Derek Beaulieu
Auteur de Fractal economies
A propos de l'auteur
Crédit image: portrait by Kevin McPherson
Œuvres de Derek Beaulieu
Silence 2 exemplaires
Local Colour 2 exemplaires
brevflodslette 1 exemplaire
Colour 1 exemplaire
a a novel 1-20 1 exemplaire
The Unbearable Contact with Poets 1 exemplaire
Ascender/Descender 1 exemplaire
On Syntax 1 exemplaire
Square Root 1 exemplaire
Derek Beaulieu 1 exemplaire
AN ABECEDARIUM 1 exemplaire
William S. Burroughs: Ghost of Steel 1 exemplaire
Flattening Flatland 1 exemplaire
26 alphabets 1 exemplaire
Oeuvres associées
Less Is More: The Poetics of Erasure [Capilano Review 3.7, Winter, 2009] (2009) — Contributeur — 5 exemplaires
Étiqueté
Partage des connaissances
- Nom canonique
- Beaulieu, Derek
- Nom légal
- Beaulieu, Derek Alexander
- Date de naissance
- 1973-12-07
- Sexe
- male
- Nationalité
- Canada
- Lieux de résidence
- Calgary, Alberta, Canada
Membres
Critiques
Vous aimerez peut-être aussi
Auteurs associés
Statistiques
- Œuvres
- 25
- Aussi par
- 1
- Membres
- 93
- Popularité
- #200,859
- Évaluation
- 3.9
- Critiques
- 1
- ISBN
- 16
This is one poem from the book.
If you can accept this as a poem, you might enjoy this book.
If you can see it as an exciting poem, one that expands the field of what a poem can be and expands the toolkit of ways poetry can represent, then you might love this book. I did.
"sinus headache," the poem linked to above, is taken from "surface," a long sequence of Letraset experiments that comprises most of the first half of the book. The second half is made up of two other sequences, "depression" and "blister," in which beaulieu investigates other visual means of poetry-making: photocopier and scanner experiments, relief experiments (rubbings), found poems, diagrams, etc. These other sequences are slightly less interesting than "surface," although this might be a matter of personal taste—part of what I enjoyed about the dry transfer experiments, for instance, is their compositional intricacy, a quality that doesn't naturally inhere in, say, a photocopier experiment. Ultimately, I'd argue for the importance of these other sequences as well, for they contribute to the book's larger effect: broadening the field of possible techniques for contemporary visual poetry. (There are, by my count, four poems in the book that don't even use letterforms.)
As an extra bonus for the truly hard-core: the book closes with a theoretical essay by beaulieu, "an afterward after words: notes towards a concrete poetic." I'm still digesting the ideas in this essay, and may write more on it later.
Permanent URL for this review: http://www.imaginaryyear.com/raccoon/2007/06/fractal-economies-by-derek-beaulieu...… (plus d'informations)