Bernhard Zimmermann
Auteur de Greek Tragedy: An Introduction
A propos de l'auteur
Bernhard Zimmermann is professor of classics at the University of Constance.
Œuvres de Bernhard Zimmermann
Handbuch der griechischen Literatur der Antike. Zweiter Band, Die Literatur der klassischen und hellenistischen Zeit (2014) 4 exemplaires
Crisis on stage tragedy and comedy in late fifth-century Athens (2011) — Directeur de publication — 3 exemplaires
Europa und die griechische Tragödie: Vom kultischen Spiel zum Theater der Gegenwart (2015) 1 exemplaire
Literaturrezeption im historischen Prozess : zur Theorie e. Rezeptionsgeschichte d. Literatur (1977) 1 exemplaire
Oeuvres associées
Brill's Companion to Propertius (Brill's Paperback Collection) (2006) — Contributeur — 7 exemplaires
Brill's Companion to Sophocles (Brill's Companions in Classical Studies) (2012) — Contributeur — 5 exemplaires
Playing around Aristophanes : essays in celebration of the completion of the edition of the Comedies of Aristophanes by… (2006) — Contributeur — 5 exemplaires
Die griechische Biographie in hellenistischer Zeit : Akten des internationalen Kongresses vom 26.-29. Juli 2006 in… (2007) — Contributeur — 5 exemplaires
Fiction on the Fringe: Novelistic Writing in the Post-Classical Age (Mnemosyne, "Supplements") (2009) — Contributeur — 5 exemplaires
Theatre World : Critical Perspectives on Greek Tragedy and Comedy. Studies in Honour of Georgia Xanthakis-Karamanos (2017) — Contributeur — 3 exemplaires
Brill's Companion to the Study of Greek Comedy (Brill's Companions in Classical Studies) (2010) — Contributeur — 2 exemplaires
Epea pteroenta : Beiträge zur Homerforschung : Festschrift für Wolfgang Kullmann zum 75. Geburtstag (2002) — Contributeur — 1 exemplaire
Persona ficta: la personificazione allegorica nella cultura antica fra letteratura, retorica e iconografia (2012) — Contributeur — 1 exemplaire
Plautus und die Tradition des Stegreifspiels : Festgabe für Eckard Lefèvre zum 60. Geburtstag (1995) — Contributeur — 1 exemplaire
Page and Stage: Intersections of Text and Performance in Ancient Greek Drama (Trends in Classics - Supplementary… — Contributeur — 1 exemplaire
Fragmentation in Ancient Greek Drama (Trends in Classics - Supplementary Volumes, 84) — Contributeur — 1 exemplaire
Étiqueté
Partage des connaissances
- Date de naissance
- 1955-10-03
- Sexe
- male
- Nationalité
- Germany
- Lieu de naissance
- Konstanz, Germany
Membres
Critiques
Listes
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Statistiques
- Œuvres
- 23
- Aussi par
- 16
- Membres
- 76
- Popularité
- #233,522
- Évaluation
- 4.0
- Critiques
- 1
- ISBN
- 34
- Langues
- 4
1. Greek tragedy is the result of honoring the god Dionysus with an agon (a poetic competition).
2. Each competitor submitted a tetralogy: 3 tragedies and 1 comedy (to lighten the mood).
3. Aeschylus is the greatest. In fact, by popular vote, the one-time-performance rule was broken to bring his work back to the stage.
4. The tragedy is an evolution of the dithyramb.
5. There is always an interplay between the chorus and the actors.
6. The audience of Greek tragedy was already well acquainted with the material, i.e. the myths, thanks to Hesiod and Homer.
7. The audience was more interested in how the poet would get to the prescribed conclusions.
8. There were set metrical schemes the poets would use in order to convey certain things.… (plus d'informations)