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7 oeuvres 216 utilisateurs 14 critiques

A propos de l'auteur

Kevin Chong has big plans. He's going to fill the gaps in his lifefind true love, see the world, get a tattoo. But then he meets a racehorse named Blackie. When Kevin becomes Blackie's part-owner, his life is changedand his to-do list starts to look a little different. Hilarious, moving, and afficher plus ultimately inspiring, My Year of the Racehorse shows that fulfillment can come from the most unexpected of places. Kevin Chong is the acclaimed author of Baroque-a-nova, Beauty Plus Pity, and Neil Young Nation. He teaches creative writing at the University of British Columbia. afficher moins

Œuvres de Kevin Chong

Étiqueté

Partage des connaissances

Nom canonique
Chong, Kevin
Nom légal
Chong, Kevin Kim-Wang
Date de naissance
1975
Sexe
male
Nationalité
Canada
Lieux de résidence
Vancouver, British Columbia, Canada
Professions
university professor

Membres

Critiques

TW: Suicide ideation and implied child sexual abuse
Thank you to NetGalley, the publishers Simon & Schuster, Atria Books, and the author Kevin Chong for an ARC in exchange for an honest review.

The blurb compares Charles Yu's Interior Chinatown, and the comparison is apt as Yu and Chong are writing similar themes of Chinese-American representation, Asian masculinity, Chinatown, boyhood/childhood, and fatherhood. Chong's novel is also similar to the upcoming book Flux as well, and while Flux uses the time-traveling framework to frame these themes, Yu and Chong use a meta-narrative aspect. Chong's writing echoes past works such as Frank Chin's The Chickencoop Chinaman, The Year of the Dragon, and Maxine Hong Kingston's China Men. Chong's meta-narrative is especially effective in rewriting and confronting childhood trauma, and how recreating sites of trauma into art can be empowering. The use of Japanese martial arts karate and Samurais serves as a representation of Asian masculinity and for approximation to Western masculinity. Benson embraces karate and Samurai as a form of assimilation politics as well. he actively avoids kung-fu and desires not to be like his Dad but becomes a terrible parent by being an alcoholic. By the end, Benson rewrites Benny's politics and gives him closure with Constantine, a closure that he'll never get from his abuser in real life, Benny remains firmly positioned in Chinatown and closer to his Chinese heritage through his Aunt, Steph. Overall, Chong's work is a great addition to Asian diaspora literature.… (plus d'informations)
 
Signalé
minhjngo | 7 autres critiques | Mar 28, 2024 |
Benson Yu is a cartoonist. His best-selling comic book was Iggy Samurai. At times he is in his adult mode sharing his past and showing us his present. Then he goes into his comic book mode of his alter ego child, also named Benson Yu, and the samurai that protected Benson the child. Finally, Benson the adult and Benson the child meet. How do they come together? Who will prevail?

I am ambivalent about this story. The concept is interesting. It was jarring to come from the pages of the comic book into Benson's current adult life. Part II was even more jarring as the child and the adult live together for a while. Also the child is not of this time. Lots of odd things happen in Part II that left me confused. I had more questions than answers. I am not sure what really happened at the end in the dojo scene. I was glad that Benson the child seemed more settled after that and had communication with the samurai.

This is not a typical novel for me. I read it because I won it on a Goodreads Giveawy about a year ago. This is my fair and honest review.
… (plus d'informations)
 
Signalé
Sheila1957 | 7 autres critiques | Feb 28, 2024 |
Metafiction is not a preferred genre of mine. Things went relatively smoothly until I got to the final third of the novel, which was completely beyond me. I have zero interest in and hence know next to nothing about martial arts and Samurai weapons. (That knowledge is, I think, central to comprehending/visualizing the action in this section—as is mental agility and a tolerance for metafictional time-travel cleverness, which I evidently lack.) Reading this turned into a bore and a chore. My mind doesn’t work the way Chong’s does, and the narrative tricks that excite him have no hold on me. I came close, very close, to bailing on this book—so great was the mismatch between author and reader. A resounding NO from me. But this will be the cat’s meow for some.

Completed only because it was on the Giller shortlist.
… (plus d'informations)
 
Signalé
fountainoverflows | 7 autres critiques | Nov 12, 2023 |
Very engaging story: chapters shift point of view between teenage Benny, middle age Yu, and samurai-wannabe Constantine; time-travel is involved. How autobiographical is this? It's easy to presume that the depression and childhood dysfunction that Yu is working through is actually that of the Chong. I recommend this book.
After finishing the book, I realized that I really had only 1 point of identification with the story, and so was able to move on without being emotionally bound up in the tale. (That 1 point? not trusting people with blue eyes.)… (plus d'informations)
½
 
Signalé
juniperSun | 7 autres critiques | Oct 28, 2023 |

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Statistiques

Œuvres
7
Membres
216
Popularité
#103,224
Évaluation
½ 3.5
Critiques
14
ISBN
21
Langues
1

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