Photo de l'auteur

Meg Waite Clayton

Auteur de The Wednesday Sisters

8+ oeuvres 3,003 utilisateurs 343 critiques 9 Favoris

A propos de l'auteur

Meg Waite Clayton is an American author, and a graduate of the University of Michigan Law School. She has written for the Los Angeles Times, The New York Times, The Washington Post, San Francisco Chronicle, Runner's World and public radio, frequently on the particular challenges that women face. afficher plus Her first novel, The Language of Light, was a finalist for the Bellwether Prize for Socially Engaged Fiction (now the PEN/Bellwether). She has also written The Race for Paris, The Wednesday Daughters, The Four Ms. Bradwells, and The Wednesday Sisters. (Bowker Author Biography) afficher moins
Crédit image: photo by McCord Clayton

Séries

Œuvres de Meg Waite Clayton

The Wednesday Sisters (2008) 1,099 exemplaires
The Last Train to London (2019) 497 exemplaires
The Postmistress of Paris (2021) 342 exemplaires
Beautiful Exiles (2018) 319 exemplaires
The Four Ms. Bradwells (2011) 232 exemplaires
The Race for Paris (2015) 220 exemplaires
The Wednesday Daughters (2013) 211 exemplaires
The Language of Light (2003) 83 exemplaires

Oeuvres associées

Étiqueté

Partage des connaissances

Nom canonique
Clayton, Meg Waite
Date de naissance
1959-01-01
Sexe
female
Nationalité
USA
Lieu de naissance
Washington, D.C., USA
Lieux de résidence
Palo Alto, California, USA
Études
University of Michigan
Professions
corporate lawyer
Organisations
Readerville
Agent
Marly Rusoff (The Rusoff Agency)

Membres

Critiques

I don't much like reviewing things that didn't do much for me, and am hoping the author and narrator don't read this. Goodreads doesn't seem to have the audio format that I listened to (B013PVQRKW), narrated by Jennifer Ikeda, so I'll use this record.
The first several chapters felt especially contrived -- pulled together perhaps out of various article clippings and photos--it felt removed and, perhaps due to the narration, whimsically nostalgic--the tone was like someone reminiscing about "the good ol' days", which felt miss-placed, given the topic. I liked though, this unique perspective--getting an idea of the monumental risks required from as yet unknown female journalists/photojournalists if they weren't to be completely shut out from covering the war.… (plus d'informations)
 
Signalé
TraSea | 11 autres critiques | Apr 29, 2024 |
I learned a lot about France during WWII, and Surrealist Art. Very well-developed characters..some, but not all based on real people. Unfortunately, it was a little slow, and some of the dialogue seemed stilted. Otherwise, not bad.
 
Signalé
Chrissylou62 | 16 autres critiques | Apr 11, 2024 |
I wanted to like this book. Interesting topic, based on a real-life heroine who spent ww2 using her obscene wealth to get people out of occupied France, save them from the Nazis, etc, but I could not warm to the main character. As the author described her she comes across as soulless, caring most for her dog of all the other characters.
The author’s created characters also seem oddly unemotional. The situation they are in is frequently dire and yet the tension only raises once during their escape- there is never any doubt that with the heroine’s money and American papers all will come
To right.
Tiny bit annoying to have everyone say how she was safe because she has those US papers, like everyone involved genuflected at anyone who said they were American. And of course the American woman was more competent than all of the other women who didn’t have the magic papers and yet did the same or more dangerous work.
There’s a stuffed kangaroo that is inserted for increased twee. And the male hero insists on carrying his films with him everywhere despite the danger to him and his child if he does so.
A story of the privileged during ww2, living in chateaus and hosting parties. It galled a bit with the backdrop of the bombing of Ukraine.
… (plus d'informations)
 
Signalé
Dabble58 | 16 autres critiques | Nov 11, 2023 |
I had to give up on this one. I've read a couple others by Meg Waite Clayton and enjoyed them, but I just found my mind wandering while listening and I couldn't stay focused on the story. This may be one of those instances where the audio format wasn't the best choice for me.
 
Signalé
indygo88 | 20 autres critiques | Oct 28, 2023 |

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Statistiques

Œuvres
8
Aussi par
2
Membres
3,003
Popularité
#8,498
Évaluation
½ 3.6
Critiques
343
ISBN
91
Langues
9
Favoris
9

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