Kevin Chong
Auteur de The Double Life of Benson Yu: A Novel
A propos de l'auteur
Kevin Chong has big plans. He's going to fill the gaps in his lifefind true love, see the world, get a tattoo. But then he meets a racehorse named Blackie. When Kevin becomes Blackie's part-owner, his life is changedand his to-do list starts to look a little different. Hilarious, moving, and afficher plus ultimately inspiring, My Year of the Racehorse shows that fulfillment can come from the most unexpected of places. Kevin Chong is the acclaimed author of Baroque-a-nova, Beauty Plus Pity, and Neil Young Nation. He teaches creative writing at the University of British Columbia. afficher moins
Crédit image: https://fccs.ok.ubc.ca/about/contact/kevin-chong/
Œuvres de Kevin Chong
Étiqueté
Partage des connaissances
- Nom canonique
- Chong, Kevin
- Nom légal
- Chong, Kevin Kim-Wang
- Date de naissance
- 1975
- Sexe
- male
- Nationalité
- Canada
- Lieux de résidence
- Vancouver, British Columbia, Canada
- Professions
- university professor
Membres
Critiques
Prix et récompenses
Vous aimerez peut-être aussi
Statistiques
- Œuvres
- 7
- Membres
- 216
- Popularité
- #103,224
- Évaluation
- 3.5
- Critiques
- 14
- ISBN
- 21
- Langues
- 1
Thank you to NetGalley, the publishers Simon & Schuster, Atria Books, and the author Kevin Chong for an ARC in exchange for an honest review.
The blurb compares Charles Yu's Interior Chinatown, and the comparison is apt as Yu and Chong are writing similar themes of Chinese-American representation, Asian masculinity, Chinatown, boyhood/childhood, and fatherhood. Chong's novel is also similar to the upcoming book Flux as well, and while Flux uses the time-traveling framework to frame these themes, Yu and Chong use a meta-narrative aspect. Chong's writing echoes past works such as Frank Chin's The Chickencoop Chinaman, The Year of the Dragon, and Maxine Hong Kingston's China Men. Chong's meta-narrative is especially effective in rewriting and confronting childhood trauma, and how recreating sites of trauma into art can be empowering. The use of Japanese martial arts karate and Samurais serves as a representation of Asian masculinity and for approximation to Western masculinity. Benson embraces karate and Samurai as a form of assimilation politics as well. he actively avoids kung-fu and desires not to be like his Dad but becomes a terrible parent by being an alcoholic. By the end, Benson rewrites Benny's politics and gives him closure with Constantine, a closure that he'll never get from his abuser in real life, Benny remains firmly positioned in Chinatown and closer to his Chinese heritage through his Aunt, Steph. Overall, Chong's work is a great addition to Asian diaspora literature.… (plus d'informations)