct 28, 2021 |

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Statistiques

Œuvres
42
Aussi par
1
Membres
287
Popularité
#81,379
Évaluation
3.8
Critiques
5
ISBN
36
Langues
3

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