Photo de l'auteur

Philippe Beaussant (1930–2016)

Auteur de Le Rendez-vous de Venise

32 oeuvres 225 utilisateurs 7 critiques

A propos de l'auteur

Œuvres de Philippe Beaussant

Le Rendez-vous de Venise (2003) 46 exemplaires
Le Roi-Soleil se lève aussi (2000) 31 exemplaires
Histoire de la musique occidentale (1985) 26 exemplaires
François Couperin (1980) 19 exemplaires
Héloïse (1993) 11 exemplaires
Lully, ou, Le musicien du soleil (1992) 10 exemplaires
Louis XIV, artiste (1999) 9 exemplaires
L'archéologue (1987) 6 exemplaires
Stradella (1999) 5 exemplaires
Rameau de A à Z (1983) 5 exemplaires
Vous avez dit "classique"? (1991) 4 exemplaires
Mangez baroque et restez mince (1999) 3 exemplaires
Monteverdi (2003) 3 exemplaires
L'Opéra royal de Versailles (2009) 3 exemplaires
La belle au bois, conte (1990) 2 exemplaires
Versailles, Opéra (1981) 2 exemplaires
La malscène (2005) 2 exemplaires
Où en étais-je ? (2008) 2 exemplaires
Dardanus de Rameau (1980) 2 exemplaires
Le biographe (1978) 2 exemplaires
Titien : Le chant du cygne (2009) 1 exemplaire
Barokowa melokuchnia nie tuczy (2008) 1 exemplaire

Étiqueté

Partage des connaissances

Nom légal
Beaussant, Philippe Jacques Henri
Date de naissance
1930-05-06
Date de décès
2016-05-08
Lieu de sépulture
Cimetière Saint-Louis, Versailles, Yveline, Île-de-France, France
Sexe
male
Nationalité
France
Pays (pour la carte)
France
Lieu de naissance
Bordeaux, Gironde, Nouvelle-Aquitaine, France
Lieu du décès
Le Coudray, Finistère, Bretagne, France
Études
Université de la Sorbonne (Licence, Maîtrise, Lettres)
Lycée Pasteur, Neuilly-sur-Seine
Cours Richelieu, Paris
Collège de Rumilly
Institut Fénelon, Grasse
Professions
Musicologue
Professeur (Lettres)
Relations
Villedieu de Torcy, Marie-Cécile (Epouse
Beaussant, Antoine (Fils)
Organisations
Théâtre baroque de France (Directeur, 19 94 - 19 97)
Centre de musique baroque de Versailles (Directeur, 19 88 - 19 95)
Radio France (Producteur, 19 74
Alliance française d'Australie du Sud (Président)
Flinders University, Australie (Lecteur, Lettres, 19 65)
Professeur de lettres classiques (1954) (tout afficher 11)
Institut de musique et danse anciennes (Directeur fondateur, 19 77)
Printemps des arts de Nantes (Conseiller, 20 03 | )
Académie française (Membre, 20 07)
Académie Charles-Cros (Membre)
Académie des sciences morales, des lettres et des arts de Versailles et d'Île-de-France (Membre)
Prix et distinctions
Chevalier de la Légion d'honneur (2008)
Chevalier de l'ordre national du Mérite
Officier des Arts et des Lettres
Prix de la langue française (Pour l'ensemble de son œuvre, 20 01)
Prix Prince Pierre de Monaco (Pour l'ensemble de son œuvre, 20 04)

Membres

Critiques

This beautiful little book tells the story of Pierre, who finds a diary while going through the papers of his late uncle, an old-fashioned art historian who was a confirmed bachelor. Discovering a secret love affair his uncle had in Venice, Pierre finds himself forced to question how much he really knew about his uncle. Filled with some beautiful writing about paintings, by an author who clearly shares his characters' passion for art.
 
Signalé
TheIdleWoman | 3 autres critiques | Dec 8, 2017 |
haven’t #named the translator for this delightful French novella, because I read it in French. Le Rendez-vous de Venise by Philippe Beaussant was first published in 2003 and when I read Emma’s billet at Book Around the Corner last year I decided with her encouragement to order the French edition, completely forgetting that I already owned the English Pushkin Press English edition (Rendezvous in Venice, 2014, translated by Paul Buck and Catherine Petit) through my 12-month subscription to Pushkin Press. As it turned out, I was very glad to have both. (And for the ease of readers I have referenced the page numbers of the English translation.)

The novella will appeal to anyone who likes art. Pierre Voisin, the narrator, introduces his Uncle Charles as an erudite art historian whose affectionate patronage and skilful mentoring has guided Pierre’s own career as an art historian too. They had a very close relationship, but it was not until after his uncle’s death that Pierre discovers in some old notebooks that Uncle Charles had once been passionately in love with a woman called Judith. Pierre, who has modelled his own austere life on his uncle’s, is astonished, because he thinks that Uncle Charles thinks of women only as portraits. Poor Pierre, he can’t imagine his uncle kissing a young woman in the streets of Venice.

How can I imagine my austere old uncle with a woman? I only ever saw him with old Mariette dressed in black, with her blue apron and her hair in a bun, herself resolutely old-fashioned, smiling sometimes, yes, smiling, looking up from her work or into the glass of a window she was busy wiping, and who, I knew, reminded my uncle of Françoise in Swann’s Way? How can I imagine Uncle Charles close to a woman?

Yet, of course, women were not absent from his thoughts. He loved them. I know, I’ve seen it. When he started to talk about them, he just couldn’t stop. But they were always painted women. He talked about them like a lover but, unlike a jealous lover, he gave the impression, while talking about his beloved (the beautiful Eleanor of Toledo, painted by Bronzino, or Giovanna Tornabuoni in the fresco of Sante Maria Novella) that he would have wished you to share his passion and that his dearest wish was for you to fall in love with her too. (p. 26-7)


To read the rest of my review please visit https://anzlitlovers.com/2017/02/19/le-rendez-vous-de-venise-rendezvous-in-venic...
… (plus d'informations)
 
Signalé
anzlitlovers | 3 autres critiques | Feb 19, 2017 |
"There was so much melancholy that I spent the entire novel kind of vacillating between feeling the chill of a lack of emotion and being annoyed by the frequent invitations to the self-pity party" read more: http://likeiamfeasting.blogspot.gr/2015/12/rendezvous-in-venice-philippe-beaussa...
½
 
Signalé
mongoosenamedt | 3 autres critiques | Dec 7, 2015 |
"Doctor, Doctor, can you hear me?"

In L'archéologue, a short novel by Philippe Beaussant an archaologist tells his life story, which spans most of the Twentieth Century and is sprawled across the globe, connecting cultures and continents across the globe in a feverish narrative. From Egypt, to Bali and Cambodia. The story is told with a passion, bordering on delirium, and increasingly incoherent, as cultural references become mixed, bringing Asian culture together with Western cultural references. There is not much of a story, and the narrative seems a succession of namesdropping and achievements.

French literature is often characterized by a chute an unexpected turn, which makes the reader suddenly see the story in an entirely different light. revealing this chute would be a real spoiler. However, it saved the story for me. The chute at the end of L'archéologue is very original and fuses the story with drama.
… (plus d'informations)
 
Signalé
edwinbcn | Aug 30, 2015 |

Prix et récompenses

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Statistiques

Œuvres
32
Membres
225
Popularité
#99,815
Évaluation
½ 3.7
Critiques
7
ISBN
51
Langues
4

Tableaux et graphiques