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For the Fighting Spirit of the Walnut (New Directions Paperbook)

par Takashi Hiraide

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The radiant subway. The wall that clears up, endless. A thundering prayer of steel that fastens together the days, a brush of cloud hanging upon it, O beginning, it is there--your nest. Thus the keynotes of Hiraide's utterly original book-length poem unfold--a mix of narrative, autobiography, minute scientific observations, poetics, rhetorical experiments, hyper-realistic images, and playful linguistic subversions--all scored with the precision of a mathematical-musical structure.… (plus d'informations)
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I read this late last night. I wasn't able to give it a careful read. I think to do that would require much more effort, as I couldn't really wrap my head around these. Normally a poem series has some kind of angle. You just latch on to that early and you know how to read the rest of them. But these poems vary in tone and subject just enough to make it kinda hard, but still engaging and interesting. I finished the book with a good feeling. He talks about walnuts a lot, and there's something about the inside of a walnut looking like the human brain, and having two halves, with membranes, which begs the question of crossing over. OK. This wasn't really in the book, this is just what walnuts make me think about. He does talk about crossing over a lot though, which is interesting. He talks about trains a lot too, and lines (as in poetry) and language... and nature. This might be worth a re-read sometime later, when I'm smarter, maybe I'll get more from it. Here's a good excerpt:

"Why not use your fluttering tongue to wipe the sweat off of that starling who is trying to strip off her wings. It's so distant of you, my arboreal lover on the outskirts of town. From the shadow of the clothes hanging in a thrift shop, a single antelope watches you. Steel-colored eyes of contempt." ( )
  JimmyChanga | Jul 13, 2010 |
When a fan of the neglected American genius Guy Davenport wrote to tell him that she admired his ability to express himself, his response was: "Yick!" Davenport's reaction — somewhere between bemusement and horror — upon learning that anyone could so misunderstand his art, and, indeed, art in general, seems apposite in considering the work of Takashi Hiraide whose "For the Fighting Spirit of the Walnut" has more in common with the cool integrity of the best work of poets such as Ezra Pound, T.S. Eliot and Guillaume Apollinaire — modernists, one and all — than it does with versifiers who appear to believe that writing is a way for them to work through the emotions that wash over them when, say, the sun sets behind bare trees, the seasons change, or a dog dies.
ajouté par dcozy | modifierThe Japan Times, David Cozy (Sep 7, 2008)
 

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The radiant subway. The wall that clears up, endless. A thundering prayer of steel that fastens together the days, a brush of cloud hanging upon it, O beginning, it is there--your nest. Thus the keynotes of Hiraide's utterly original book-length poem unfold--a mix of narrative, autobiography, minute scientific observations, poetics, rhetorical experiments, hyper-realistic images, and playful linguistic subversions--all scored with the precision of a mathematical-musical structure.

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