Erika Bergmann

Writer / director Donovan Winter tells the story of wishful thinking womaniser, Peter (Christopher Matthews) who works his ways through a succession of beautiful stereotypical women. His series of conquests makes little sense until the final few, black-and-white minutes which manages to recast all that has gone before. Despite the disconnected vignette feel, a rough-and-ready approach and some unsubtle meat-chopping symbolism, Winter's film is still reasonably watchable - the repeated shots of Christopher Matthews arse aside. There's a fun psyched-out drugs sequence, a couple of fun tunes and some early appearances from a shockingly thin Madeline Smith and twins Mary and Madeleine Collinson, who appear in a sleazy and queasy lesbian sequence.… (plus d'informations)